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  • £48.52

    My soul, rejoice (Cornet Solo with Brass Band) Andrew Wainwright

    My soul, rejoice (Andrew Wainwright) was commissioned in 2022 by Elizabeth Malovance, principal cornet of the Chicago Staff Band. A spirited and celebratory work, it is designed to showcase the dual nature of the cornet: its sparkling technical agility and its rich, vocal lyricism. The music begins in meditative fashion before transitioning into a joyful caprice featuring playful syncopations which are handed around the band. This is followed by a reflective section based on the much-loved worship song I love you Lord by Laurie Klein. The work concludes with a reprise of the original theme, building in momentum and intensity. Through a series of brilliant runs and virtuosic flourishes, the soloist leads the charge toward a majestic and triumphant finale, bringing the work to a ringing, glorious close. The solo was recorded by Richard Marshall on the 2026 CD Gothique Fantasy - The Music of Andrew Wainwright, which was his last solo recording of his 20-year tenure as principal cornet of Black Dyke Band. Technical Requirements & Electroacoustic Integration This work features an optional digital delay effect for the soloist, indicated in the score by "pedal on" and "pedal off" markings. If the required equipment is unavailable, the piece can be performed entirely acoustically. To listen to Beth Malovance performing the work with the Chicago Staff Band please visit https://on.soundcloud.com/c8IoU3CF3srTD4z0wX Duration: approx. 8 minutes Difficulty Level (Band): 2nd Section + Soloist: Advanced This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani & Bass Drum Percussion 1-3

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  • £33.59

    One Voice (Brass Band) Barry Manilow arr. Mark Ford

    Originally released in 1979 as the title track of Barry Manilow's sixth studio album, One Voice has become an enduring anthem for unity and social courage. It is a stirring ballad that reminds us how a single, brave voice can ignite a chorus of solidarity and lead the way toward positive change. Expertly crafted for brass band by Mark Ford, this setting captures the intimate, soaring spirit of the original while leveraging the unique textures of the brass band. The piece begins with a delicate, lyrical flugel horn solo, representing the 'single voice' of the title. As the arrangement progresses, the rest of the ensemble joins in, building from a gentle accompaniment into a magnificent, wall-of-sound finale that is sure to leave your audience inspired. To view a rolling score video of the work please visit https://youtu.be/RcQ5xbnyNjs Duration: Approx. 3.15 minutes Difficulty Level: 4th Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel Percussion

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  • £29.86

    How Shall I Woo Thee (Cornet Solo with Brass Band) Coleridge-Taylor arr.Bushnell

    The 7 African Romances, Op. 17 for voice and piano has words by Paul Laurence Dunbar and music by Samuel Coleridge-Taylor. Published in 1897, it comprises of 7 songs, "An African Love Song", "A Prayer", "A Starry Night", "Dawn", "Ballad", "Over the Hills" and "How Shall I Woo Thee?", of which the last is arranged here.This arrangement was requested by Besses o' th' Barn Band for the The Samuel Coleridge-Taylor Festival held in Liverpool on 11 October 2025. The song is wonderfully lilting with moments to indulge in the music.This arrangement is for the UK-style brass band and either solo B-flat cornet, solo E-flat soprano cornet or soprano singer. It also has alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found here: https://www.youtube.com/watch?v=tglGpaBsWOo Duration: Approx. 3.10 minutes Difficulty Level: 4th Section + This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Cornet Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

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  • £33.59

    King Lily of the Valley (Euphonium & Baritone Feature w/Brass Band) Espen Haukas

    Based on a poem by Gustaf Froding, King Lily of the Valley is a poetic and regal musical tribute to the delicate flower that, in Froding's verse, appears as a young king surrounded by both sorrow and beauty. Originally composed by David Wikander and arranged for male choir (TTBB) by Rasmus Krigstrom, this evocative work has been masterfully reimagined for brass band by Norwegian arranger and composer Espen Wallacher Haukas and created for Bjorsvik Brass's performance at Siddis Brass 2025. The brass band version retains the choral character and emotional depth of the original, weaving lush harmonies and lyrical phrasing into a rich soundscape. A deeply expressive addition to any brass band repertoire - blending Nordic choral tradition with the grandeur and warmth of the brass band sound. Scoring: Standard brass band instrumentation.(Note: Solo Cornets are marked TACET, providing a welcome opportunity for rest in longer programmes.) To view a rolling score video of the work please visit https://www.youtube.com/watch?v=AK5YPW4t3Oo Duration: Approx. 3.30 minutes Difficulty Level: 3rd Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: 1st Baritone Bb 1st Euphonium Bb 2nd Baritone Bb 2nd Euphonium Bb Soprano Cornet Eb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Bass Eb Bass Bb Timpani Percussion 1-2

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  • £22.58

    A Joyous Fanfare (Brass Band) Andrew Wainwright

    A Joyous Fanfare is a short majestic concert prelude that captures the essence of celebration and festive spirit. Derived from the original Fanfare of Joy, commissioned by the Burbage Band (Buxton) and conductor Steven Critchlow in 2017, this piece takes inspiration from the beloved carol Joy to the World. Duration: 1.20 minutes Difficulty Level: 3rd Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet 1&2 Bb Solo Cornet 3&4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Snare Cymbals

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  • £33.59

    Bethlehem Down (Brass Band) Peter Warlock arr. Karl Whelan

    Originally composed in 1927 by Peter Warlock with a hauntingly beautiful text by Bruce Blunt, Bethlehem Down is a Christmas carol unlike any other - serene, contemplative, and deeply moving. Written under unconventional circumstances (as an entry in a newspaper competition to fund a festive drinking session), the carol has become a timeless masterpiece of English choral music, celebrated for its emotional depth and harmonic subtlety. This brass band arrangement by Karl Whelan captures the quiet intensity and modal richness of Warlock's original, thoughtfully adapted for the warm, lyrical textures of a full brass ensemble. Flowing inner lines, gentle dissonances, and soft dynamics are carefully preserved, allowing the ensemble to explore a wide expressive range while maintaining the dignity and introspective tone of the piece. Ideal for concerts, church services, or as a moment of reflection within a festive programme, Bethlehem Down offers a powerful contrast to more jubilant seasonal works. A compelling choice for bands seeking a more intimate and profound interpretation of the Christmas story. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=hN4-DBtsSpc Duration: approx. 4.00 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

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     MP3 Watch video

  • £33.59

    We Wish You a Merry Christmas (Soprano Cornet Solo with Band) arr.Kenneth Downie

    This light-hearted soprano cornet feature offers a fresh and entertaining take on the well-known Christmas carol We Wish You a Merry Christmas. Thought to date back to 16th-century England, the carol reflects a tradition of festive singing outside the homes of the well-to-do - often accompanied by requests for treats such as figgy pudding, a forerunner of today's Christmas pudding. Kenneth Downie's arrangement embraces the jovial spirit of the original, pairing nimble soprano cornet writing with bright, colourful scoring for brass band. The famous refrain, 'And we won't go until we've got some', sets the tone: cheerful, a touch cheeky, and full of seasonal good humour. To view a rolling score video of the work featuring Gary Fountain, please visit www.youtube.com/watch?v=3WCW9oBw-mY A version of this solo is available as part of the Sounds of the Season series, with both piano accompaniment and MP3 orchestral backing track, available here. Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Soloist Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4

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  • £33.59

    Pachelbel Rock (Brass Band) Johan Pachebel arr. Steven Ponsford

    Johann Pachelbel's Canon in D is a cornerstone of the Baroque period, a work widely known and frequently heard at concerts and events globally. This brass band arrangement by Steven Ponsford offers a new perspective on this classical piece. The arrangement begins with the familiar ground bass theme, followed by a series of four-bar motifs. Ponsford has developed these motifs, distributing them across the band to give interest to every section of the band. A short fugue is included in the middle of the piece, referencing a style Pachelbel contributed to. The majority of the music is accompanied by a rock beat, aiming to create a fresh and lighthearted interpretation of the original work. This will be an ideal item for both concert and entertainment contest programmes. To view a performance video of the work please visit www.youtube.com/watch?v=M-yrBCM4xzQ Duration: approx. 4.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Bass Drum Timpani Percussion 1-3

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  • £29.86

    Dance from the Othello Suite (Brass Band) Coleridge-Taylor arr. Bushnell

    Samuel Coleridge-Taylor is a British composer, who, from a young age, showed talent on the violin and entered the Royal College of Music, studying with Charles Villers Standford. His music become so popular that his Hiawatha trilogy was the second most performed choral piece (joint with Mendelssohn's Elijah, and only beaten by Handel's Messiah) with choral societies up and down the British Isles. In fact, Hiawatha was arranged by Charles Godfrey as a test-piece for the 1902 National Brass Band Championship of Great Britain, held at Crystal Palace.Commissioned by the theatre impresario Herbert Beerbohm, Coleridge-Taylor composed incidental music for His Majesty's Theatre London production of the Shakespeare play, Othello, in the West End, in 1909. In 1912, the play opened to the public, with a suite of five movements put together soon afterwards. The Dance, arranged here by Rob Bushnell, makes a great concert opener.This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found at www.youtube.com/watch?v=OQeO_Ij9CV8 Duration: approx. 2.30 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

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  • £37.32

    Polonaise from 'Scenes de Ballet' (Brass Band) Glazunov arr. Rob Bushnell

    Alexander Glazunov was a Russian composer who was a gifted musician from childhood. He was seen as the natural heir to the nationalist revolution that had started with the Mighty Handful. Despite quickly turning from this to absolute forms of music, taking a keen interest in ballet music, his compositions still alludes to Russian folk tunes. He wrote four dance compositions, of which Scenes de Ballet was the first in 1894. The suite Scenes de Ballet, opus 52 has eight movements and was dedicated to the orchestra of the Russian Opera, St Petersburg. First performed in 1895 at a concert of the Imperial Music Society with Glazunov conducting. This arrangement of the final movement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: https://www.youtube.com/watch?v=BS-Yx-bmxPg Duration: approx. 5.20 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1 - Snare Percussion 2 - Triangle, Cymbal & Bass Drum

    In Stock: Estimated dispatch 1-3 working days