Results
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£44.95The Trumpets of the Angels (Brass Band - Score only) - Gregson, Edward
The Trumpets of the Angels was commissioned by the Fodens (Courtois) Band for their centenary concert at The Bridgewater Hall in 2000. It is based on a work written for the BBC Philharmonic and Huddersfield Choral Society in 1998, the starting point of which was a quotation from the Book of Revelation:and I saw the seven angels which stood before God; and to them were given seven trumpetsThus the idea behind the work is dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band, four on-stage, the others off-stage. Six of the solo trumpets eventually join the band, but Trumpet 7 remains off-stage and, indeed, has the most dramatic and extended cadenza representing the words of the seventh angel ...and time shall be no more.The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets, brass band, organ and percussion (deploying 'dark' instruments such as tam-tams, bass drum and two sets of timpani). The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on solo trumpets. In turn, each of the first four solo trumpets play cadenzas and then all four join together, independently playing their own music. The organ enters dramatically with its own cadenza, leading to the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament for humanity, slow music which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At the climax, Trumpet 7 enters playing the opening four-note motif, dramatically extended to almost three octaves. This cadenza (to the partial accompaniment of tam-tams) introduces new material and foreshadows the ensuing scherzo which is fast and aggressive. Despite the somewhat desolate mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.- Edward Gregson
Estimated dispatch 7-14 working days
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£89.99Ross Roy (Brass Band - Score and Parts) - De Haan, Jacob
In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life.Duration: 9:20
Estimated dispatch 7-14 working days
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£94.95Machine (Brass Band - Score and Parts) - Dobson, Simon
Machine, was commissioned by the Salvation Army Trading Company for the National Youth Brass Band of Great Britain.The work speaks of the perils of the fast fashion industry, the part it plays in our current understanding of late-stage capitalism and it's complicity in the destruction wrought on our one home planet. It also seeks to portray the incredible efforts of the Salvation Army in their quest to slow the fast fashion industry and recycle clothing in the most innovative and progressive ways.The work is through composed and comprises five movements.Movement 1: The great Machine. The band is placed into 8 groups of three (expect tubas, in their normal position as a 4), who stand in specific places on the stage. This will create machine like antiphonal movement in the written music. The great Machine in question is the fast fashion industry, in all its chaos, seeming grandeur and relentless momentum.Movement 2: Mode phmre is fast, angular and quirky, a nod to the perilous speed and waste of the fast fashion industry (the movement title is the French for fast fashion).Movement 3: A planet to treasure (for DA) is a love letter to our home planet and its finite resources and as well as the beauty of the natural world, which unfortunately, we are destroying (hence the dedication to David Attenborough on his 100th year).Movement 4: The wheels keep turning, returns to the fast, angular, almost unstoppable grasp of capitalism and the damaging structures it promotes.Movement 5: Recycle, re-use, mirrors the opening (though without stage directions) in reference to the cyclic nature of fast fashion and the wonderful work that The Salvation Army do in trying to halt this system.
Estimated dispatch 7-14 working days
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£44.95Machine (Brass Band - Score only) - Dobson, Simon
Machine, was commissioned by the Salvation Army Trading Company for the National Youth Brass Band of Great Britain.The work speaks of the perils of the fast fashion industry, the part it plays in our current understanding of late-stage capitalism and it's complicity in the destruction wrought on our one home planet. It also seeks to portray the incredible efforts of the Salvation Army in their quest to slow the fast fashion industry and recycle clothing in the most innovative and progressive ways.The work is through composed and comprises five movements.Movement 1: The great Machine. The band is placed into 8 groups of three (expect tubas, in their normal position as a 4), who stand in specific places on the stage. This will create machine like antiphonal movement in the written music. The great Machine in question is the fast fashion industry, in all its chaos, seeming grandeur and relentless momentum.Movement 2: Mode phmre is fast, angular and quirky, a nod to the perilous speed and waste of the fast fashion industry (the movement title is the French for fast fashion).Movement 3: A planet to treasure (for DA) is a love letter to our home planet and its finite resources and as well as the beauty of the natural world, which unfortunately, we are destroying (hence the dedication to David Attenborough on his 100th year).Movement 4: The wheels keep turning, returns to the fast, angular, almost unstoppable grasp of capitalism and the damaging structures it promotes.Movement 5: Recycle, re-use, mirrors the opening (though without stage directions) in reference to the cyclic nature of fast fashion and the wonderful work that The Salvation Army do in trying to halt this system.
Estimated dispatch 7-14 working days
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£34.95Boundless Spirit! (Brass Band - Score and Parts) - Cordner, Martin
This medley contains highlights from music the composer wrote for the opening event of Boundless, The Salvation Army's International Congress held at London's O2 Arena in 2015. The work features original melodies but also recognisable tunes with a global flavour; Moscow, Europe, Calabar, They shall come from the east, The world for God and Happy Song which calls to mind the words 'There's salvation for the world'. The objective of the piece is to celebrate the diversity of The Salvation Army around the world through a variety of music styles.
Estimated dispatch 7-14 working days
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£124.95Hyperlink (Brass Band - Score and Parts) - Graham, Peter
Hyperlink was commissioned by the National Youth Brass Band of Great Britain (funded by Arts Council England and the Department for Education) for its 70th Anniversary Year. Since the anniversary coincided with other significant celebrations in 2022 (including the Royal Albert Hall/Ralph Vaughan Williams 150th and the Platinum Jubilee of Elizabeth II) it was requested that these also be recognised in some way.Where better to begin this challenging brief but with a computer search for the NYBBGB founder Dr Denis Wright (coincidently born in Kensington, home of the RAH). The subsequent rabbit warren of hyperlinks led me to structure the work through a series of associations:Movement I - The Voice of Jupiter. Alongside the discovery that Denis Wright had been a church organist was the realisation that while the RAH has hosted thousands of musical events the fabric of the building actually incorporates a musical instrument, the famous Henry Wills organ (aka The Voice of Jupiter). Organ and J S Bach are synonymous (e.g. Toccata in D min) and so both become fundamental to the content of the movement. An opening 7 note quote from the Toccata leads to a mammoth sound cluster, as if every note on the huge RAH organ is sustained. The material which follows is based upon the notes BACH (in German notation). The notes are manipulated in various ways in a 12 tone matrix; reversed, inverted and so on. Other techniques employed in the movement are ones of which Bach was master, including ground bass and fugue.Movement II - Remember Me. The lives of Salvationist composer Ray Steadman-Allen (born 1922) and Ralph Vaughan Williams are remembered here, with RSA in musical notation and fragments of RVWs famous Tuba Concerto providing the source material. While writing the movement my father passed away and to close his funeral service the family chose the uplifting Robert Lowry hymn They'll sing a welcome home. It seemed fitting to conclude the movement with a reflective setting of the chorus, the repeated phrase 'Welcome, welcome home' eventually disappearing into the ether.Movement III - Vivat. The finale takes the form of a short fantasy upon Hubert Parry's marvellous coronation anthem I Was Glad, truly a celebratory note with which to conclude. The first performance of Hyperlink was given by the NYBBGB conducted by Martyn Brabbins at the Royal College of Music, London on August 6th 2022.- Peter Graham
Estimated dispatch 7-14 working days
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£44.95
Hyperlink (Brass Band - Score only) - Graham, Peter
Hyperlink was commissioned by the National Youth Brass Band of Great Britain (funded by Arts Council England and the Department for Education) for its 70th Anniversary Year. Since the anniversary coincided with other significant celebrations in 2022 (including the Royal Albert Hall/Ralph Vaughan Williams 150th and the Platinum Jubilee of Elizabeth II) it was requested that these also be recognised in some way.Where better to begin this challenging brief but with a computer search for the NYBBGB founder Dr Denis Wright (coincidently born in Kensington, home of the RAH). The subsequent rabbit warren of hyperlinks led me to structure the work through a series of associations:Movement I - The Voice of Jupiter. Alongside the discovery that Denis Wright had been a church organist was the realisation that while the RAH has hosted thousands of musical events the fabric of the building actually incorporates a musical instrument, the famous Henry Wills organ (aka The Voice of Jupiter). Organ and J S Bach are synonymous (e.g. Toccata in D min) and so both become fundamental to the content of the movement. An opening 7 note quote from the Toccata leads to a mammoth sound cluster, as if every note on the huge RAH organ is sustained. The material which follows is based upon the notes BACH (in German notation). The notes are manipulated in various ways in a 12 tone matrix; reversed, inverted and so on. Other techniques employed in the movement are ones of which Bach was master, including ground bass and fugue.Movement II - Remember Me. The lives of Salvationist composer Ray Steadman-Allen (born 1922) and Ralph Vaughan Williams are remembered here, with RSA in musical notation and fragments of RVWs famous Tuba Concerto providing the source material. While writing the movement my father passed away and to close his funeral service the family chose the uplifting Robert Lowry hymn They'll sing a welcome home. It seemed fitting to conclude the movement with a reflective setting of the chorus, the repeated phrase 'Welcome, welcome home' eventually disappearing into the ether.Movement III - Vivat. The finale takes the form of a short fantasy upon Hubert Parry's marvellous coronation anthem I Was Glad, truly a celebratory note with which to conclude. The first performance of Hyperlink was given by the NYBBGB conducted by Martyn Brabbins at the Royal College of Music, London on August 6th 2022.- Peter Graham
Estimated dispatch 7-14 working days
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£69.95Heroes of the North (Brass Band - Score and Parts) - Graham, Peter
Heroes of the North was commissioned by Henning Annundsen for Skodvin Skulemusikk and pays tribute to the development of brass band activity in the Nordhordland region of Norway.The music is a set of character variations based upon personalities long associated with both the band and the region. The opening 5 note motif (C D E F G) might be considered the starting point for beginner brass students, and this mini-theme is developed throughout the work.Five variations follow: Mr Brevik's Galop (representing Tom Brevik, a key figure in Norwegian brass band music); Frode's Dance (with apologies to Edvard Grieg), portraying soprano cornet player Frode Rydland, one of Skodvin Skulemusikk's most famous "old boys"; Mr Bjrge's Walk representing Viggo Bjrge, "Mr Eikanger Bjrsvik Band"; Hymn for Knut-Harald, known as "Mr Skodvin Skulemusikk" having over many years played a central role in the teaching and training of the band, and finally Maestro Snell's Russian Adventure features music with more than a hint of Russian (Khachaturian to be precise) and calls to mind Howard Snell whose arrangements and presence have made such a huge contribution to Norwegian Brass Banding over many years.Heroes of the North is playable by 4th section bands.Duration: 10.00
Estimated dispatch 7-14 working days
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£29.95Heroes of the North (Brass Band - Score only) - Graham, Peter
Heroes of the North was commissioned by Henning Annundsen for Skodvin Skulemusikk and pays tribute to the development of brass band activity in the Nordhordland region of Norway.The music is a set of character variations based upon personalities long associated with both the band and the region. The opening 5 note motif (C D E F G) might be considered the starting point for beginner brass students, and this mini-theme is developed throughout the work.Five variations follow: Mr Brevik's Galop (representing Tom Brevik, a key figure in Norwegian brass band music); Frode's Dance (with apologies to Edvard Grieg), portraying soprano cornet player Frode Rydland, one of Skodvin Skulemusikk's most famous "old boys"; Mr Bjrge's Walk representing Viggo Bjrge, "Mr Eikanger Bjrsvik Band"; Hymn for Knut-Harald, known as "Mr Skodvin Skulemusikk" having over many years played a central role in the teaching and training of the band, and finally Maestro Snell's Russian Adventure features music with more than a hint of Russian (Khachaturian to be precise) and calls to mind Howard Snell whose arrangements and presence have made such a huge contribution to Norwegian Brass Banding over many years.Heroes of the North is playable by 4th section bands.Duration: 10.00
Estimated dispatch 7-14 working days
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£38.00Hard Hats and Cornet (Cornet Section Feature with Brass Band - Score and Parts) - Johns, Terry
This lively and melodic piece was commissioned by Maltby Colliery Band in 2000. It was written as a feature for solo cornet and the cornet section. For its first broadcast performance on Radio Scotland, from Edinburgh in 2009 Mark O'Keefe played the solo part with the band of COOP Glasgow. This piece makes an impressive encore or opening to a band concert and is also available in a version for ten brass. Duration: 3.30
Estimated dispatch 7-14 working days
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