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  • £69.95

    Masquerade - Score and Parts - Philip Wilby

    The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi’s last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi’s music, and some of Shalespeare’s plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story:• . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe’en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff’s arrival (musicologists will, perhaps, note a rare use of ‘large bottle in F’ being used during this scene of suppressed alcoholic revelry!). Falstaff’s companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game ‘Blind Man’s Buff’, he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi’s character concludes the opera with a good-humoured fugue on the words.... ‘All the World’s a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.

    Estimated delivery 12-14 days
  • £34.95

    Masquerade - Score Only - Philip Wilby

    The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi’s last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi’s music, and some of Shalespeare’s plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story:• . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe’en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff’s arrival (musicologists will, perhaps, note a rare use of ‘large bottle in F’ being used during this scene of suppressed alcoholic revelry!). Falstaff’s companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game ‘Blind Man’s Buff’, he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi’s character concludes the opera with a good-humoured fugue on the words.... ‘All the World’s a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.

    Estimated delivery 12-14 days
  • £74.95

    Aspects of Adiemus - Karl Jenkins - Peter Graham

    Aspects of Adiemus is a collection from one of the world's most popular composers, Karl Jenkins. Adiemus, literally translated, means 'we will draw near' and represents a musical language which can be heard on five award winning albums from the composer.Since Adiemus has risen in popularity around the world, it has become a growing entity meaning many different things to many different people. Vocally, the spread of influence grows wider all the time, taking in Arabic and African sounds as well as "Celtic" and ecclesiastical ones. The percussion too has expanded using Indian, Middle Eastern, Japanese, Chinese and even Australian instrumentation.The evolving nature of Adiemus has meant that it has been difficult to categorise. New age, classical crossover, world music, even pop. Karl sees this as a good sign: "To me, Adiemus transcends labels. The fact that it reaches people of different backgrounds, faiths and cultures gives it a universal appeal which is special. The compositions can be spiritual, religious, meditative - it's open to 'move' people in any away they choose to experience."Ironically, the Adiemus project 'got off the ground' initially due to a television commercial for an airline. Karl Jenkins explains, "I'd been toying with a new idea, completely separate to my work in advertising, but at this time, Jenkins Ratledge were commissioned to come up with the music for an airline commercial. We presented the client with a demonstration tape of one of my completed compositions and they loved it."That composition became known as Adiemus. The music for the airline commercial was aired and immediately drew interest from the public. Karl: "It's ironic that a piece of music not originally intended for a TV commercial should end up on a TV commercial, and that this music became the springboard for the success of the Adiemus project."Expertly arranged by Peter Graham, Aspects of Adiemus features the eponymous 'Adiemus', an uplifting and instantly recognisable opener. 'Chorale - Za Ma Ba' and 'Chorale - Vocalise' are songs of sanctuary, the latter featuring a chamber group from within the band. The vibrant 'Song of the Spirit' is a cornet feature, and the finale, 'Song of the Plains' combines intense rhythmic energy with tribal harmonies. Duration is variable depending on movement selection and optional cuts.

    Estimated delivery 3-5 days
  • £74.95

    Aspects Of Adiemus - Karl Jenkins

    Aspects of Adiemus is a collection from one of the world's most popular composers, Karl Jenkins. Adiemus, literally translated, means 'we will draw near' and represents a musical language which can be heard on five award winning albums from the composer.Since Adiemus has risen in popularity around the world, it has become a growing entity meaning many different things to many different people. Vocally, the spread of influence grows wider all the time, taking in Arabic and African sounds as well as "Celtic" and ecclesiastical ones. The percussion too has expanded using Indian, Middle Eastern, Japanese, Chinese and even Australian instrumentation.The evolving nature of Adiemus has meant that it has been difficult to categorise. New age, classical crossover, world music, even pop. Karl sees this as a good sign: "To me, Adiemus transcends labels. The fact that it reaches people of different backgrounds, faiths and cultures gives it a universal appeal which is special. The compositions can be spiritual, religious, meditative - it's open to 'move' people in any away they choose to experience."Ironically, the Adiemus project 'got off the ground' initially due to a television commercial for an airline. Karl Jenkins explains, "I'd been toying with a new idea, completely separate to my work in advertising, but at this time, Jenkins Ratledge were commissioned to come up with the music for an airline commercial. We presented the client with a demonstration tape of one of my completed compositions and they loved it."That composition became known as Adiemus. The music for the airline commercial was aired and immediately drew interest from the public. Karl: "It's ironic that a piece of music not originally intended for a TV commercial should end up on a TV commercial, and that this music became the springboard for the success of the Adiemus project."Expertly arranged by Peter Graham, Aspects of Adiemus features the eponymous 'Adiemus', an uplifting and instantly recognisable opener. 'Chorale - Za Ma Ba' and 'Chorale - Vocalise' are songs of sanctuary, the latter featuring a chamber group from within the band. The vibrant 'Song of the Spirit' is a cornet feature, and the finale, 'Song of the Plains' combines intense rhythmic energy with tribal harmonies. Duration is variable depending on movement selection and optional cuts.

    Estimated delivery 12-14 days
  • £59.95

    Rhapsody in Brass - Dean Goffin

    Rhapsody in Brass is in three movements and was written for the British Open Championships in 1949, held at Belle Vue in Manchester. The contest winners were Fairey Aviation Works Band under the baton of Harry Mortimer. Eric Ball came second with Ransome & Marles and Stanley Boddington 3rd with Munn and Felton Band. Rhapsody in Brass had the unusual distinction of being written as a test piece by a Salvation Army composer. Eric Ball's Resurgam was the only other piece to achieve that dual personality in that era.Dean Goffin was born in 1916 in Wellington, New Zealand, son of Henry Goffin, a Salvation Army officer and composer. At 19 he was appointed Bandmaster of the Wellington South Band and when World War II started, he enlisted in the New Zealand Armed Forces where he became Bandmaster of the 20th Infantry Battalion and later the 4th Brigade Band. During the time he served with them in the Middle East and Europe, he composed and arranged numerous pieces among which Rhapsody in Brass and the march Bel Hamid, later adapted for Salvation Army use and renamed Anthem of the Free.After the war, Dean kept on composing and his work was featured by the Wellington South Band. Later he transferred to Timaru for another job and became Bandmaster there. He was studying music at the time and as he wanted to take part in a competition for devotional selections for Salvation Army use, he sent some of his compositions to the International Headquarters. When Rhapsody for Brass was chosen as the test-piece for the British Open Championships, people at the Salvation Army started asking questions about the lack of publications of his work. It was discovered that the pieces submitted for the competition didn't meet the exact criteria. Among these pieces was one of his most appealing works The Light of the World which was published a year later, in 1950, the same year as he completed his Bachelor of Music studies at Otagu University.After entering the Salvation Army Training College in Wellington with his wife, Marjorie, Dean was in 1956 appointed National Bandmaster in the British Territory. Later he became National Secretary for Bands and Songster Brigades and in this period he organised the yearly festival in the Royal Albert Hall and was responsible for the national music schools in the UK. Dean returned to his home country in 1966 and to mark the centenary of the Salvation Army in New Zealand he was knighted by the Queen in 1983. Sir Dean Goffin died on 23 January 1984.

    Estimated delivery 12-14 days
  • £19.25

    Canzon XIV (1615) - Gabrieli: Eric Crees Performing Edition

    This ten part canzona is a classic ~ a calm opening precedes a short cross-rhythmic 3/4 section followed by an extraordinary common time section which combines ingenious counterpoint and crisp rhythms. Dur 3'15"Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 5-7 days
  • £19.25

    Canzon XV (1615) - Gabrieli: Eric Crees Performing Edition

    Exchanging the familiar antiphonal effects for skilful counterpoint, this canzona manages to successfully combine both grandeur and extreme virtuosity for the principal players of each of the two choirs.Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 5-7 days
  • £19.25

    Canzon duodecimi toni ?? 10 no 1 (1597) - Gabrieli: Eric Crees Performing Edition

    In florid and stunning counterpoint throughout, the one near rhythmic unison towards the middle comes as a real shock. A work showing extraordinary technique. Dur 2'45"Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 5-7 days
  • £19.25

    Canzon duodecimi toni ?? 10 no 2 (1597) - Gabrieli: Eric Crees Performing Edition

    A work which clearly looks towards the baroque concerto grosso with its repeated ritornello and its virtuoso writing for two soloists.Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 5-7 days
  • £19.25

    Canzon duodecimi toni ?? 10 no 3 (1597) - Gabrieli: Eric Crees Performing Edition

    Another major key for two five-part choirs beginning with stately counter- point. The lower second choir takes on a more subdued role before a triple time section and a grand ending. Dur 2'45"Gabrieli is one of the truly great composers but sadly neglected. His compositions, moreover, are rarely of great technical difficulty, making them ideal for mixed ensembles and school use. We hope this edition will bring these magnificent pieces to a wider audience, especially the young.• Each set contains a score and parts for brass, woodwind and string instruments to allow performances by practically any combination as well as brass only.• This new Performing Edition of Gabrieli's Sacrae Symphoniae and Canzoni e Sonate was prepared for the recording by the LSO Brass on Naxos Records:Vol 1 - 8553609Vol 2 - 8553873Vol 3 - 8554129"...the playing is superb...three CDs which embody all of Gabrieli's instrumental ensemble works, the first such collection in the world".....'Musician'"...scrupulously prepared new edition".....'BBC Music Magazine'"...notes, both scholarly and informative...an exciting series".....'Guardian'

    Estimated delivery 5-7 days