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  • £42.95

    Crimbledance (Brass Band - Score and Parts) - Wiffin, Rob

    Silent Night, Ding, Dong Merrily on High, The Virgin Mary Had a Baby Boy and I Saw Three Ships Come Sailing In receive the Riverdance treatment together with some snippets of other carols thrown in for good measure in this challenging but fun arrangement. It was first written for the Central Band of the RAF to play on their Christmas concert tour in 1998 and has been consistently performed ever since.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £44.95

    Trombone Concerto (Trombone Solo with Brass Band - Score only) - Wiffin, Rob

    My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin

    Estimated dispatch 7-14 working days

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  • £87.95

    Trombone Concerto (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob

    My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin

    Estimated dispatch 7-14 working days

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  • £38.00

    Blewz (Brass Band - Score and Parts) - Anderson, Keiron

    There are many harmonic forms of the blues from a standard chord sequence to a more complex set with a circle of fifths. This bright, entertaining work is fun to play and easy to programme with a hint of jazz and a swing feel, complete with a little interplay section for bass trombone and tuba, which adds to the entertainment value of this piece. Duration: 3.30. Suitable for 1st Section Bands and above

    Estimated dispatch 7-14 working days
  • £42.95

    Shout! (Trombone Solo with Brass Band - Score and Parts) - Wiffin, Rob

    Shout! was written for Brett Baker to demonstrate a particular musical aspect of his trombone playing.It is a Latin jazz piece subtitled CCC 4 BB - Cha cha cha for Brett Baker - and shows the trombone's ability to act as a declamatory jazz voice, covering much of the range and expressive power of the instrument. In one sense the title also refers to the jazz tradition of a Shout chorus which often appears towards the end of a jazz piece, bringing the players together after they have all taken their improvised solos.Shout! should hopefully be enjoyable to listen to and, although not without its technical challenges, fun to play.Duration: 3.45Recorded on Polyphonic QPRL227D SHOUT!

    Estimated dispatch 7-14 working days

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  • £47.50

    Rough Mix (Brass Band - Score and Parts) - Hosay, James L.

    Why not try something different with your brass band? Rough Mix is a pop rock tune that incorporates elements of punk and alternative rock. It contains optional parts for two electric guitars and synthesizer. With or without the optional parts this is a solid and fun arrangement that will have particular appeal for young musicians and audiences.Duration: 2.45

    Estimated dispatch 7-14 working days
  • £24.95

    RUSSIAN FOLK FESTIVAL (Brass Band) - Bates, Jonathan

    Russian Folk Festival is a virtuoso entertainment item for brass band, with shades of the famous Russian melody Kalinka in the backdrop. A lot of fun for both bands and audiences alike!Duration: 2:30 Grade: Intermediate

    Estimated dispatch 7-14 working days
  • £35.00

    Gollywog's Cakewalk (Brass Band - Score and Parts) - Debussy, Claude - Snell, Howard

    The last movement of Debussy's Children's Corner Suite, but only for the most gifted children to play, it evokes the innocent fun of childhood in the past. The Cakewalk was a popular dance with a complicated history, which became a vogue dance in the Parisian music halls of the time. Debussy composed more than a handful of these dances for concert performance.

    Estimated dispatch 7-14 working days
  • £53.50

    Under the Sea (Brass Band - Score and Parts) - Ashman & Menken - Jeanbourquin & Nowak

    Taken from the original 1989 Disney production 'The Little Mermaid', Under The Sea will get a smile on anyone's face! It's fun to play and not too difficult, perfect for young bands! Duration: 2.15

    Estimated dispatch 7-14 working days

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  • £49.60

    Plymouth Sound (Brass Band - Score and Parts) - Mills, Nic

    The concept of the work was to capture the beauty of the natural bay protecting the harbour at Plymouth. The work is based on two themes. The first being a lyrical melody to represent the beauty of the Sound and a march-like theme showing the military heritage the city has, through the armed forces based there. The opening fanfare immediately grabs the attention of the audience, and settles into a lyrical melody with the flutes and clarinets emulating the sea and the rolling of the waves. This jubilant piece turns to emulate a storm at sea. Then it moves into the march theme, which takes the main form for the second half of the piece, moving into a fanfare-like statement (recapitulation of the opening fanfare) to complete the piece. Overall, this is a fun work to play, with all sections of the band being tested and would be a great opener or finisher piece.Duration: 5.15

    Estimated dispatch 7-14 working days

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