Results
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£22.00Journey of the Lone Wolf (Brass Band - Score only)
Championship Section Test Piece for the 2016 National Finals of the British Brass Band Championship.The Lone Wolf of the title is the great Hungarian composer and folklorist Bla Bartok. Bartok's journey took him from the hills of the Balkans to the heart of the new world. His singular vision may have meant a life out in the cold, a life without warmth and love, a life without true happiness, a death mourned by a few in a strange land.The first of the three linked movements is capturing the Peasants' Song and follows the young Bartok and fellow composer Zoltan Kolday as they embark on Summertime adventures through the Hungarian countryside to collect and catalogue the astonishing variety of Gypsy and folk music heard in the Balkan hills. The arrival of WW1 plunges Bartok's beloved Hungary into chaos.Bartok was at times a cold man, aloof and lonely. The occasional moments of tenderness he showed are portrayed in Night Music. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartok may have heard in the USA later in his life.Having been forced by the world's evils to leave his homeland of Hungary for America Bartok, the anti-fascist, felt isolated and angry. In the finale, Flight and Fight, we hear his longing for a simpler time of Gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.Duration: 15.00
Estimated dispatch 7-14 working days
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£34.95Chalk Farm No.2 (Brass Band - Score and Parts) - Gregson, Edward
Like so many of the best composers for brass band - Eric Ball, Wilfred Heaton, Elgar Howarth and Robert Simpson - Edward Gregson's youthful talents came to the fore in the Salvation Army. In 1975 Gregson was commissioned by the Chalk Farm Band of the Salvation Army to write a march for the centenary of the birth of the band's most long-serving bandmaster Alfred W Punchard, who conducted the band from 1894 to 1944. In 1909 the Salvation Army published a march called Chalk Farm featuring the old Army chorus 'March on, we shall win the day'.Gregson uses the same tune in his Chalk Farm No 2 march, but this is a symphonic march clearly to be played sitting down. He includes irregular bars of 5 and 7 beats as well as a tongue-in-cheek treatment of the tune, complete with bongos (in the march) and bi-tonality (in the trio). Chalk Farm No 2 imaginatively composed. Gregson's own main theme 'fits' the chorus as a counter-subject. The playful irreverence of the style has more in common with Wilfred Heaton's Praise or Glory, than the conventional Salvation Army March.Duration: 4.00
Estimated dispatch 7-14 working days
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£59.95The Ellacombe Chronicles (Brass Band - Score and Parts) - Curnow, James
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£29.95
The Ellacombe Chronicles (Brass Band - Score only) - Curnow, James
This piece was commissioned by Brass Band of Columbus for the occasion of the band's 25th anniversary in 2009. It is dedicated to current and former members of the band and its founding Director, Dr Paul Droste. The hymns of Isaac Watts (1674 - 1748) have been a source of inspiration for musical thought and development by composers for over 200 years. His glorious hymn 'I sing the mighty power of God' has been coupled with the hymn tune 'Ellacombe' in many hymnals over these two centuries. This work was created and inspired by Isaac Watts's text and chronicles the three verses of the hymn through a set of diverse variations on the hymn tune 'Ellacombe'. The opening fanfare is intended to capture the joy and exuberance of the first phrase of the first verse, 'I sing the mighty power of God that made the mountains rise'. The developmental material following the fanfare gives a hint of the three large variations that are extracted from the tune.
Estimated dispatch 7-14 working days
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£50.00Whirlegigg (Brass Band - Score and Parts) - Hesketh, Kenneth
Whirlegigg is the middle English word for a contraption that continuously spins. A great fascination with many inventors of the medieval period was to develop a perpetual motion machine constantly turning and giving off energy. This idea is particularly apt for this piece. A simple ternary structure gives ample opportunity for both boisterous and reflective material with gyrating accompaniment figures never far away. The machine almost stops near the end, but finally musters one last burst of excitement and energy to bring the work to its close. Suitable for 1st Section Bands and above. Duration: 5.00
Estimated dispatch 7-14 working days
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£44.00The Liberty Bell (Brass Band - Score and Parts) - Sousa, John Philip - Wilkinson, Keith M.
This march, written in 1893, was originally destined for inclusion in an operetta but after the composer had witnessed a spectacle called "America" in Chicago, which had as its backdrop a huge painting of the Liberty Bell, it was given the name by which it has become famous. Further recognition has come in more recent years by the adoption of the march as the signature tune for the popular TV programme, Monty Python.The arrangement includes several solos for a large unpitched bell which add aural (and visual) interest. It has been recorded by Brass Band of the Western Reserve, musical director Keith M Wilkinson, on the CD Slides Rule.
Estimated dispatch 7-14 working days
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£152.99Between the Two Rivers (Brass Band - Score and Parts) - Sparke, Philip
Between the Two Rivers was commissioned by Fanfare Prins Hendrik, from Aalst in the Netherlands. The title derives from the fact that the town of Aalst lies between two tributaries of the River Dommel. The community is a highly religious one, so the famous Luther chorale, Ein' Feste Burg, was an obvious choice for Philip Sparke to use as the theme for this new work. It takes the form of a theme with four contrasting variations. Variation 1 is a moto perpetuo, variation 2 has a slower march like feel, variation 3 is a sinister slow movement and the final variation is in the form of a lyrical fugue. Between The Two Rivers is sure to become a major work in modern brass band repertoire.Duration: 15:00
Estimated dispatch 7-14 working days
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£87.99Ten Chorale Preludes (Brass Band - Score and Parts) - Reger, Max - Sparke, Philip
During his short lifetime Max Reger (1873-1916) was a prolific composer with many of his best known works being composed for organ. The ten chorale preludes in this selection are from his set of Thirty Short Chorale Preludes Op.135a composed as short voluntaries for liturgical use rather than for recitals in these arrangements Philip Sparke has kept this in mind and each prelude can be performed with minimal instrumentation for those occasions where a small band is needed. They also make great pieces for band warm-ups or studies in intonation, sound and balance.
Estimated dispatch 7-14 working days
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£69.99Homage (Brass Band - Score and Parts) - Van der Roost, Jan
In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan's twentieth anniversary as a conductor of the top Dutch brass band, "Soli Deo Gloria" (Leeuwarden). To mark the occasion, the band commissioned the Belgian composer Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Sans organ symphony was chosen, a piece with which Jan de Haan has a special bond. Apart from this chorale, Homage is also based on the names of notes taken from 'Jan de Haan' and 'Soli Deo Gloria', resulting in the tone row: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Sans' theme.Duration: 5:30
Estimated dispatch 7-14 working days
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£60.99Canterbury Chorale (Brass Band - Score and Parts) - Van der Roost, Jan
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composer's own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of the English city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases for several instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad and grand.Duration: 6:30
Estimated dispatch 7-14 working days
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