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  • £48.00

    Song of Hope - Peter Meechan

    Song of Hope is dedicated to my good friend Ryan Anthony (principal trumpet with the Dallas Symphony Orchestra) and his charity, Cancer Blows - a foundation set up to raise awareness and money to further the research that has helped give their family a hope for a future following Ryanas diagnosis of Multiple MyelomaUpon hearing the middle movement (simply titled aSonga) of my cornet concerto, Milestone, Ryan asked me if I could change the end from its current reflective ending to something more uplifting, and to title it Song of Hope, giving it much more meaning than I could have ever imagined.As well as a wind band scoring without soloist, Song of Hope exists with 1, 2 or 3 soloists, accompanied by either wind band, brass band, brass ensemble or symphony orchestra.For my friend Ryan.Each set comes with the soloist part for 1 soloist. Please download the alternative 2 or 3 soloist parts from the link above.

    Estimated dispatch 12-14 days

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  • £25.00 £25.00
    Buy from Wobbleco Music

    A Holly Jolly Christmas - Johnny Marks - Len Jenkins

    "A Holly Jolly Christmas" is a Christmas song written in 1962 by Johnny Marks. He was also responsible for Rudolph, the Red-Nosed Reindeer and Rocking Around the Christmas Tree amongst his other compositions. The most well-known vocal editions are those by Burl Ives who recorded it in 1964 for a Christmas special, and then re-recorded in 1965 for his holiday album, Have a Holly Jolly Christmas. This latter version of the song has a somewhat slower arrangement than the previous version and featured an acoustic guitar solo introduction; it is this version that has since become the more commonly heard rendition on radio. More recently, it has been recorded by Michael Buble.

  • £10.00

    Edward Gregson: Concertante for Piano and Brass Band

    DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion.https://www.morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com

    Estimated dispatch 7-14 working days

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  • £29.95

    Nocturne - Rolf Lovland - Ray Farr

    As Norway's entry to the 1995 Eurovision Song Contest, the group Secret Garden made history by winning with Nocturne, an entry that was more an instrumental piece than a song. In the 40-year history of this prestigious pan-European television extravaganza,...

    Estimated dispatch 4-7 working days
  • £50.00

    Triumph Series Band Journal November 2015 Numbers 1267 - 1270

    No. 1267 March - Following Jesus (Ian Clarke)For more than two thousand years, countless Christians, the world over, have chosen to follow Jesus and try to live by his teachings. The words associated with the three tunes used in this march follow that theme: Sagina (T.B. 498), I will follow thee, my Saviour (T.B. 378) and There's joy in following (T.B.C.S. 206).No. 1268 Cornet Solo - Keep that smile! (Kenneth Ketteringham)This light-hearted, waltz-like solo features an old Army song written by Bandmaster George Marshall and Staff-Captain A.R. Wiggins.No. 1269 Hymn Tune Arrangement - Rockingham (Erik Silfverberg)A four-verse setting of the hymn tune, Rockingham, associated with the song 'When I survey the wondrous cross' by Isaac Watts.No. 1270 Lifted High! (Dean Jones)A bright, joyful arrangement of the song, 'Lord, I lift your name on high' in a Caribbean style.

    Estimated dispatch 7-14 working days
  • £59.99

    Rosanna - David Paich

    In 1982, rock band Toto scored a worldwide hit with Rosanna. This song is more than five minutes long, much longer than was usual for hits at the time, though perhaps it was exactly this fact that contributed to its enormous success. The London arranger Mike Sheppard, who knows the pop and rock scene through and through, made a wonderfully colourful version of this rock standard.

    Estimated dispatch 5-14 working days

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  • £59.99

    Rosanna (Brass Band - Score and Parts) - Paich, David - Sheppard, Mike

    In 1982, rock band Toto scored a worldwide hit with Rosanna. This song is more than five minutes long, much longer than was usual for hits at the time, though perhaps it was exactly this fact that contributed to its enormous success. The London arranger Mike Sheppard, who knows the pop and rock scene through and through, made a wonderfully colourful version of this rock standard. Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £102.60

    Mil etter mil - Kai Eide

    This song performed by Jahn Teigen represented Norway at the Eurovision final in 1978. The result was zero points, but after that, the song soon became very popular in Norway and is one of the biggest hits of his career.This arrangement may easily be a hit on your next concert and will for sure receive more than zero points from you audience. Feel free to invite the audience on a sing-along!

    Estimated dispatch 5-14 working days

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  • £60.57

    Sonata for Euphonium with Brass Band - Joel Collier

    This three-movement work is the first euphonium sonata from the pen of American Joel Collier, himself a fine euphonium player. The composer writes: 'My sonata came about because of a conversation with euphonium soloist Aaron Campbell. We decided to try and do a sonata and get a consortium going, with the idea that it would be written to be approached by the average undergraduate student, rather than it be the next latest, greatest, hardest thing for euphonium virtuosi. What resulted was a three-movement sonata where the first movement is more classical and heavy, with a little bit of tango, the second movement is really a song without words, and the third movement is a upbeat and joyful dance.' To view a video of Joel Collier performing the work please visit: www.youtube.com/watch?v=BV0p3MkmBs0 (please note this is the piano accompaniment version). PDF download includes full score and parts, including soloist part in Bb treble clef and bass clef. The version with piano accompaniment is available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Length: 9.45 minutes Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium (Tutti) Bb Bass Eb Bass Bb Timpani Percussion 1-2

    In stock: Estimated dispatch 1-3 days
  • £25.00 £25.00
    Buy from Wobbleco Music

    You're My World - Umberto Bindi, Gino Paoli, Carl Sigman - Len Jenkins

    "You're My World" is a ballad originally recorded in 1963 as "Il Mio Mondo" ("My World") by Umberto Bindi, who co-wrote the Italian-language version with Gino Paoli. Although the original Italian version was not a hit, even in Italy, the song came to the attention of UK record producer George Martin, who commissioned an English version to be recorded by his protegee Cilla Black. The English lyrics were written by Carl Sigman. Cilla's recording at Abbey Road Studios was made with Johnny Pearson conducting his orchestra and The Breakaways providing background vocals. Her road manager and future husband Bobby Willis also sang on the track. "You're My World" reached No. 1 in Britain on the chart dated 30 May 1964 and remained there for a total of four weeks, one week more than Cilla's preceding single "Anyone Who Had A Heart" (Also available as a Brass arrangement from Wobbleco Music). Although Cilla returned to the UK Top Ten eight times, "You're My World" was her final No. 1 hit. Two quite different arrangements are available; one for Full Brass Band and one for Brass Quintet with optional Glockenspiel. Both attempt to retain the style of the original recording.