Results
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£45.00Aurora Awakes
Aurora Awakes was composed in 2020 for Youth Brass 2000. Sometimes referred to as the Northern Lights, Aurora Borealis is a natural light phenomenon in the Earth's s ky. Predominantly seen in high-latitude regions, they are a result of magnetosphere disturbances caused by solar wind. The resulting ionisation (the process of a molecule acquiring positive or negative charge) of atmospheric components emit light of varying colour and complexity. For those of you familiar with the composer's other space inspired works , Aurora Awakes is a slow alternative, exploring the tonal colour and lyricism of the brass band rather than its raw energy. An effective contrast if you choose to programme it following either Starburst or Andromeda . Duration : 00:03:10 Grade : 3 Flexi-Score
Estimated dispatch 5-7 working days
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£30.00Duetto Evangelico - Tim Paton
A lively duet for tenor and bass trombone with brass band, created by Tim Paton and incorporating Sunday school favourites of This Little Light of Mine, Give Me Oil In My Lamp and ... Living Lord.Comments from the arranger, Tim Paton:Several years ago, I was asked to provide some musical entertainment for a religious festival. It included this duet, which now has a brass band accompaniment. It is musically satisfying, as well as fun for performers and audience.It uses some well known 'Sunday School' choruses, including "This little light of mine" and "Give me oil in my lamp".This is a lively duet, with plenty of typical trombone characteristics - comical obligato, smooth ballad style, and plenty of the famous glissando for which the instrument is renowned.Look and Listen (with piano accompaniment only, courtesy of Tim Paton 2011):
In Stock: Estimated dispatch 3-5 working days
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£24.95
Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£12.50
Lloyd (Brass Band - Score only) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£29.95Argos (Brass Band - Score only) - Hodel, Stephan
Argos is a composition commissioned by the Lucerne Cantonal Brass Music Association LKBV. Composed in autumn 2009, Argos was the 3rd grade task piece at the Lucerne Cantonal Music Festival 2010 in Willisau. Argos (from the Greek meaning light) describes the light, festive character of the composition. Roughly speaking, the work consists of three parts, a fanfare-like opening, a song-like or chorale-like middle section and a happy final movement. Duration: 8.15
Estimated dispatch 7-14 working days
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£114.80
Argos (Brass Band - Score and Parts) - Hodel, Stephan
Argos is a composition commissioned by the Lucerne Cantonal Brass Music Association LKBV. Composed in autumn 2009, Argos was the 3rd grade task piece at the Lucerne Cantonal Music Festival 2010 in Willisau. Argos (from the Greek meaning light) describes the light, festive character of the composition. Roughly speaking, the work consists of three parts, a fanfare-like opening, a song-like or chorale-like middle section and a happy final movement. Duration: 8.15
Estimated dispatch 7-14 working days
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£115.60At the Zoo - Hilde Høyvik Dahl
"At the Zoo" is a light and playful piece for the beginning musicians.Different animals and their characteristics are the theme of each movement, and the melody alternates between the different sections of the band to emphasize this. Trombones play glissandos and the percussionists are featured on percussion instruments, making the piece a fun to perform at any concert!
Estimated dispatch 5-14 working days
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£72.99English Dances, Set 1, Op. 27: No. 1 - Sir Malcolm Arnold - Ray Farr
English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ak's Slavonic Dances and Bartok's Romanian Folk Dances. The premiere took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.
Estimated dispatch 5-14 working days
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£154.60Prelude Festivo - John Brakstad
Prelude Festivo is intended to be performed both in concerts and in competitions and includes solo passages for most instrument groups. Duration 7,5 minutes. Form: Fast slow fast. The piece is built on two themes: Theme 1 (Allegro con spirito) is first presented as a cornet solo after a fanfare-like opening. Theme 2 is hinted at in the opening bars, but is presented fully in the slow (Andante) section (bar 141). This theme is developed and also appears as melodic and rhytmic fragments throughout the composition. In the concluding section (bar 196) both themes are played in conjunction before the piece concludes with the fanfare theme from the opening bars. Parts thatare marked piu mosso ed leggiero should be played in a cheerful light staccato style in contrast to Andante cantabile.
Estimated dispatch 5-14 working days
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£72.70Con Brio March - Kai Tønnesen
"Con Brio March" is, as stated in the title, a march to be played with vigour which means in a light style and tempo.Although the march is quite traditional in its form, it has been important to add some small challenges in all parts.
Estimated dispatch 5-14 working days
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