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£85.00
Freaks! - Gavin Higgins
Freaks! was written for Lisa Sarasini in 2006 and first performed by her with Zone One Brass at the Royal College of Music, London. This tuneful and flamboyant showpiece was inspired by the Tod Browning film of the same name. The 1932 black and white cult classic was banned for many years due to its controversial morality issues and lead characters - real life side show 'freaks'. It is one of the most bizarre things to have ever come out of Hollywood. Gavin Higgins' virtuoso trombone solo is programmatic in style, full of humour with a sinister undercurrent, and is broken into seven short scenes: Introduction Roll up... See the Freaks The Amazing Cleopatra - Queen of the Air Gooble Gobble one of us - The Wedding Party The Fall of Cleopatra The Freaks Take Revenge Cleopatra - The Duck Lady
In Stock: Estimated dispatch 1-3 working days
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£30.00
The Djebels
A rousing opening section with impressive countermelodies lead to a middle section in the relative major. Here, the tune is put into the bass parts with some interjections from the upper parts. The final section is a stately chorale reminiscent of Elgar at his finest! Straightforward phrasing and relatively straightforward parts make this accessible to the majority of bands.
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£79.95Amundsen - Jonathan Bates
DURATION: 14'00". DIFFICULTY: 1st+. 'Amundsen' was commissioned by rskog Brass, Norway for their winning performance at the 2020 Norwegian National Championships held at the Grieghallen in Bergen. In December 1911, Norwegian Roald Amundsen gained global fame by becoming the first explorer to lead a team to the geographic South Pole. Amundsen and 4 other members of his team arrived 5 weeks ahead of a rival team from the UK led by Robert Falcon Scott, all of which perished on their attempted return from the pole. Initially when Amundsen's team set out in 1910, they were under the impression that they would be making the far shorter journey to the arctic drift to attempt to reach the North Pole, but Amundsen had received news that American explorers Peary and Cook had beaten them to this goal, and so Amundsen's focus changed southward. 'Fram, Forward' - 'Fram' (translating to English as "forward") was the name of the ship Amundsen used for this particular polar expedition. Amundsen had only informed 2 people of his real intentions of conquering the South Pole when the ship first left port in Kristiansand before heading south to the Portuguese island of Madeira in the Atlantic Ocean. After weeks at sea - causing the uninformed members of the crew to raise a number of questions and produce a general feel of uncertainty and low spirits - it was here that Amundsen announced his true plans to the rest of his crew. They were asked whether they wished to continue with their expedition, to which all - some begrudgingly - agreed to sail on to the South Pole, through the great Ice Barrier before docking in the Bay of Whales on the Ross Ice Shelf. 'Ross Ice Shelf' - Upon Amundsen's arrival in the Bay of Whales, the team were greeted by the sight of the enormous ice plateau's and glaciers, towering into the Antarctic sky. In 1907, Ernest Shackleton had attempted - and failed - to reach the South Pole, but his route and mapping was by now well documented. Scott and the UK team were to follow this route, whereas Amundsen and his men forged their own way to the pole through unchartered territory and deadly terrain littered with deep crevasses and canyons. The music here though, is a picture of tranquility. The eerie silence of total emptiness with only the heavy snow falling around Amundsen as Fram and the Bay of Whales disappears into the distance, faced by the maginute of the expedition ahead. 'Advance to Polheim' - The first new challenge Amundsen discovered on this route was a rough, sharp and extremely steep glacier (which was later named the Axel heiberg Glacier after the Norwegian monarch who funded much of the expedition), which would take his team up from sea level to an altitude of over 9,000ft in just 20 miles, with most of this over just 7 miles. Once scaled, only the vast Antarctic Plateau stood between Amundsen and the pole. Here the race began, with only one aim - victory for himself, his team, and for the whole of Norway. .
In Stock: Estimated dispatch 1-3 working days
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£29.95Ghost of Christmas Past, The - Jonathan Bates
DURATION: 2'30". DIFFICULTY: 2nd+. Composed for Strata Brass in 2020 as part of their COVID-19 induced, virtually recorded 'A Christmas Carol' (a new suite for brass bandlasting around 30 minutes in total), 'The Ghost of Christmas Past' is a lively and virtuosic cornet solo portraying the visions Scrooge is shown of his childhood. Beginning in a jovial mood, the ghost then shows Scrooge his early love life, before showing how Scrooge's unsympathetic and callous ways lead to his loss of love and friendship throughout the years as the music gets gradually darker and darker with each passing section. .
In Stock: Estimated dispatch 1-3 working days
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£79.95Grieg Variations - Jonathan Bates
DURATION: 12'30". DIFFICULTY: 2nd+. . 'Grieg Variations' is a through-composed work in the traditional style of a 'theme & variations'. The work opens with the main melodic fragment featured throughout Grieg Variations which comes from Grieg's Peer Gynt Suite No.2; the final movement - 'Solveig's Song'. . This theme is followed by a set of 9 variations, each taking inspiration from various melodies and styles found within the Peer Gynt Suite. The first variation, a light-footed scherzo based upon the tonal line of Solveig's Song is followed by an 'Alla marcia' variation - in which the music is inspired by the 2nd movement - 'Arab Dance' - of the original suite. The 3rd variation takes a far darker and more aggressive turn in a variation set around the music of the 1st movement of the Peer Gynt Suite before a relaxation into a solemne revisiting of the original theme. Opening with a sombre and longing solo for Flugel horn, the focal point of this 4th variation is an extended solo for the Solo Euphonium, marked 'molto espressivo'. The new material here is used as a theme throughout this variation, being reprised by the full band immediately after as the music builds to a climax point at the top of the musical line. . Following this, there are 2 cadenzas for the Solo Horn and Solo Cornet respectively; the former inspired by the thematic material of Solveig's Song, and the latter from the Oboe cadenza at the beginning of Grieg's '2 Lyric Pieces, Op.68'. These cadenzas lead swiftly into the 7th variation, a bustling rhyhm-driven movement set in complex time. The 3rd movement of the Peer Gynt Suite No.2 - 'Peer Gynt's Homecoming' - makes it's first appearance in variation 8 in a triumphant battle-like setting before a combination of both this material and the Solveig's Song combine to bring Grieg Variations to it's close -not without a little nod to potentially Grieg's most famous work - In The Hall of the Mountain King. . .
In Stock: Estimated dispatch 1-3 working days
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£39.95Panic on Pudding Lane - Jonathan Bates
DURATION: 5 minutes. DIFFICULTY: Championship. Panic on Pudding Lane was composed for the 2016 RNCM Festival of Brass, for the Black Dyke Band and Prof. Nicholas Childs. The work was composed to mark the 350th anniversary of the Great Fire of London in 1666. Following the frantic panicking, and hustle and bustle of the emergency service vehicles, a moment of reflection and tranquility is found in the core of the work, with a feature for Soprano Cornet and Flugelhorn in a section that almost pleads and mourns over the damage and devastation which surrounds them, as they stand amongst the burning rubble and debris (enhanced by a CD sound effect backing track). Whilst this section proves to be the calming point of the piece, the chaos and destruction is still never far from the ear, with distant echoes of sirens in the background towards the section's close. . Panic once again returns as the piece builds to a chaotic and driving close, with a huge sweeping recapitulation of the 'London's Burning' motif taking the lead before a wild,dischordant and frenzied finale brings the work to it's end. .
In Stock: Estimated dispatch 1-3 working days
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£111.00
Ignition (Bra) - Stijn Aertgeerts
The music begins with a rhythmic and rousing motif that reflects the excitement of take-off. Cornets and trombones take the lead as the power of the rocket engines comes to life.
Estimated dispatch 7-14 working days
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£21.50Build Me Up Buttercup (The Foundations) - Brass Band Full Score & Parts Sheet Music - LM721
COMPOSER: Michael D'Abo & Tony MacaulayARRANGER: David BealBrass Band Full Score & Parts Sheet MusicUK SALES ONLYOriginally a hit for The Foundations back in 1968 with Colin Young singing lead vocals.But now available as a brass band arrangement ready for your next concert.A definite crowd pleaser and foot-tapper.LM721 - ISMN : 9790570007219
In Stock: Estimated dispatch 3-5 working days
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£35.00Dance On A Volcano - Brass Band Sheet Music Full Score & Parts - LMAM012 - Phil Collins, Tony Banks, Mike Rutherford & Steven Hackett - David Beal
COMPOSER: Phil Collins, Tony Banks, Mike Rutherford & Steven HackettARRANGER: David BealCLICK HERE TO PURCHASE - THIS ARRANGEMENT IS ONLY DOWNLOADABLE FROM -Dance On A Volcano (arr. David Beal) Sheet Music | Steven Hackett | Brass Band (sheetmusicdirect.com)A Trick of the Tail is the seventh studio album by English progressive rock band Genesis. It was released on 13 February 1976 on Charisma Records and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It was a critical and commercial success in the UK and U.S., reaching No. 3 and No. 31 respectively. The opening track, "Dance on a Volcano", was the first song written for the album. Rutherford felt that, in contrast to the material on The Lamb..., it was easy to write, and was intended to show how Genesis would move forward. Now available for Brass BandAny purchases of this Item cannot be made from this listing please click on the link above - Any purchase using this site will be refundedAbout Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don't have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
In Stock: Estimated dispatch 3-5 working days
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£21.50It Must Be Love - Brass Band Sheet Music Full Score & Parts - LM732
COMPOSER: Labi SiffreARRANGER: Stephen JoyThis arrangement is based on the ever popular Madness version"It Must Be Love" is a song written and originally recorded in 1971 by Labi Siffre.It was also recorded by ska/pop band Madness in 1981.The song was featured in the 1989 movieThe Tall Guy, starring Jeff Goldblum, Rowan Atkinson, and Emma Thompson.Suggs, lead vocalist of Madness, also appeared in the movie while singing this song.The single was reissued to tie in with the film but was not a hit on that occasion.In this great arrangement by Stephen Joy the Ska for brass band really stands out and makes a great concert piece for your next concert.Playable by most bandsLM732 - ISMN : 9790570007325
In Stock: Estimated dispatch 3-5 working days
