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  • £25.50

    I See The Light from 'Tangled' - Alan Menken - Adrian Horn

    Disney’s take on the story of Rapunzel saw veteran Disney composer, Alan Menken score the film and from it, came the hit, ‘I See The Light’. A lyrical ballad, out of all the tracks produced for the film, Alan stated that this was his favourite of them all. Now arranged by Adrian Horn for solo cornet and band, this release is perfect for soloists looking to perform something popular with general audiences of all ages. With little in the way of technical difficulty, this would be a great item for younger players to enjoy. One not to be missed this Summer.

    In stock: Estimated delivery 1-2 days

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  • £25.50

    I See the Light from 'Tangled' - Alan Menken

    Disney's take on the story of Rapunzel saw veteran Disney composer, Alan Menken score the film and from it, came the hit, 'I See The Light'. A lyrical ballad, out of all the tracks produced for the film, Alan stated that this was his favourite of them all. Now arranged by Adrian Horn for solo cornet and band, this release is perfect for soloists looking to perform something popular with general audiences of all ages. With little in the way of technical difficulty, this would be a great item for younger players to enjoy. One not to be missed this Summer.

    Estimated delivery 12-14 days

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  • £21.50

    The Breeze And I - Ernesto Lecuona - Neville Buxton

    The songs of Ernesto Lecuona may have been covered by more exotica artists than any other composer, yet they're relatively unknown except to fans of traditional Latin music. It's a shame, for Lecuona was a multi-talented artist and a pioneer of Latin music in America. A Lecuona song has everything an exotica lover could ask for: mystery, excitement and rhythm. "The Breeze & I" is no exception, starting with a Bolero, then moving from Beguine to Swing before returning to the Bolero to finish. Recorded by Jimmy Dorsey with Bob Eberly singing Al Stillman's lyrics, this tune became a number one hit in the U.S.

    In stock: Estimated delivery 1-2 days
  • £49.95

    The Dark Side of the Moon - Paul Lovatt-Cooper

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premi?re performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated delivery 5-7 days
  • £49.95

    The Dark Side Of The Moon - Score & Parts - Paul Lovatt-Cooper

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premi?re performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated delivery 12-14 days
  • £24.95

    The Dark Side Of The Moon - Score Only - Paul Lovatt-Cooper

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premi?re performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated delivery 12-14 days
  • £159.90

    Aubade - Dawn Songs of the Fabulous Birds - Torstein Aagaard-Nilsen

    Commissioned by The Norwegian Band Federation for The European Brass Band Championship 2003, in Bergen, Norway (Third edition)I remember as a kid the very early morning wake-up ceremonies caused by Seagulls having a "party" outside our home. Very few would describe it as beautiful, particularly not at 4:30 in the morning...But by listening carefully to birds I was fascinated by their diversity and musical language: they dont sing tunes or long phrases, they rather make sounds and signals, based on short motives.Aubade is based on musical pictures of the imaginary birds: the creatures with wings that exists only in myths and legends.The whole story starts with a Baritone-cadenza that evoke all the sleeping creatures. Very soon they all start to sing their songs in one way or another.The composition has a burlesque scherzo-character including slow espressive intersections. Traditional elements like melody and harmony is combined with extensive sounds and textural effects created by use of multiple muting, singing and playing at the same time.I am not too concerned about having a program for the piece. I just know that by thinking of the unheard dragon-songs, griffin-songs, the sound of the dodo, my creativity was stimultated.As a piece of music, Aubade follows its own rules based on well-known elements like melodies, arpeggio-figures, harmonies, rhythms, variations and recapitulation of ideas.- Torstein Aagaard-Nilsen -

    Estimated delivery 12-14 days

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  • £158.00

    Aubade - Dawn Songs of the Fabulous Birds - Torstein Aagaard-Nilsen

    Commissioned by The Norwegian Band Federation for The European Brass Band Championship 2003, in Bergen, Norway (Third edition)I remember as a kid the very early morning wake-up ceremonies caused by Seagulls having a "party" outside our home. Very few would describe it as beautiful, particularly not at 4:30 in the morning... But by listening carefully to birds I was fascinated by their diversity and musical language: they dont sing tunes or long phrases, they rather make sounds and signals, based on short motives.Aubade is based on musical pictures of the imaginary birds: the creatures with wings that exists only in myths and legends.The whole story starts with a Baritone-cadenza that evoke all the sleeping creatures. Very soon they all start to sing their songs in one way or another.The composition has a burlesque scherzo-character including slow espressive intersections. Traditional elements like melody and harmony is combined with extensive sounds and textural effects created by use of multiple muting, singing and playing at the same time.I am not too concerned about having a program for the piece. I just know that by thinking of the unheard dragon-songs, griffin-songs, the sound of the dodo, my creativity was stimultated.As a piece of music, Aubade follows its own rules based on well-known elements like melodies, arpeggio-figures, harmonies, rhythms, variations and recapitulation of ideas.- Torstein Aagaard-Nilsen ??"

    Estimated delivery 12-14 days
  • £62.80

    Who can Sail without the Wind - Torstein Aagaard-Nilsen

    "Who can Sail without the Wind" is an old folk tune from Aland in Finland.I believe the song was one of the first one I learnt to sing and play on the guitar. The melancholic character of the song is something I have brought with me ever since.

    Estimated delivery 12-14 days

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  • £65.00

    The Once and Future King

    DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need – hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.

    Estimated delivery 5-7 days

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