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£33.43All Your Anxiety (Brass Band) Edward Joy arr. Jonathan Rowsell
All Your Anxiety is a reflective and expressive work for brass band inspired by Edward Joy's sacred song of the same name. Drawing deeply from the hymn's text and message, the piece explores the tension between human unease and the promise of peace found in faith.The work opens with a distinctive eighth-note figure in the euphonium that immediately establishes an unsettled character. Wide intervallic leaps and atypical slur groupings evoke a sense of fragility and uncertainty, musically portraying the weight of sorrow and care described in the opening verse of the hymn. This motivic material becomes the foundation of the entire arrangement, reappearing in varied forms as counter-melody, accompaniment, and featured solo lines across the ensemble.As the piece unfolds, the music gradually broadens and warms, reflecting the invitation of the text to "come to the cross" and leave one's burdens behind. Moments of lyricism and calm contrast with the earlier unease, leading toward a more settled and hopeful conclusion that mirrors the refrain's assurance: "Never a burden He cannot bear, never a friend like Jesus."To view a video of the Canadian Staff Band playing the piece please visit https://www.youtube.com/watch?v=5Ms8ubug4yASheet music available from www.brassband.co.uk or https://satradecentral.orgDifficulty Level: 3rd Section +Length: 3.30 minutesInstrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion
In Stock: Estimated dispatch 1-3 working days
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£66.88Armistice at Flanders Fields (Brass Band) Dwayne Bloomfield
This poignant and powerful work for brass band by Dwayne Bloomfield describes the day peace was announced to end World War I. The piece was written in 2023 to be played by bands around the world to mark Armistice Day.The composer writes:'Unless you were there, it's impossible to imagine what it must have been like the day peace was announced ending World War I. The feelings soldiers experienced, who after years of fighting and suffering, to know it was over and they would return home to see family and loved ones again. This piece tries to tell their story.The work begins by approaching the front, distant artillery and battle sounds heard while the carnage and loss of lives was already known to the world. The band builds as we enter the thick of battle, the death and destruction, the conditions faced and the loss of hope of ever surviving. The next section, in 7/8 time, reflects the two sides fighting - both sides attacking and defending with mostly little result, but for the loss of more lives. Two euphoniums then depict the news and hope of peace talks. However, fighting did continue right up to the very end and on the last day there would be another 2,738 casualties.The Canadians were still battling to capture the town of Mons that morning. A song is sung in reflection of the estimated 5.5 million allied soldiers who lost their lives during World War I, then a clock ticks down the final minutes. The last three known casualties are depicted with French soldier Augustin Trebuchon, killed at 10:45am by a single shot as he rushed down the trenches to spread the news of coming peace; Canadian George Lawrence Price killed by a sniper round at 10:58am at the battle of Mons, and lastly a machine gun burst that killed American Henry Gunther, who is believed to have fallen on the 11th hour. Bells then toll ringing around the world announcing the end of the war.After years of war, it must have been jubilation for the families at home knowing their loved ones would be returning to them. The band builds with a hymn for peace as a final tribute to those who fought, before the piece resides with one of the most dreaded sounds at that time, the knock on the door from a telegram delivery boy or better known then as the Angels of Death. It wasn't just the 2,738 families from the casualties of the last day who would receive such a knock, but many more who expected their loved ones to be returning home would instead find out they were instead killed in the last weeks. So close.Driving around the battlefields today one comes across many intersections in the countryside which have cemetery signposts pointing in every direction. While the last post sounds in ceremonies today, this last bugle call instead depicts the horrors, devastation and death the soldiers faced during the war and right up the 11th hour of the 11th day of the 11th month, Armistice at Flanders Fields.'To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=ljfyVz3cMgkDuration: Approx. 15.00 minutesDifficulty Level: 2nd Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£33.43Verleih Uns Frieden (Brass Band) Mendelssohn arr. Edward Mylechreest
Felix Mendelssohn's stunning Choral Cantata has here been adapted to the brass band by Edward Mylechreest. A setting of Martin Luther's sacred words, this short piece is a staple of the choral canon and is widely regarded as a choral masterpiece.The hymn tune melody repeats three times throughout the piece (first from the trombones, then the horns, followed by a full band chorale), each time an emploring prayer and statement of the text.This arrangement can also be used for accompaniment to the original Chorale, remaining in the original Eb major key signature. Knowledge of the original piece will be of great benefit to the performer and conductor alike.Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 4th Section +Instrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion Tacet
In Stock: Estimated dispatch 1-3 working days
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£30.00Blaenwern - Brass Band - RMP005 - Frank Culross
COMPOSER:ARRANGER: Frank CulrossScottish arranger Frank Culross has crated a beautiful setting of they hymn tune Blaenwern.CLICK HERE TO HEAR THIS PIECE - Blaenwern Hymn arr: Frank Culross
In Stock: Estimated dispatch 3-5 working days
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£30.00Hills of the North Rejoice - Martin Shaw
This is a beautiful hymn setting arranged for brass band by Steve Robson, inspired by the words of Charles Oakley (1832-1865), set to the melody of Little Cornard by Martin Shaw (1875-1958).Steve writes: The words of the opening line of the Hymn have added significance for me, in that I am fortunate to live high amongst England's most northerly hills, "The North Pennines".A strikingly beautiful melody which has been artfully scored by Steve to create waves of emotion throughout. A stunning piece to include in programmes for concerts and entertainment contests.Look and Listen (courtesy of the Reg Vardy Band):
In Stock: Estimated dispatch 3-5 working days
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£46.00Hymns at Heaven's Gate (Score only) - Elgar Howarth
A flourish: a crowd assembles at the gate of Heaven, saints and sinners. As in a film the immensity of the crowd is illustrated, and the camera zooms to focus onparticular groups and individuals. Monks sing a 'medieval' hymn, interrupted by the fanfares of mischievous seraphim; gradually the whole crown join in. The fanfares grow wilder, and grubby, naughty children enter, singing mock fanfares, making jazzy gestures and trying to sing a chirldren's hymn. They are joined by roughnecks who take up the fanfare idea. The camera zooms again at the entrance of Jesus. A commanding flourish causes consternation. Separate groups react, interrupted by mysterious percussion effects. Then, as the whole panorama explodes in sound, William Booth (founder of the Salvation Army) approaches awestruck. A triple Alleluia is followed by the third hymnand further Alleluias. A dance finale begins using material from the whole piece. A tumultuous climax preceds sudden quiet Alleluias, and the crown exits into Heaven to the music of the monks, reharmonised and transformed. The camera shots extend to the heavens and the stars. Duration: 15:00
Estimated dispatch 7-9 working days
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£58.00Hymns at Heaven's Gate (Parts only) - Elgar Howarth
A flourish: a crowd assembles at the gate of Heaven, saints and sinners. As in a film the immensity of the crowd is illustrated, and the camera zooms to focus onparticular groups and individuals. Monks sing a 'medieval' hymn, interrupted by the fanfares of mischievous seraphim; gradually the whole crown join in. The fanfares grow wilder, and grubby, naughty children enter, singing mock fanfares, making jazzy gestures and trying to sing a chirldren's hymn. They are joined by roughnecks who take up the fanfare idea. The camera zooms again at the entrance of Jesus. A commanding flourish causes consternation. Separate groups react, interrupted by mysterious percussion effects. Then, as the whole panorama explodes in sound, William Booth (founder of the Salvation Army) approaches awestruck. A triple Alleluia is followed by the third hymnand further Alleluias. A dance finale begins using material from the whole piece. A tumultuous climax preceds sudden quiet Alleluias, and the crown exits into Heaven to the music of the monks, reharmonised and transformed. The camera shots extend to the heavens and the stars. Duration: 15:00
Estimated dispatch 7-9 working days
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£42.00Trittico (Score only) - James Curnow
Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988. A trittico is a tripych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation. The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself. The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement. The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation. The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aeleatoric passage - a variation within a variation allowing half the band to make their own variaitions in a cachophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm. Duration: 13:30
Estimated dispatch 7-9 working days
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£52.00Trittico (Parts only) - James Curnow
Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988. A trittico is a tripych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation. The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself. The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement. The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation. The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aeleatoric passage - a variation within a variation allowing half the band to make their own variaitions in a cachophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm. Duration: 13:30
Estimated dispatch 7-9 working days
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£77.00General Series Brass Band Journal, Numbers 2269 - 2272, August 2026
2269: Intrada - Christians Awake (Stephen Gibson)This intrada heralds the happy morning when Christians celebrate the birth of Jesus. Fanfares surround the traditional Christmas Day hymn, Christians Awake (C.C. 20), where we are encouraged to 'awake, salute the happy morn'. Written in a processional style, this music was composed as a concert opener to be performed in a large church setting.2270: Jesus loves me (Stanley Kelley)Jesus loves me! (S.A.S.B. 807) is a song many church-goers learn as children. While written for children, its message is for everyone. John 15:9 says, 'As the Father has loved me, so have I loved you.'2271: Prelude on 'Deep Harmony' (Geoffrey Nobes)This piece was written for the Blendworth Band of Hampshire. The hymn tune, by Handel Parker, is one of the most beautiful and iconic melodies ever written, with lovely harmony supporting the rise and fall of a simple but perfect melodic line.2272: To the hills (Paul Sharman)The inspiration for this arrangement came during a walking holiday in the Lake District. Looking towards the hills brought to mind the words of Psalm 121 and Ernest Rance's setting of that passage, I Lift Up My Eyes (S.A.S.B. 208), with its lovely tune Ochills. This arrangement was written shortly after the composer's return home.
Estimated dispatch 7-14 working days
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