Results
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£35.00Postcard to Grimethorpe (Brass Band - Score and Parts)
I composed the original version of Postcard to Grimethorpe in 1993 at the request of Elgar Howarth, for a concert at the Queen Elizabeth Hall, London, given by the Grimethorpe Colliery Band. This was at a time when after the Grimethorpe Colliery pit closed the future of the band was in severe jeopardy. The concert was given in aid of the band, both through publicity and funding.Then in late 2022 Jack Stamp, the American composer, conductor and educator, and at that time international composer-in-association with Grimethorpe, contacted me to say that he had discovered my short piece in the band library, and asked if I might extend it for a recording he was sponsoring for the band - the repertoire to consist entirely of music specially composed for Grimethorpe.I agreed and decided to extend the piece by using the miner's hymn Gresford, as a symbolic gesture of protest at the many thousands of miners in the UK who were made redundant from their jobs. After an angular (quasi-atonal) first section, the hymn enters, softly at first, but with each phrase it becomes more powerful and insistent, ending with the final phrase triumphantly accompanied by melodic percussion (replacing the drums and cymbals of the earlier phrases, as if the band were then on the march). However, this short work ends softly and gently, as if anger has been replaced by quiet resolution and determination, looking to the future with confidence.- Edward GregsonDuration: 3.00
Estimated dispatch 7-14 working days
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£40.00Abide With Me (Euphonium Solo with Brass Band - Score and Parts)
My arrangement of William H. Monk's tune of 1861, uses the euphonium soloist as the central figure for the melodic line in the three verses. Surrounding the solo line is an irregular pulsed figure in the percussion to give the music an unsettled feel whilst the muted ensemble lightly colour the melodic contour of the soloist. From the low beginnings of the piece, where no high instrumentation is used, we are led through the darkened texture to a bright finale, although the sense of the forbidding is always present.Abide With Me has always been a favourite hymn of mine and it was when watching the film 28 Days Later that I believed it would make a rather striking arrangement for brass band. This was confirmed further when the hymn was used at the 2012 opening ceremony of the London Olympics. The juxtaposition between the static, slow moving melody and the rhythmic effects of the dancers was something that I thought could be captured in an arrangement.- Paul McGheeDuration: 5.00
Estimated dispatch 7-14 working days
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£70.00General Series Band Journal April 2013 Numbers 2119-2122
No.2119 Guardian of my soul (Darren Shaw)This arrangement combines the composer's own song 'I worship you', with the well-known hymn 'O Jesus, I have promised' (S.A.S.B. 862), both of which contain the phrase, 'Guardian of my soul', within their lyrics.No.2120 Festival March - Temple 125 (Kevin Larsson)This march was written for the 125th anniversary of Bromley Temple, which is where the composer grew up and still considers his 'home corps'. This arrangement uses two songs that are closely associated with Bromley, the first being 'Jesus is all I need' (STTL Vol.1, part 1) by Hans Knutzen, who was a soldier of the corps and a member of the 'Bill Booth Revival Machine'. The second song is 'He came to give us life (T.B. 662) from the Gowans and Larsson musical, 'Jesus Folk', which was premiered using a cast from Bromley Temple.No.2121 Trombone Solo - Nothing but thy blood (Harold Burmayer)Donna Peterson's recent melody, set to the time-honoured words of Richard Slater, provides a vehicle for solo trombone with band accompaniment.No.2122 Begone, vain world (Michael Davis)A setting of the hymn tune of the same title, with which we associate the words, 'I want, dear Lord, a heart that's true and clean'.
Estimated dispatch 7-14 working days
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£34.95Judd: Almighty - Roger Trigg
'Almighty' was written for Bandmaster Ross Johnson and Camberwell Citadel Band (Australia) for use on the band's 2009 tour of New Zealand. This energetic work takes its title from the opening line of the well-loved hymn, 'Praise to the Lord, the Almighty, the King of creation' (S.A.S.B. 19). It is based on the hymn tune 'Lobe den Herren' (T.B. 721) and whilst the tune is only heard in its entirety once, fragments of the tune can be heard throughout the music. The music is a shout of acclamation to the King of Kings.
Estimated dispatch 7-14 working days
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£79.95Indian Summer (Fantasy) (Brass Band - Score and Parts)
The 'Indian Summer' is that of North America, and the music, entertaining but more than half serious, will perhaps evoke memories of tales of Native Americans.There are four movements:The Great Chief SpeaksBy the Cool WatersTotem DanceHymn to the Great SpiritProgramme Notes:This Fantasy is in the form of a Suite, although there should be no long break between each movement. The composer sometimes concocts a little story to illustrate the music, somewhat as follows:"The Great Chief Speaks": the warmth of Autumn's "Indian Summer" will soon be a memory, and hard Winter will set in; so the Chief must hold a great Powwow with his people"By the Coll Waters": a little girl, not interested in grown-up solemnities, slips away to a nearby lake. She gazes at her reflection in the water; executes a little dance, then falls to dreaming."Totem Dance": this will be exciting - the little girl goes running to see! The dancing becomes wilder, then rhythm more insistent, then suddenly silence."Hymn to the Great Spirit": the Powwow closes with a majestic utterance by the Great Chief. A hymn is sung to the "Great White Spirit", and the people turn their thoughts to preparations for the coming Winter.
Estimated dispatch 7-14 working days
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£39.95
Indian Summer (Fantasy) (Brass Band - Score only)
The 'Indian Summer' is that of North America, and the music, entertaining but more than half serious, will perhaps evoke memories of tales of Native Americans.There are four movements:The Great Chief SpeaksBy the Cool WatersTotem DanceHymn to the Great SpiritProgramme Notes:This Fantasy is in the form of a Suite, although there should be no long break between each movement. The composer sometimes concocts a little story to illustrate the music, somewhat as follows:"The Great Chief Speaks": the warmth of Autumn's "Indian Summer" will soon be a memory, and hard Winter will set in; so the Chief must hold a great Powwow with his people"By the Coll Waters": a little girl, not interested in grown-up solemnities, slips away to a nearby lake. She gazes at her reflection in the water; executes a little dance, then falls to dreaming."Totem Dance": this will be exciting - the little girl goes running to see! The dancing becomes wilder, then rhythm more insistent, then suddenly silence."Hymn to the Great Spirit": the Powwow closes with a majestic utterance by the Great Chief. A hymn is sung to the "Great White Spirit", and the people turn their thoughts to preparations for the coming Winter.
Estimated dispatch 7-14 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1367 - 1370, November 2024
1367: March - Risen, conquering Son (Noel Jones)Two uplifting Easter songs are featured in this march; Low in the grave he lay (S.A.S.B. 228) with words and music written by Robert Lowry, and Thine is the glory (S.A.S.B. 276) with words by Edmond L. Budry and music by George F. Handel. Both serve as a powerful reminder of the resurrection of Jesus.1368: Horn Solo - O how much he cared for me (Keith Wilkinson)This solo was originally penned for Bandsman Frank Taylor, who plays Solo Horn at Stapleford Citadel Corps. As its basis, it uses the popular hymn No one ever cared for me like Jesus by Charles F. Weigle, a Baptist evangelist who wrote more than a thousand hymns.1369: My Redeemer lives (Olaf Ritman)This arrangement of Reuben Morgan's well-known worship song (S.A.S.B. 223) was first written as an accompaniment for congregational singing and can still be used in that way. It was inspired by the American R&B group Tower of Power and is meant to sound soulful and funky.1370: Selection - With life anew (Mervyn Clarke)This selection features music associated with two hymns; Blessd Saviour, now behold me (S.A.S.B. 575) by William Baugh and Breathe on me, breath of God (S.A.S.B. 294) by Edwin Hatch. Although Edwin Hatch's hymn-writing output was very small, this hymn has seen numerous settings and melodies associated with the words from which the piece takes its title; two of these melodies are featured here in Trentham and Carlisle.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal - Numbers 494 - 497, June 2021
494: March - The angels' song (Alan Williams)This imposing and energetic march is a welcome addition to the Christmas concert repertoire.495: Christmas Rocks! (Mark Feltwell)This exciting work takes the form of a mini-overture and is an ideal opening for Christmas concerts. It features four well-known carols: Unto us a boy is born (C.C. 97); Three kings' march (C.C. 96); While shepherds watched (C.C. 105); Hark! the herald angels sing (C.C. 38).496: Meditation on 'Beechwood' (Kenneth Downie)This wistful arrangement of the hymn tune brings a spirit of wonder at God's love for us.497: Marching in the light (Ralph Pearce)A march in all but name, this piece is based on the popular South African traditional hymn We are marching in the light of God (S.A.S.B. 903) with references to Come, join our army, to battle we go (S.A.S.B. 949).
Estimated dispatch 7-14 working days
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£44.95Deus Invictus - God Unconquered (Brass Band - Score and Parts)
Deus Invictus draws its inspiration from well-known words from Romans 8: 38-39; 'For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any owers, neither height nor depth, nor anything else in all creation, can separate us from the love of God'. The music reflects the confidence and certainty of the scripture text while, as in everyday life, trials and tests come along which are reflected in a sequence of musical skirmishes. The work introduces the 19th century hymn 'St Albinus' to a wider audience and also includes references to the tunes 'St Margaret' and 'Rachie'. A setting of the Easter Hymn, 'Christ the Lord is risen today!', is heard followed by a final reprise of 'St Albinus'.
Estimated dispatch 7-14 working days
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£50.00Triumph Series Band Journal November 2015 Numbers 1267 - 1270
No. 1267 March - Following Jesus (Ian Clarke)For more than two thousand years, countless Christians, the world over, have chosen to follow Jesus and try to live by his teachings. The words associated with the three tunes used in this march follow that theme: Sagina (T.B. 498), I will follow thee, my Saviour (T.B. 378) and There's joy in following (T.B.C.S. 206).No. 1268 Cornet Solo - Keep that smile! (Kenneth Ketteringham)This light-hearted, waltz-like solo features an old Army song written by Bandmaster George Marshall and Staff-Captain A.R. Wiggins.No. 1269 Hymn Tune Arrangement - Rockingham (Erik Silfverberg)A four-verse setting of the hymn tune, Rockingham, associated with the song 'When I survey the wondrous cross' by Isaac Watts.No. 1270 Lifted High! (Dean Jones)A bright, joyful arrangement of the song, 'Lord, I lift your name on high' in a Caribbean style.
Estimated dispatch 7-14 working days