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  • £25.00

    HUNGARIAN DANCE - Messenger/A.Owenson

    Estimated delivery 3-5 days
  • £74.80

    Hungarian Dance No.5 - Johannes Brahms

    Estimated delivery 10-12 days

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  • £19.50

    Hungarian Dance - MessengerArranger:

    Estimated delivery 5-10 working days
  • £19.50

    Hungarian Dance No.5 - BrahmsArranger:

    Estimated delivery 5-10 working days
  • £46.20
  • £74.30

    Hungarian Dance No. 5 - Johannes Brahms

    Estimated delivery 5-10 working days
  • £46.20
  • £25.00

    Slavonic Dance No.8 - Antonin Dvorak - Phillip Littlemore

    Antonin Dvorak composed his first set of eight Slavonic Dances in 1878. Originally written for piano duet, the dances were inspired by Johannes Brahms’ Hungarian Dances , and were orchestrated soon after composition at his publisher’s request. The music is lively and overtly nationalistic, although the tunes themselves are all original and are not taken from any Slavic folk dances. It was indeed this first set of Slavonic Dances that finally launched Dvorak as a composer beyond his native Bohemia. Such were the popularity of the original dances, Dvorak wrote a second set of eight in 1886. Slavonic Dance No.8 is high-spirited and in the style of a furiant, the boldest of Czech folk dances. Although written in a 3/4 metre throughout, Dvorak creates cross-rhythms that shift this metre in to 2/4, which is an important characteristic of the furiant. Item Code: TPBB-036 Duration: 4'10" Grade: 2nd Section and above

    In stock: Estimated delivery 1-3 days
  • £9.95

    First Quartet (Brass Quartet - Score and Parts) - Gregson, EdwardCode:

    My first Brass Quartet was written in 1968, immediately after I finished my studies at the Royal Academy of Music, and was in response to a request from my then publisher, R Smith & Co, to write some chamber music for brass band instruments. It is scored for two cornets, horn and euphonium. In the same year I also wrote another quartet (No. 2) which is scored for the more unusual combination of two horns, baritone, and tuba. The First Quartet is really a miniature in terms of length, lasting less than six minutes. However, it packs a lot of punch in its two connected movements, a Prelude and a Capriccio. The Prelude is lyrical in style and opens with a rising figure (covering a major seventh) on euphonium answered by muted cornets. These ideas form the material for the movement which is arch shape in structure. The opening returns, immediately followed by a transition passage which leads directly into the turbulent Capriccio. This is rather Bartokian in style (I was very influenced by Bartok in my student days and had closely studied his six string quartets), in the manner of a Hungarian dance in 5/8 time. The constantly changing metric patterns give the music a rather disruptive quality, but also an opportunity for the players to show their virtuoso abilities. - Edward Gregson

    Estimated delivery 5-10 working days