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  • £68.00

    Waverley Overture Berlioz, H.

    Estimated dispatch 3-5 days
  • £40.50

    Windmills (A Postcard from Riddings) H. Snell

    Estimated dispatch 3-5 days
  • £24.95

    H.M. Jollies - Kenneth J. Alford

    Estimated dispatch 5-14 working days
  • £43.20

    H.S.B. March - Goff Richards

    Estimated dispatch 5-14 working days

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  • £43.20

    H.S.B. MARCH (Brass Band) - Richards, Goff

    Grade: easy/medium

    Estimated dispatch 7-14 working days

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  • £24.95

    H.M. Jollies

    This set is march card sized

    Estimated dispatch 7-14 working days
  • £19.50

    H.M.S. Pinafore Overture

    Estimated dispatch 7-14 working days
  • £24.50

    Life On The Ocean Wave - Henry Russell - Sam Townsend

    This British March has been made famous around the world due to its use by H.M. Royal Marines Band. In 1882, the Deputy Adjutant General Royal Marines requested that the Bandmaster of each Royal Marine Division (Portsmouth, Plymouth, Chatham) submit an arrangement for a new regimental March for the corps. The Bandmaster of the Chatham Division, submitted an arrangement of A Life on the Ocean Wave which was authorised for use as the regimental quick March of the Corps of Royal Marines in 1882. Now for the first time, this March has been made available for Brass Band and is a perfect concert item to use in any concert.

    In stock: Estimated dispatch 1-3 days

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  • £24.50

    Sospiri - Elgar - Max Stannard

    Originally scored for string orchestra, harp and organ, this Adagio was composed by Sir Edward Elgar shortly before the outbreak of the First World War and you can perhaps hear the gathering storm clouds of war in the music which became a bleak adagio that would not be out of place as the slow movement of an Elgar symphony. The work was dedicated to the leader of the London Symphony orchestra W.H. (Billy) Reed.

    In stock: Estimated dispatch 1-3 days

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  • £102.60

    Grevling i taket - Øystein Dolmen og Gustav Lorentzen

    This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, baritones and euphoniums should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the cornet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. Flugelhorn and horns can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.

    Estimated dispatch 5-14 working days

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