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£29.95
CHRISTMAS JOY (Brass Band Set) - Erik Leidzen
A 'classic' Christmas march, played by bands the world over. If your band doesn't play it, you should be asking why not! A cleverly worked 'romp' through the Christmas tunes 'Hark the glad sound', 'Jingle Bells' and 'Wassail song'. Very accessible and great fun to play in a group of any size.
Estimated dispatch 7-14 working days
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£29.95
LIGHT WALK (Brass Band Set) - Barrie Gott
The 'big-band' arrangement that brought the arranging skills of Barrie Gott instantly to the attention of the brass world. Still a hit wherever it is played, this 'great fun' music allows the band to 'let its hair down' and the Flugel Horn the chance to take centre stage.
Estimated dispatch 7-14 working days
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£44.95
LABOUR AND LOVE (Brass Band Set) - Percy Fletcher
Following its selection as test-piece for the 3rd Section of the Regional Brass Band Championships of Great Britain 2010, the publishers have made the following amendments to the original publication; Tenor Trombone parts are now in treble clef, percussion parts are now included in the full score.
Estimated dispatch 7-14 working days
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£69.95
ENGLISH HERITAGE (Brass Band Set) - George Lloyd
English Heritage was first heard in the pleasant surroundings of Hampstead Heath as part of a Kenwood Lakeside concert given on 2nd July 1988. It was commissioned for English Heritage by Michael Webber, the organiser of Kenwood Concerts for English Heritage and subsequently chosen as the Championship Section test-piece for the National Brass Band Championships of Great Britain 1990. The sense of historic significance inherent in ensuring the preservation of England's fine buildings of the past drew from the composer music which seems to capture the essence of Olde England. This is a musical view of England's heritage concerned not only with pageantry and ceremonial but also catching some of the humour inherent in the English character as well as those quiet reflective moments which have surely fashioned England's past and influenced its present.
Estimated dispatch 7-14 working days
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£8.50GREAT CHARLESTON TROMBONE PARADE (score) - Wyld, Simon
Parts included for Brass Band Brass, Orchestral Brass, Percussion & Flute
In Stock: Estimated dispatch 1-3 working days
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£27.50GREAT CHARLESTON TROMBONE PARADE (score & parts) - Wyld, Simon
Parts included for Brass Band Brass, Orchestral Brass, Percussion & Flute
In Stock: Estimated dispatch 1-3 working days
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£84.95Force of Nature (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter
Concerto for EuphoniumIn his writings, Ernest Hemingway defined the American hero for a generation.He created a new type of fictional character - a "man's man" - a hard drinking pugilist who enjoyed bullfights, big game hunting, deep-sea fishing and other "macho" pursuits. In many respects Hemingway was the living embodiment of his creation, though his somewhat idealised life ended in suicide on July 2nd 1961 and the chapter on this Force of Nature came to a close. The concerto reflects upon moments in this extraordinary life.Matador - the traditions of the Spanish bullfight fascinated Hemingway. He wrote frequently on the subject, going beyond the superficial and exploring at a deeper level the nature of fear and courage. This flamenco-inspired music equally contrasts moments of uncertainty and resolve.Wayfarer (Reflections on Poor Wayfaring Stranger) - the tensions of Hemingway's early life in the midwest suburb of Oak Park (a town he reputedly described as "narrow-minded") fuelled his wanderlust. At the age of 18 he arrived at the Italian Front, serving as an ambulance driver. Within days he was seriously wounded and the horrors of war put paid to adolescent illusions of immortality.Pilar - Hemingway's beloved boat Pilar could cut through the waves off the coast of Cuba at sixteen knots full-out. The music conjures up the thrill of the chase as the great fish hoves into view.Duration: 14.00
Estimated dispatch 7-14 working days
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£56.00Chicago Tribute (Brass Band - Score and Parts) - Chambers, William Paris - Wilkinson, Keith M.
Chicago Tribune is W. Paris Chambers' most popular march. It is so distinctive, with skilful interplay between melody and countermelody. The march is a bold statement that well represents one of America's great newspapers.
Estimated dispatch 7-14 working days
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£69.99Sarabande and Polka (from Solitaire) (Brass Band - Score and Parts) - Arnold, Malcolm - Sparke, Philip
In 1956 Sir Kenneth MacMillan created a one-act ballet for the Sadler's Wells Theatre Ballet, London. He selected the music from the two sets of English Dances which Sir Malcolm Arnold had written in 1950 and 1951 to great acclaim. The composer wrote two new dances, a Sarabande and a Polka, especially for the ballet, which was premiered at Sadler's Wells Theatre in June 1956. The two new dances have taken on a life of their own in the concert hall and are typical Arnold: the Sarabande contains one of his most memorable melodies and the Polka shows him at his quirky, tongue-in-cheek best. Duration: 5.30
Estimated dispatch 7-14 working days
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£44.95Trombone Concerto (Trombone Solo with Brass Band - Score only) - Wiffin, Rob
My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout! It was composed in Spain in the summer of 2010. Once I started writing I realised that this concerto was inevitably going to draw on my own experiences as a trombone player. The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not in the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo. The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write something ineluctably 'cantabile' as we trombone players rarely get a chance to play the melody. There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson, that great exponent of the singing style in trombone-playing and my teacher at college died in the summer of 2010 so it seemed appropriate to dedicate this movement to him. The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist. While wanting to test the instrument I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.- Rob Wiffin
Estimated dispatch 7-14 working days
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