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  • £33.62

    La Chica sin nombre (Trombone Solo with Brass Band) Rob Wiffin

    A vibrant, rhythmic solo for trombone and band. La Chica sin Nombre was written in March 2020 at the request of Brett Baker, who wanted something in Latin style, resulting in a Mambo-type dance piece. For the right percussion sound, Conga drums and Mambo Bell/Timbales are recommended rather than a drum kit, and the piece should be played with an appropriate feel for Latin music. It should sound light and easy to play but has a few tricky moments - especially the cadenza-like sections from F to H. The virtuosic section at letter G can be cut if required. Audio demo: https://soundcloud.com/user-565396545/la-chica-sin-nombre-trombone Duration: Approx. 4.20 minutes Difficulty Level (Band): Medium Soloist: Advanced This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)

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  • £48.56

    Land Given to God (Tuku Fonua ki Langi) (Brass Band) Andrew Wainwright

    Land given to God (Tuku Fonua ki Langi) is a landmark major test-piece for brass band celebrating Tongan faith, history, and cultural identity. Commissioned by Sione Malekamu Manu Jr for the Tonga Secondary School Music Festival, Land given to God marks a monumental achievement in Pacific music literature as the first major brass band test-piece written specifically for the Kingdom of Tonga. Commemorating two centuries of Christianity, this compelling four-movement work traces Tonga's journey from ancient traditions to its historic 1839 dedication to divine protection. The piece draws its principal thematic material from the beloved Tongan hymn Oku 'iai ha ki'i fonua 'oku tu'u 'i 'oseni. The work is divided into four through-composed movements: I. Koe Lotu Mu'a (The Old Religion): Grounded and ritualistic, this movement paints the ancient spiritual order of pre-Christian Tonga - a nation anchored in sacred ancestral tradition on the threshold of change. II. Koe Lotu Fo'ou (The New Religion): Captures a nation in transition, depicting the arrival of Wesleyan missionaries, the conversion of Taufa'ahau (King Siaosi Tupou I), and the powerful 1834 spiritual revival (To 'a e 'Ofa). III. Koe Sivi Fakaosi (The Final Test): A dramatic musical confrontation between doubt and conviction. It recounts the story of Christian teacher Pita Vi being cast into shark-infested waters as a test of faith, surviving unharmed to seal the King's devotion. IV. Koe Tuku Fonua ki Langi (Land Given to God): A solemn, declarative finale recounting the historic 1839 act at Pouono, where King Siaosi Tupou I offered the land and people of Tonga to the divine protection of Heaven. Duration: approx. 8.45 minutes Difficulty Level: 4th Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

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  • £33.62

    Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell

    Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3 Duration: Approx. 3.10 minutes Difficulty Level: 1st Section + This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

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  • £33.62

    Living Legend (Cornet Solo with Brass Band) Rob Wiffin

    This short, lyrical solo was named for a musician friend who was proud of having been described as a living legend. Although not obviously technically demanding, it requires good control and careful phrasing, as well as sensitive accompaniment from the band. Audio demo: https://soundcloud.com/user-565396545/living-legend-cornet-solo-with Duration: Approx. 3.30 minutes Difficulty Level (Band): Easy Soloist: Medium This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)

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  • £33.62

    My Tribute (Euphonium Solo with Brass Band) Andrae Crouch arr. Mark Ford

    My Tribute (To God Be The Glory) is a gospel song written by American gospel singer and songwriter Andrae Edward Crouch. He first recorded the song in 1972 on his album Keep on Singin'. The song is considered to be one of Crouch's most well-known songs. It is sometimes included in Christian children's song books. This arrangement for brass band from the pen of Mark Ford, features the euphonium as the soloist in a delightful setting sure to be popular with audiences. To view a performance video of the solo featuring Aaron Ford please visit https://youtu.be/6WGtAVgAsWc Duration: 1.30 minutes Difficulty Level: 3rd Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA) Instrumentation: Euphonium Soloist Bb Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Drum Set Percussion

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  • £41.09

    Pageant (Brass Band) Barrie Gott

    Born during the isolation of the COVID-19 pandemic, Pageant by Australian composer Barrie Gott transforms the simple interval of a fourth into an engaging, multi-faceted set of variations. Written specifically with 4th Section bands in mind, this work delivers rich textural contrast, clear educational rewards, and a crowd-pleasing arc that moves from regal tradition to high-energy rock. The piece opens with a majestic herald, setting a ceremonial tone as a warm, mellow melody dialogues with bright, fanfare-like brass. From there, the music moves through three distinct stylistic worlds: a delicate, nimble variation inspired by the craft of Eric Ball's A Little Suite for Band; a smooth, lyrical ballad featuring the solo cornet and flugel horn; and a high-energy finale grounded in a driving 6/8 rock groove, bringing the work to a dramatic, cinematic finish. To listen to a recording of Toowoomba Municipal Band performing the work please visit: https://on.soundcloud.com/i9X5JsWQedaAbiWzXf Duration: approx. 6.45 mins Difficulty Level: 4th Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4

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  • £33.62

    Paseo (Cornet Solo with Brass Band) Rob Wiffin

    A gentle solo for cornet with band accompaniment. Paseo is a Spanish word for a leisurely walk or stroll: the soloist takes the musical line for a walk with no great sense of hurry, and although there is one moment where the pleasantness of the stroll is threatened, it quickly passes and the good mood is resumed. Technically it needs a good sense of cantabile and control over the range from low D to D two octaves higher. To allow the soloist to sing through without fighting the accompaniment, the section cornets and percussion are omitted. Audio demo: https://soundcloud.com/user-565396545/paseo-cornet-solo-with-brass Duration: Approx. 4.10 minutes Difficulty Level: Medium This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)

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  • £48.56

    Peace in Our Time (Brass Band) Andrew Wainwright

    Commissioned by Armonico Consort to mark the 85th anniversary of the Coventry Blitz, Peace in Our Time is a profoundly moving reflection on humanity's enduring quest for reconciliation amidst turmoil. Originally scored for choir, orchestra, and organ, this masterful brass band transcription beautifully captures the emotional weight of John Oxenham's evocative poetry and the timeless plea of Psalm 122. The work opens in hushed reverence, where distant muted cornets, a dark bass pedal, and a fragile, militaristic snare drum set a shadowed, contemplative scene. Out of this delicate landscape emerges a poignant cornet solo that yields to the expressive voice of the solo flugel horn, carrying the opening text with quiet conviction before introducing the solemn reminder: "O pray for peace, peace in Jerusalem." As the piece progresses, the setting turns darker and more restless. Harmonic tension builds through rich brass textures to reflect the fears, divisions, and heavy costs of historical and modern conflict. From this emotional turbulence rises a bold, ceremonial fanfare that marks a dramatic turning point, ushering in a glorious, expansive setting of the poem's final verse. Yet rather than ending in simple triumph, the music gently recedes into a serene and tender stillness. The final bars leave performers and audiences alike with a quiet, lingering echo - a persistent hope for peace that resonates just as deeply today as it did 85 years ago. This substantial work is an extraordinary addition to any brass band library, serving as an ideal centerpiece for Remembrance Sunday, historical commemorations, church services or serious concert programming. To view a multimedia presentation of the piece with audio please visit www.youtube.com/watch?v=Y2BKI_GCegw The multimedia presentation is available on request withe purchase of this work - please email [email protected] to receive a link to download it. To view a video performance of the original work for choir, orchestra and organ please visit www.youtube.com/watch?v=m6o6PJJVKCo Duration: approx. 8.45 minutes Difficulty Level: 2nd Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

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  • £33.62

    Song of Peace (Cornet Duet or Bb Instrument Solo with Brass Band) Rob Wiffin

    A reflective piece featuring two cornets and band, but also playable as a solo for cornet, trombone or euphonium. Song of Peace was written just after a close friend of the composer died suddenly - a cathartic piece, reflecting the release from pain to peace. It fits the expressive style and power of the solo brass instruments. Audio demo: https://soundcloud.com/user-565396545/song-of-peace-cornet-duet-or Duration: Approx. 3.40 minutes Difficulty Level (Band): Easy Soloist(s): Medium This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)

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  • £33.62

    Song without Words (Cornet Solo with Brass Band) Rob Wiffin

    This simple but poignant cornet solo presents no technical challenges but requires expression and good control. Audio demo: https://soundcloud.com/user-565396545/song-without-words-cornet-solo Duration: Approx. 3.20 minutes Difficulty Level (Band): Easy Soloist: Medium This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)

    In Stock: Estimated dispatch 1-3 working days