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£59.57Horizon: The Promise of the Lord (Brass Band) Andrew Wainwright
Horizon: The Promise of the Lord was written at the request of Bandmaster Stephen Cobb for The International Staff Band. It is based on the much loved hymn of the church, Cwm Rhondda (Guide me O thou great Jehovah). The work was recorded on the ISB's CD Manuscripts II (released 2023). This highly descriptive piece will be an excellent addition to concert programs, as well as being appropriate as a test piece. The inspiration for the work comes from the book of Exodus. Whilst the music is not intended to be directly programmatic, like the hymn Cwm Rhondda, the work takes the listener through the Exodus from Egypt to the promised land of Israel as a metaphor of the spiritual pilgrimage of the individual Christian through his or her earthly life. The music aims to evoke a sense of God's guidance through strife and affirm the reality that God provides for us and redeems all the wrong in the world. This God who provided for the Hebrew people wandering amidst 'barren lands' with 'bread of heaven' is still and ever will be a God of provisional grace. Through listening to the music, it is the composer's intention that we are reminded of God's promise of Deliverance as set out in Exodus 6 v7-8: 'I will take you as my own people, and I will be your God. Then you will know that I am the Lord your God, who brought you out from under the yoke of the Egyptians. And I will bring you to the land I swore with uplifted hand to give to Abraham, to Isaac and to Jacob. I will give it to you as a possession. I am the Lord.' Like the hymn, Horizon: The Promise of the Lord is intended as a prayer for guidance. The Christian is a pilgrim through 'this barren land'. The music is often chromatic and in large parts verging on atonality, as a reflection of the strife that the Israelites endured in their 40 years in the wilderness. However, it ends in climactic fashion with the Hebrew people finally reaching their destination after many years of wandering in the desert - as they approach the 'Horizon' promised by the Lord. To view a performance of the work by the National Youth Brass Band of Great Britain please visit www.youtube.com/watch?v=LjOHf7QEw1g PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: c11.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£43.99The Divine Right (Brass Band - Score only) - Harper, Philip
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00
Estimated dispatch 7-14 working days
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£104.99
The Divine Right (Brass Band - Score and Parts) - Harper, Philip
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new country's people had risen up against the regimes and dictatorships which had prevailed for generations, leaving many nations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.This music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted.Most nations have had, or probably will have, their own Arab Spring, including the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on 30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads. The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer,a moan as I never heard before and desire I may never hear again.The music descends to emptiness.The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering, irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times.This defining episode in England's history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote:Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant.Duration: 17.00
Estimated dispatch 7-14 working days
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£29.95Casper's Lament (for Brass Band) - Jonathan Bates
'Casper's Lament' was composed for the Foden's Band's appearance at the 2021 Brass in Concert Championships held at The Sage, gateshead. The music is inspired by the lesser known side to 'Casper the Friendly Ghost'; a "good ghost" who much to the annoyance of his uncles chooses to help people rather than scare them. Despite the uplifting and joyful narrative to the 'Casper' stories, there is a much more tragic back story of how he come to be. Casper's mother passed away during his birth leaving him to be raised solely by his extremely devoted father until the age of 12 when having begged his father for a sled to play in the snow Casper contracted pneumonia from playing out in the cold for too long and passed away shortly after. Throughout Casper's childhood years, the pair were inseparable. So much so, that after his tragically young death, Casper simply could not leave his father to be alone in the mortal world and as a result he stuck around as the ghost we love come to know and love through the many books, series and films over the years. . .
In Stock: Estimated dispatch 1-3 working days
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The Crown of Roses - Tchaikovsky - Len Jenkins
Tchaikovsky wrote this in his 'Songs for Young People' in Moscow in 1883 to words by Pletchtcheev. The story it tells is about Jesus Christ when he was a young child, having a small wild garden in which roses grew. Passing children saw the roses and plucking them mockingly asked if he wove rose garlands in his hair. Christ says to take the roses, but to leave the thorns. Instead, they make a crown of these and forced it onto his head so that it bleeds, symbolic of what was going to happen later in his lifetime. The melody contains all the passion that we associate with Russian church music and is equally suitable for a contemplative Christmas or Passiontide. This arrangement is faithful to the four verses of the original lyrics, but with an optional ending half-way if preferred.
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£39.95All the Nations (Brass Band - Score and Parts) - Trigg, Roger
Originally written for the Melbourne Staff Band 125th Anniversary, the central theme of the music is from Psalm 86 verse 9. The?tune is derived from 'Lobe den herren' before a setting of the tune 'St Peter' in a more reflective manner is presented. An invitation?to worship as a group of God's people is presented in the contemporary song 'Come, now is the time to worship' before the original?material is presented and the tune 'St Peter' is heard in a full, exciting conclusion.
Estimated dispatch 7-14 working days
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£19.95
All the Nations (Brass Band - Score only) - Trigg, Roger
Originally written for the Melbourne Staff Band 125th Anniversary, the central theme of the music is from Psalm 86 verse 9. The?tune is derived from 'Lobe den herren' before a setting of the tune 'St Peter' in a more reflective manner is presented. An invitation?to worship as a group of God's people is presented in the contemporary song 'Come, now is the time to worship' before the original?material is presented and the tune 'St Peter' is heard in a full, exciting conclusion.
Estimated dispatch 7-14 working days
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£39.95Judd: All the Nations
September 2017 ReleaseAll the Nations (Roger Trigg)Originally written for the Melbourne Staff Band 125th Anniversary, the central theme of the music is from Psalm 86 verse 9. The tune is derived from 'Lobe den herren' before a setting of the tune 'St Peter' in a more reflective manner is presented. An invitation to worship as a group of Gods people is presented in the contemporary song 'Come, now is the time to worship' before the original material is presented and the tune 'St Peter' is heard in a full, exciting conclusion.
Estimated dispatch 7-14 working days
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£24.95The M-lisada March - Jim Trott
All proceeds from "The M-lisada March" are donated to Brass for Africa, a charity making a positive change to the lives of disadvantaged children and young people in Africa through brass music and brass music education. The composer, Jim Trott, is the founder of a charity called Brass for Africa and one of the organizations the charity supports and works with is the MLISADA organization located in the slums of Kampala, Uganda. MLISADA is a home for ex-street kids, orphans and vulnerable children and at the heart of the home is music and dance. MLISADA have a junior and senior brass band and the bands earn income to feed the home by playing at functions and marches. Jim has often been with the band as they work up anthems and themes for their various engagements and he thought it would be great for MLISADA to have their own theme. So, he has written this short March for these inspiring young people and is delighted that they love to play it whenever they can.
Estimated dispatch 5-14 working days
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£84.99Voyage with the VOC - William Vean
The Netherlands have been an important trading nation for a long time partly as a result of their geographical situation. One of the first multinationals in The Netherlands was the 'Verenigde Oostindische Compagnie' (VOC). The aim of the VOC was to send ships to Asia in order to buy pepper and spices, and to take over the Portuguese monopoly in this field. The Company was successful. An era of great prosperity resulted, in which the art of painting (Rembrandt van Rijn) as well as science (Constantijn Huygens) flourished alongside a thriving economy. 1. The Sails are set : There is a lot of hustle and bustle on the quay. The crew are preparing fordeparture. Goodbyes are said and once the sails have been hoisted the ship sets out to sea.2. A Visit to the Rajah of Yogyakarta: After a voyage of many months the place of destination is reached. A visit to the Radja, the king of the area around Yokyakarta, follows. The dishes and beverages and the native culture in general are very pleasant after having been on a diet of ship's biscuit and water for such a long time.3. The Holds have been loaded: The holds have been loaded to the brim, and the voyage home can be begin!4. Death sails along: Life at sea is rough. not seldom did a sailor die of a tropical disease or scurvy. After a memorial service, the Captain would speak the words 'One, two, three, in God's name ...' and the body, wrapped in canvas, would be committed to the sea.5. A joyful homecoming: After many months of hardship coming home is perhaps the best part of the entire voyage. The quay is filled with people eager to give the crew a warm welcome.
Estimated dispatch 5-14 working days
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