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  • £19.95

    As A Cloud... - Jonathan Bates

    'As A Cloud..' is a work for Solo Baritone and Piano composed for Nick Wilson in 2021. The inspiration for the work comes from the words of the poet William Wordsworth and his much loved text "I wandered lonely as a cloud". In the process of writing this work, the dedicatee's desire was to have a work to reflect his passion for the Lake District - a part of Northern England which Wordworth (and several other renowned poets of the time) became synonymous with; the group of writers becoming known as 'The Lake Poets'. Musically, this programmtic work reflects the words from Wordsworth's text, painting each line of the first stanza in a variety of settings and moods before the work floats away with an audio extract from the poem itself.

    In Stock: Estimated dispatch 1-3 working days
  • £103.00

    Fest - Polonaise - Johan Svendsen - Kjell Olav Martinsen

    Johan Svendsen (1840 - 1911) was the first great Norwegian symphonic composer, as well as one of the leading conductors of his time. Next to Edv. Grieg, he was the most prominent figure in Norwegian music life at the end of the 1800's. Although he came from humble beginnings in Chistiania (now Oslo), he was to become a cosmopolitan who felt at home all over Europa. Svendsen spent most of his adult life abroad, living in Copenhagen for 25 years as maestro for the Royal Theatre Orchestra. Nonetheless he retained contact with Norway troughout these years and was a frequent and popular guest in his native country. He wrote his Festival Polonaise for a ball in 1873. This polonaise in a big ABA style

    Estimated dispatch 7-14 working days
  • £44.95

    Glorified (Brass Band - Score and Parts) - Wainwright, Andrew

    Glorified was composed for the Canadian Staff Band's 50th Anniversary celebrations. This work is based on two tunes, Lord, be glorified and Great is thy faithfulness. This song celebrates and signifies the faithfulness to all associated with the Canadian Staff Band, and the commitment shown by its members through the years.The first half of the work harkens back to those members of the band who tragically perished in the early days on RMS Empress of Ireland, which was en route to England for the 1914 International Congress when it was struck by another vessel and sank. The rhythmic ostinatos heard represent the passing of time over the years. After the somewhat dark introduction, the music settles into a reflective rendition of In my life, Lord, be glorified, before bursting into a rhythmic and jagged mixed-metre section. A yearning elegy pays tribute to those who lost their lives.The second half of the piece is celebratory in nature and commemorates the reformation of the band and the rich history which has ensued in the subsequent years. The rhythmic energy found in this section builds to a majestic presentation of the tune Lord, be glorified, which leads into the return of Great is thy faithfulness but in an optimistic fashion.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £112.00

    March Slav (Brass Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Wilkinson, Keith M.

    March Slav was composed in 1876 for a charity concert to support the war in the Balkans. It was completed in the remarkably short time of 5 days and was encored twice at its first performance! The themes are based loosely on Serbian folk songs and there is also a reference to the Russian national anthem. The mood is funereal in style at the opening but this gives way to a very triumphant style by the end.This arrangement was prepared for the 2007 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson (www.bbwesternreserve.org). It has been recorded by BBWR on the CD Slides Rule!

    Estimated dispatch 7-14 working days

     PDF View Music

  • £30.00

    Flanfayre - Stephen Deazley

    I was asked by Music for Youth to write a flexibly scored fanfare for the school proms at the Royal Albert Hall and at their National Festival in Birmingham in 2013. At its first performance at the National Festival, over 200 young brass players performed Flanfayre in Birmingham Town Hall, directed by Roger Argente, members of Superbrass and myself. The score is a progressive romp through some increasingly dance-like grooves, borrowing some of its swing from South America, from marches and big band, moving from a really quite straight opening to a "let-go" moment at the end. It is more like a flan full of different flavours, than a fanfare, hence the title. I set myself a challenge to write 100 bars but ended up with 102, which, after the introduction, can be broken down into 10 easily discernible sections each with their own mini-musical narrative. If you have time feel free to teach the audience the clapping groove. I also modelled the slow moving melody of the final section on the following words; "nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a cheesy flan". Feel free to incorporate these too, and perform only under the strict instruction that you have fun ! - Programme Note copyright of Stephen Deazley

  • £40.00

    Dragons' Rise - Matthew Hall

    Dragons' Rise was commissioned by the Tredegar Town Band in July 2008 for their CD recording Spirit of the Valleys, to represent the band beginning their resurrection from a difficult time in the bands history back through to becoming on of the best bands in the world. It was premiered by the Tredegar Town Band at the National Eisteddfod contest in Cardiff in August 2008, performed live on national television, where the band were victorious.Dragons' Rise was the first piece composed by Matthew as the bands new composer-in-residence. Subsequent pieces have included Legends of Cyfarthfa and Nightingale Dances, both winners of the Cyril Beere award for Best New Composition at Brass in Concert, The Smile and Activate.

    Estimated dispatch 5-7 working days
  • £44.95

    Glorified (Brass Band - Score and Parts)

    Glorified was composed for the Canadian Staff Band's 50th Anniversary celebrations. This work is based on two tunes, Lord, be glorified (T.B. 738), a significant song at Canada's Territorial Music School over the years, and Great is thy faithfulness (T.B. 641). This song celebrates and signifies God's faithfulness to all associated with the Canadian Staff Band, and the commitment shown by its members through the years.The first half of the work harkens back to those members of the band who tragically perished in the early days on RMS Empress of Ireland, which was en route to England for the 1914 International Congress when it was struck by another vessel and sank. The rhythmic ostinatos heard represent the passing of time over the years. After the somewhat dark introduction, the music settles into a reflective rendition of In my life, Lord, be glorified (S.A.S.B. 593), before bursting into a rhythmic and jagged mixed-metre section. A yearning elegy pays tribute to those who lost their lives.The second half of the piece is celebratory in nature and commemorates the reformation of the band and the rich history which has ensued in the subsequent years. The rhythmic energy found in this section builds to a majestic presentation of the tune Lord, be glorified, which leads into the return of Great is thy faithfulness but in an optimistic fashion.

    Estimated dispatch 7-14 working days
  • £50.00

    Triumph Series Band Journal November 2016 Numbers 1279-1282

    No. 1279 March - In the fellowship (Stephen Bulla)This march was written at the request of Bandmaster Jamie Hood who commissioned the piece for the 125th Anniversary of his home corps band at Basel 1 Corps. Within the march are two well-loved songs from the SA's Swiss song book, both of which are still sund frequently at the corps.No. 1280 Shout and sing! (Steven Ponsford)This light-hearted, lively piece of music is based on David Fellingham's song 'Shout for joy and sing your praises to the King'.No. 1281 (1) Sweet hour of prayer (trs. Doug Engle)Prayer offers us an opportunity to communicate with the Lord. The words of this hymn invite us to bring our concerns to a God who listens. As you listen to this arrangement, take time to reflect on how God has remained faithful through times of peace and distress.No. 1281 (2) The Lord bless you and keep you (arr. Andrew Wainwright)Peter Lutkin's beloved choral benediction is well known in vocal circles. Here it is given a simple treatment that it is hoped will inspire prayer reflection and renewed confidence in God's protection and guidance.No. 1282 March - I serve a risen Saviour (Noel Jones)This Easter march features the following songs: 'Look, ye saints! the sight is glorious' and 'I serve a risen Saviour'. The motif 'I serve a risen Saviour' is used throughout the first section of this march.

    Estimated dispatch 7-14 working days
  • £112.00

    March Slav (Brass Band - Score and Parts)

    March Slav was composed in 1876 for a charity concert to support the war in the Balkans. It was completed in the remarkably short time of 5 days and was encored twice at its first performance! The themes are based loosely on Serbian folk songs and there is also a reference to the Russian national anthem. The mood is funereal in style at the opening but this gives way to a very triumphant style by the end.This arrangement was prepared for the 2007 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson (www.bbwesternreserve.org). It has been recorded by BBWR on the CD Slides Rule!

    Estimated dispatch 7-14 working days
  • £36.59

    A Fugal Overture (Brass Band) Gustav Holst arr. Rob Bushnell

    A Fugal Overture was written in 1922 by Gustav Holst. It was first performed at the Royal Opera House, Covent Garden on 14 May 1923 and was used as an opening work to Holst's one-act opera The Perfect Fool. It received its concert premiere on 11 October 1923 at one of Henry Wood's Queen's Hall Promenade Concerts. It is an early example of neoclassicism and was influenced by the counterpoint of J. S. Bach, despite its unconventional use of the fugal process. Holst began writing the piece in the summer of 1922, having hoped to develop it into a ballet. It is divided into three sections, the fugal subject with its distinct 3+3+2 pattern, a slower section with solos at the end, and a third section where the subject returns. Although reviews of the piece were mixed at the time of its premiere, the likes of Adrian Boult have said it was "an invigorating work that could effectively start any [...] concert". In more recent years, it has been compared to John Adam's A Short Ride in a Fast Machine. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=a8xfwJyFq2E. Duration: Approx. 5.40 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days