Results
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£74.99Kingdom of Dragons (Brass Band - Score and Parts) - Harper, Philip
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.This piece was commissioned by the Gwent Music Service with additional funding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.Although the music is continuous, it is divided into four distinct sections, each one representing one of the unitary authorities which make up the County of Gwent.Monmouthshire, which has a large number of ancient castlesBlaenau Gwent, an historic area of iron and coal miningTorfaen, where Pontypool Park is a notable landmarkNewport, the largest city in the regionThe music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles in Monmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machinery clanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo before the music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphonium lead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs in the first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, ideals shared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.Duration: 12:00
Estimated dispatch 7-14 working days
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£19.95Ave Maria (Brass Band - Score and Parts) - Bruckner, Anton - Downie, Kenneth
The great 19th century Austrian composer, Anton Bruckner is most famous for his nine published symphonies and his sacred music (for organ and for voices). This motet, for unaccompanied voices, was written for Linz Cathedral where Bruckner became organist in 1855. Although this arrangement for brass band is far removed from the original, it is felt that the beauty of the music will come over in a new way.
Estimated dispatch 7-14 working days
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£9.95Ave Maria (Brass Band - Score Only) - Bruckner, Anton - Downie, Kenneth
The great 19th century Austrian composer, Anton Bruckner is most famous for his nine published symphonies and his sacred music (for organ and for voices). This motet, for unaccompanied voices, was written for Linz Cathedral where Bruckner became organist in 1855. Although this arrangement for brass band is far removed from the original, it is felt that the beauty of the music will come over in a new way.
Estimated dispatch 7-14 working days
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£43.99The Last Spring (Brass Band - Score and Parts) - Grieg, Edvard - Curnow, James
Edvard Grieg is probably the best known of all Norwegian composers. He was one of the most important figures during the nationalistic romantic period and his music always contained the essence of this beautiful Scandinavian country. The Last Spring comes from Two Elegiac Melodies for String Orchestra and this version for brass band retains all the beauty and solemnity of the original. Evoke the peaceful atmosphere of Grieg's native land with this beautiful haunting work.Duration: 4.30
Estimated dispatch 7-14 working days
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£124.95Diary of a Madman (Twenty-Fourth February) (Brass Band - Score and Parts) - Clarke, Nigel
From the beginning of history, warlords, emperors and dictators have risen up, some benign but many of them a scourge on humanity. Names that resonate to this day include Julius Caesar, Caligula, Genghis Khan, Ivan IV (The Terrible), Attila the Hun, Vlad IV (The Impaler), Hitler, Stalin, Mao Zedong, Pol Pot, all of whom were responsible for wanton destruction and the torture and death of millions of victims, either citizens of invaded countries and territories and or indeed, their own peoples.Diary of a Madman starts with a light-hearted march that gives the impression of toy tin soldiers parading in a brightly-coloured ceremonial pageant from a fairy tale, conveying peace and innocence. This spectacle is abruptly interrupted by a 'shock and awe' fanfare-like march, symbolising aggression and war. This theme grinds slowly to a halt, and an atmosphere of introspection, sadness and despair takes over. Rising above the smoky theatre of war, we then hear a distant cornet give a rendition of the Ukrainian Nation Anthem (The glory and freedom of Ukraine has not yet perished. Luck will still smile on us brother-Ukrainians). The solo cornet soon enters a fragile duet with a second cornet accompanied by dark undertones. One by one, we hear short shards of aggressive fanfare-like figures from various instruments in the band. The mood breaks - we hear strident fortissimo whole-tone scales representing pealing church bells, warning of danger. In contrast, we also hear pianissimo whole-tone scales announcing that the enemy's troops are falling back. A counter-offensive soon takes centre stage, and battles and skirmishes are heard, with short quotations from Mussorgsky's `Great Gates of Kyiv' symbolising the defenders' heroic struggle.All sides are victims of the Dictator's ambition! The slow central section offer us moments of melancholic beauty and utilises Henry Purcell's `When I am laid in earth' (`Dido's Lament' from Dido and Aeneas 1688). This music represents the loss of homes, dignity and loved ones. There are occasional hints at better times as the theme of the parading toy tin soldiers is heard from afar, like a distant memory.To announce the final push, we hear a church bell strike and an air raid siren signalling a ferocious musical counter-attack. After one final rendition of the Purcell theme, Diary of a Madman closes with a mood of triumph over tyranny.- Nigel Clarke
Estimated dispatch 7-14 working days
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£57.95Diary of a Madman (Twenty-Fourth February) (Brass Band - Score only) - Clarke, Nigel
From the beginning of history, warlords, emperors and dictators have risen up, some benign but many of them a scourge on humanity. Names that resonate to this day include Julius Caesar, Caligula, Genghis Khan, Ivan IV (The Terrible), Attila the Hun, Vlad IV (The Impaler), Hitler, Stalin, Mao Zedong, Pol Pot, all of whom were responsible for wanton destruction and the torture and death of millions of victims, either citizens of invaded countries and territories and or indeed, their own peoples.Diary of a Madman starts with a light-hearted march that gives the impression of toy tin soldiers parading in a brightly-coloured ceremonial pageant from a fairy tale, conveying peace and innocence. This spectacle is abruptly interrupted by a 'shock and awe' fanfare-like march, symbolising aggression and war. This theme grinds slowly to a halt, and an atmosphere of introspection, sadness and despair takes over. Rising above the smoky theatre of war, we then hear a distant cornet give a rendition of the Ukrainian Nation Anthem (The glory and freedom of Ukraine has not yet perished. Luck will still smile on us brother-Ukrainians). The solo cornet soon enters a fragile duet with a second cornet accompanied by dark undertones. One by one, we hear short shards of aggressive fanfare-like figures from various instruments in the band. The mood breaks - we hear strident fortissimo whole-tone scales representing pealing church bells, warning of danger. In contrast, we also hear pianissimo whole-tone scales announcing that the enemy's troops are falling back. A counter-offensive soon takes centre stage, and battles and skirmishes are heard, with short quotations from Mussorgsky's `Great Gates of Kyiv' symbolising the defenders' heroic struggle.All sides are victims of the Dictator's ambition! The slow central section offer us moments of melancholic beauty and utilises Henry Purcell's `When I am laid in earth' (`Dido's Lament' from Dido and Aeneas 1688). This music represents the loss of homes, dignity and loved ones. There are occasional hints at better times as the theme of the parading toy tin soldiers is heard from afar, like a distant memory.To announce the final push, we hear a church bell strike and an air raid siren signalling a ferocious musical counter-attack. After one final rendition of the Purcell theme, Diary of a Madman closes with a mood of triumph over tyranny.- Nigel Clarke
Estimated dispatch 7-14 working days
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£17.99The Foggy Dew (Brass Band - Score and Parts) - Doe, Philip
The Foggy Dew is one of those charming Irish melodies which seem to capture the beauty and serenity of that country, all of which is evoked in this delicate arrangement by Philip Doe. Suitable for Youth/4th Section Bands and above. Duration: 5.00
Estimated dispatch 7-14 working days
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£33.43O Little Town (St Louis) (Brass Band) Redner arr. Fendall Hill
This arrangement of O Little Town of Bethlehem is based on the beloved carol text by Phillips Brooks (1835-1893), set to the familiar St. Louis tune composed by Lewis Redner in 1868. Originally written for a Christmas Sunday school service, the melody famously came to Redner in a dream the night before it was needed - an origin story that mirrors the spontaneous inspiration behind this brass band setting.Fendall Hill's arrangement was prepared for Sovereign Brass (Wednesbury, England) and included in their 2023 Christmas CD. Lyrical and reverent, this version captures the timeless beauty of the carol while offering a fresh voice for modern brass ensembles.To view a rolling score video featuring Sovereign Brass's CD recording please visit: https://www.youtube.com/watch?v=HaMTVQl57ugDifficulty Level: 4th Section +PDF download includes parts and score.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£40.00Killing Me Softly With His Song - Tenor Horn Solo
ABOUT THIS PIECE: Introduce a moment of deep emotion to your next concert with this stunning arrangement of Killing Me Softly with His Song, for solo tenor horn and band. Written by Charles Fox with lyrics by Norman Gimbel, the song became a worldwide sensation after Roberta Flack's heartfelt interpretation in 1973, earning multiple Grammy Awards and cementing its place as a timeless classic. The song's reflective mood and expressive melody continue to resonate across generations, with notable covers by The Fugees and other artists bringing it to new audiences. This arrangement provides a perfect showcase for the soloist, capturing the intimacy and beauty of the original. ENSEMBLE: Solo Tenor horn with Band Accompaniment WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 3 LISTEN: DURATION: 5-minutes 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£19.95Mythical Tales (Brass Quintet)
Mythical Tales (2012) is a ten minute work in three movements which represents three of the most popular folk stories or indeed in the case of the first movement, true stories, in Welsh culture.I. Owain GlyndwrOwain Glyn Dwr was born around the 1350s into an Anglo-Welsh gentry family. His estates provided him with a modest power base in north-east Wales. After a number of disputes, he proclaimed himself prince of Wales in September 1400.Glyn Dwr led several battles with the English, although he was never captured. Over the next few years punitive measures were enacted to keep control of Wales, but these were matched by many acts of Welsh rebellion - among them the capture of Conwy Castle in April 1401. In June 1402, at the Battle of Pilleth on Bryn Glas Hill, Glyn Dwr led his troops to victory over an English army. By now Glyn Dwr was leading a national revolt. In 1404, he led a march towards Wocester, but failed, with the English capturing parts of Wales. He died defending his country.II. MyfanwyMyfanwy was the most beautiful woman in Powys, but she was vain and liked nothing better than to be told how beautiful she was. Many handsome men would court her, but she would not show interest because they couldn't sing and play to her, reflecting her true beauty.Luckily, a penniless bard, Hywel ap Einion was in love with Myfanwy, and one day plucked up the courage to climb up the hill to the castle with his harp, to sing and play to her. He's allowed in to play for her, and while he's playing and complimenting her on her beauty she can neither listen nor look at any other man. Because of this Hywel believes that she has fallen in love with him. But his hopes are dashed when a richer, more handsome and more eloquent lover comes along. The music of the second movement portrays the despair and upset that Hywel must have felt.III. Battle of the DragonsMany centuries ago when dragons roamed the land, a white ice dragon descended on a small village and decided to live there, not knowing that a red fire dragon was already living nearby.Six months later the red dragon awoke to find a huge white dragon wrapped around his village that he cared for. He could tell that his people were ill from the cold. The Land was bare; nothing was able to grow not even the pesky dandelions. The people were starving. The people longed for the red dragon to free them from the icy misery, so that their life and land could return to the sunny and warm climate that it was once before.The red fire dragon challenged the white ice dragon to a single combat fight at the top of the cliff the next day. The people of the village watched in terror awaiting their fate. The red dragon beat the white dragon, and the crowd cheered with joy as the red dragon roared with triumph. The mayor of the village declared that the land should always fly a flag with the symbol of a Red dragon on it. The flag's background should be half green and half white; the green to represent the lush green grass of the land and the white to represent the ice. This way no one would ever forget what happened.
Estimated dispatch 7-14 working days
