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  • £44.95

    Whitsun Wakes (Score Only)

    Whitsun Wakes was commissioned by the BBC and first performed by Black Dyke Band, conducted by James Watson, in Manchester's Bridgewater Hall on 26th May, 1997 as part of the BBC's 'Music Live' Festival. It was subsequently selected as a test piece for the British Open Championship which was scheduled to be held on 6th September 1997 at Birmingham's Symphony Hall. Unfortunately this was the day of the funeral of Diana, Princess of Wales and so the British Open was postponed until 17th January, 1998. However the greatest irony is the fact that although this piece takes its inspiration from the Manchester area it was destined to be played at the first British Open Championship to take place outside Manchester.

    Estimated dispatch 7-14 working days
  • £89.95

    In Many Lands - The Adventures of Mary Seacole - Paul Saggers

    In Many Lands - The Adventures of Mary Seacole was commissioned by The Royal Marines Band Service for The National Youth Brass Band of Great Britain. The first performance of the piece was on 16 April 2022 in Huddersfield Town Hall to celebrate the 70th anniversary of the NYBBGB. It was next performed in Birmingham Town Hall (on 28 April 2022) at a joint charity concert of the NYBBGB and The Band of Her Majesty's Royal Marines, Collingwood, for the European Brass Band Association Prelude Concert. The work is a musical account of the life of Mary Seacole who was a British-Jamaican nurse and businesswoman who set up the "British Hotel" behind the lines during the Crimean War. The work takes inspiration from Seacole's biography Wonderful Adventures of Mrs. Seacole in Many Lands. The work is divided into three movements:I Leave Kingston for Isthmus of PanamaIn 1851, Seacole travelled to Cruces to visit her brother. Shortly after her arrival, the town was struck by cholera, a disease which had reached Panama in 1849. Seacole was on hand to treat the first victim, who survived, which established Seacole's reputation and brought her a succession of patients as the infection spread. The rich paid, but she treated the poor for free. She avoided opium, preferring mustard rubs and poultices, the laxative calomel (mercuric chloride), sugars of lead, and rehydration with water boiled with cinnamon. While her preparations had moderate success, she faced little competition, the only other treatments coming from a "timid little dentist", who was an inexperienced doctor sent by the Panamanian government, and the Roman Catholic Church.The Predatory Tribes of BalaclavaSeacole was in London in 1854 when reports of the lack of necessities and breakdown of nursing care for soldiers in the Crimean War began to be made public. Despite her experience, her offers to serve as an army nurse were refused, and she attributed her rejection to racial prejudice. In 1855, with the help of a relative of her husband, she went to Crimea as a sutler, setting up the British Hotel to sell food, supplies, and medicines to the troops. After transferring most of her stores to the transport ship Albatross, with the remainder following on the Nonpareil, she set out on the four-day voyage to the British bridgehead into Crimea at Balaclava. Lacking proper building materials, Seacole gathered abandoned metal and wood in her spare moments, with a view to using the debris to build her hotel. The hotel was completed in July 1855 at a total cost of �800. Seacole's hotel was constantly targeted by thieves, she lost many resources and livestock.NYBBGB YOUTUBE PERFORMANCEhttps://www.youtube.com/watch?v=aCGzYWiKsqY

  • £19.95

    The Falcon in the Snow for Brass Band - Paul Saggers

    The Falcon in the Snow is a musical depiction of British explorer Robert Falcon Scott's expedition to reach the South Pole, the work is divided into five sections, using quotes from Falcon Scott's own journal:Saturday November 26, 1910 - "We advertised our start at 3.P.M., and at three minutes to that hour the Terra Nova pushed off from the jetty".Robert Falcon Scott led the British Antarctic Expedition from 1910 to 1913, aiming to be the first to reach the South Pole. Leaving from Cardiff, Wales, in June 1910, the expedition arrived at the Ross Ice Shelf in January 1911. Scott's team established base camp at Cape Evans on Ross Island and began preparations for the push to the Pole.Thursday February 2, 1911 - "The Blizzard, Nature's protest-the crevasse, Nature's pitfall".The expedition faced numerous challenges, including harsh weather, difficult terrain, and the logistics of transporting supplies and equipment over long distances. Scott divided his men into different teams for the Pole attempt, with one led by himself and the other by Ernest Shackleton, who was eventually sent home due to illness.Tuesday January 16, 1912 - "The Norwegians have forestalled us and are first at the pole. It is a terrible disappointment, and I am very sorry for my loyal companions".Scott's team set out for the South Pole, enduring extreme conditions and struggling with low food supplies. They reached the Pole on January 17, 1912, only to discover that the Norwegian explorer Roald Amundsen had beaten them to it by 34 days.Thursday January 18, 1912 - "We have turned our back now on the goal of our ambition and must face our 800 miles of solid dragging".Disheartened, the team began the long and arduous journey back to base camp. Tragically, Scott and his companions-Edward Wilson, Henry Bowers, Lawrence Oates, and Edgar Evans-perished during their return journey. They were slowed by extreme weather and suffering from exhaustion and malnutrition.Thursday March 29, 1912 - "For God's sake look after our people".Their final camp, found in November 1912, became their tomb. Scott's journal, recovered with his body, provides a poignant record of their struggles.Despite the tragic outcome, Scott's expedition contributed significantly to the understanding of the Antarctic region. The scientific research and specimens collected during the journey provided valuable insights into the continent's natural history and biology. Additionally, the expedition stimulated public interest in polar exploration and science, leaving a legacy in the chronicles of exploration.

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  • £66.88

    Sinfonietta - Saints and Devils (Brass Band) Rob Wiffin

    Saints and Devils is a challenging three movement work: Dance with the Devil (4.31), A Glimpse of Paradise (4.42) and Reyes Magos (3.40). I wrote it when I was living in Spain where the Catholic culture is still much more prevalent than in the UK.The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight - 'Oh I have slipped the surly bonds of Earth ............ Put out my hand, and touched the face of God' - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote it while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Saints and Devils is technically and expressively demanding but is written within the realms of tonal language.Duration: Approx. 13.00 minutesDifficulty Level: AdvancedThis PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)

    In Stock: Estimated dispatch 1-3 working days
  • £33.43

    A Christmas Canon (Brass Band) Traditional arr. William Gordon

    Seamlessly merging the traditional English carol The First Nowell with Johann Pachelbel's beloved Canon in D, A Christmas Canon is a captivating arrangement designed to bring rich texture and emotional depth to your band's winter concert repertoire.Suitable for intermediate to advanced bands, the piece opens Adagio sostenuto with a gently rolling, scalic ostinato in the euphonium and lower brass, establishing the unmistakable harmonic ground bass of Pachelbel's masterpiece. Over this foundation, expressive solo lines in the flugel and horns gracefully weave the familiar melody of The First Nowell into the texture.As the arrangement unfolds, the scoring gradually builds density and counterpoint. Intricate muted cornet passages give way to flowing arpeggios, bell-like glockenspiel accents, and cascading lines across the band, driving a gradual crescendo into a rich, full-ensemble statement of the carol theme.The work reaches its dramatic climax at an expanded Allargando section, where the full band, supported by percussion, delivers a majestic, fortissimo declaration of the melody before resolving into a warm, lingering final chord.To view a rolling score video of the Amsterdam Staff Band performing this piece please visit: www.youtube.com/watch?v=dr9hMLhAvRMDifficulty Level: 3rd Section +Duration: 3.30 minutesThis PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £37.15

    Polonaise from 'Scenes de Ballet' (Brass Band) Glazunov arr. Rob Bushnell

    Alexander Glazunov was a Russian composer who was a gifted musician from childhood. He was seen as the natural heir to the nationalist revolution that had started with the Mighty Handful. Despite quickly turning from this to absolute forms of music, taking a keen interest in ballet music, his compositions still alludes to Russian folk tunes. He wrote four dance compositions, of which Scenes de Ballet was the first in 1894.The suite Scenes de Ballet, opus 52 has eight movements and was dedicated to the orchestra of the Russian Opera, St Petersburg. First performed in 1895 at a concert of the Imperial Music Society with Glazunov conducting.This arrangement of the final movement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass.A recording of the original composition can be found here: https://www.youtube.com/watch?v=BS-Yx-bmxPgDuration: approx. 5.20 minutesDifficulty Level: 2nd Section +PDF download includes parts and score.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1 - SnarePercussion 2 - Triangle, Cymbal & Bass Drum

    In Stock: Estimated dispatch 1-3 working days
  • £7.42

    Adoration (Cornet Solo with Brass Band - Additional Parts) Price arr. Wainwright

    Florence Price was an American classical composer, pianist, organist and music teacher. She is noted as the first African-American woman to be recognised as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers that had been previously considered lost was found in her abandoned summer home. Amongst these was this delightful work, Adoration, which had been composed in the 1950s for organ.According to IMSLP.org, the piece "failed to meet notice or renewal requirements to secure statutory copyright with no 'restoration' under the GATT amendments" and therefore is in the public domain. A version for violin and piano by Elaine Fine has become popular. This setting for cornet soloist with brass band has been arranged by Andrew Wainwright. It is also available as a Bb solo with piano here.The additional parts included in this download are for low brass in bass clef. The full brass band set is available here.To view a video of Andrew Roe performing the work, please visit: www.youtube.com/watch?v=_7UYlz8FzxoDifficulty Level: 4th Section +Length: 3.15 minutesSheet music available from:UK - www.brassband.co.ukUSA - https://satradecentral.orgIncluded in download:1st Baritone B.C.2nd Baritone B.C.1st Trombone B.C.2nd Trombone B.C.Euphonium B.C.Tuba B.C. (Eb Bass Part)Tuba B.C. (Bb Bass Part)

    In Stock: Estimated dispatch 1-3 working days
  • £33.43

    Libera Me from 'Requiem' (Brass Band) Faure arr. Rob Bushnell

    Composed between 1887 and 1890, Gabriel Faure's Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM's Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Faure himself said "My Requiem wasn't written for anything - for pleasure, if I may call it that!" It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Faure called "un petit Requiem") was first performed on 16 January 1888, with Faure conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer's own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Faure once said of the work, "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest." Upon interview, he also said, "It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different."This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. The tenor solo is featured on the euphonium.A recording of the original composition can be found here: www.youtube.com/watch?v=fXwFNoBHCf0Duration: 4.20 minutes approx.Difficulty Level: 4th Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpani

    In Stock: Estimated dispatch 1-3 working days
  • £33.43

    Adoration (Cornet Solo with Brass Band) Florence Price trs. Andrew Wainwright

    Florence Price was an American classical composer, pianist, organist and music teacher. She is noted as the first African-American woman to be recognised as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers that had been previously considered lost was found in her abandoned summer home. Amongst these was this delightful work, Adoration, which had been composed in the 1950s for organ.According to IMSLP.org, the piece "failed to meet notice or renewal requirements to secure statutory copyright with no 'restoration' under the GATT amendments" and therefore is in the public domain. A version for violin and piano by Elaine Fine has become popular. This setting for cornet soloist with brass band has been arranged by Andrew Wainwright. It is also available as a Bb solo with piano here.To view a video of Andrew Roe performing the work, please visit: www.youtube.com/watch?v=_7UYlz8FzxoDifficulty Level: 4th Section +Length: 3.15 minutesSheet music available from:UK - www.brassband.co.ukUSA - https://satradecentral.orgInstrumentation:Cornet Soloist BbSoprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass Bb(Percussion Tacet)

    In Stock: Estimated dispatch 1-3 working days
  • £33.43

    Bagatelle No.25 in A Minor - Fur Elise (Brass Band) Beethoven arr. Olaf Ritman

    Perhaps the most well-known piano piece by Ludwig van Beethoven, Bagatelle No. 25 in A Minor (written around 1810) is better known under its subtitle 'Fur Elise'.Even to this day it is still unknown who Elise was, with at least four theories claiming to tell the story. It might have been one of Beethoven's students or Therese Malfatti, a young lady who got much attention from him. The theory is that Beethoven's autograph Ludwig Nohl could not decipher his handwriting and might have read Elise instead of Therese. Nevertheless the piece has become extremely popular over the last two centuries and is often the very first real classical piece a beginner pianist goes to.Many classical pieces have been transcribed in contemporary fashion for brass bands in recent times, with Toccata in D Minor by J.S. Bach arranged by Ray Farr being the most popular and more recently Vivaldi's first part of Winter from The Four Seasons arranged by Philip Harper. This arrangement of Fur Elise fits in this series perfectly and seeks to bring a smile to its listeners. The last two bars are a direct tribute to Ray Farr's aforementioned arrangement of Toccata.To view a video of the Amsterdam Staff Band performing the work please visit https://www.youtube.com/watch?v=sdLI7U-aplwDuration: 3.15 minutes approx.Difficulty Level: 2nd Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3

    In Stock: Estimated dispatch 1-3 working days