Results
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£140.20Von dem Fischer und seiner Frau - Jean Balissat
Estimated dispatch 5-14 working days
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£42.00VON MEINEM BERGLI MUSS ICH SCHEIDEN - Traditional - Broadbent Derek
Estimated dispatch 7-14 working days
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£20.00VON MEINEM BERGLI MUSS ICH SCHEIDEN (Partitur/Score) - Traditional - Broadbent Derek
Estimated dispatch 7-14 working days
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£50.00
Voodoo Ray - Simpson, G - Newton, R
"Voodoo Ray," written and produced by Gerald Simpson is a landmark 1988 acid-house anthem. Its hypnotic groove combines a drifting melody, minimal percussion and looped vocal fragments - including the memorable "voodoo ray ray ray" chant - creating an entrancing, otherworldly soundscape.
In Stock: Estimated dispatch 1-3 working days
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£50.00 -
£54.00VOR VILNE HUNDERT JAHR - Reber Peter - Burki Mario
Estimated dispatch 7-14 working days
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£25.00VOR VILNE HUNDERT JAHR (Partitur/Score) - Reber Peter - Burki Mario
Estimated dispatch 7-14 working days
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£30.00
VORTEX Charles Maynard
In Stock: Estimated dispatch 3-5 working days
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£52.00Vortex (Parts only) - Robert SImpson
Vortex - a mass of swirling fluid; the centre of the vortex is static whereas the swirling mass becomes faster as it is sucked inexorably towards the centre. This is reflected in the structure of Robert Simpson's final work for brass band. It is cast in a single fast tempo movement made up of three sections. Each section begins softly but actively and grows in volume and intensity to a great discharge of energy on a unison note. Each section is longer than then the last and each unison discharge is a semitone lower than the last. The effect is cumulative and the closing pages witness an explosion of energy from the full band gradually rbeing drawn into the unison final note. Vortex was commissioned by the IMI Yorkshire Imperial Band and first performed at the Leeds Music Festival on 6 July 1990.
Estimated dispatch 7-9 working days
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£42.00Vortex (Score only) - Robert Simpson
Vortex - a mass of swirling fluid; the centre of the vortex is static whereas the swirling mass becomes faster as it is sucked inexorably towards the centre. This is reflected in the structure of Robert Simpson's final work for brass band. It is cast in a single fast tempo movement made up of three sections. Each section begins softly but actively and grows in volume and intensity to a great discharge of energy on a unison note. Each section is longer than then the last and each unison discharge is a semitone lower than the last. The effect is cumulative and the closing pages witness an explosion of energy from the full band gradually rbeing drawn into the unison final note. Vortex was commissioned by the IMI Yorkshire Imperial Band and first performed at the Leeds Music Festival on 6 July 1990.
Estimated dispatch 7-9 working days
