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  • £127.30

    Sing Sang Sung - Gordon Goodwin - Reid Gilje

    "Sing Sang Sung" is inspired by "Sing Sing Sing" from the legendary 1938 Carnegie Hall Concert by Benny Goodman & His Orchestra. The famous "Jungle Groove" presented by drummer Gene Krupa and the opening riff from the 1938 performance is retained in this brilliant, swinging tune composed by Gordon Goodmin. The style changes from swing to "jungle groove" (with extensive use of tom-toms), is essential for both these tunes. The best sound recording of "Sing Sang Sung" is "Swingin' For the Fences" by Gordon Goodwin Big Phat Band released in 2000. But, you should also listen to the original "Sing Sing Sing" from the 1938 Benny Goodman recording as well!

    Estimated dispatch 5-14 working days
  • £127.30

    Haven't Met You Yet - Michael Bublé - Bjørn Morten Kjærnes

    "Haven't Met You Yet" is the first single from Canadian singer Michael Buble's sixth album, Crazy Love, released on August 31, 2009. According to Buble, the single and its official music video are "about everyone's dream of finding a relationship and love." Buble co-wrote "Haven't Met You Yet" with Alan Chang and Amy Foster-Gillies and dedicated it to his then fiancee and now wife, Luisana Lopilato (who appears as his love interest in the music video).2012, Nick Jonas covered the song in the TV series Smash, so this music can also be used in a TV/Movie theme concert.Soloist options:Attached is a vocal lead that can be used with the arrangement. It is then recommended to dampen the melody in the ensemble, especially on the verses. (See list below)There are some performers or groups that can have these bars as solos:9-17 Flugelhorn17-24 Euphonium/Horn37-45 Euphonium45-52 Baritone/Trombone61-69 Horn/ Flugelhorn78-85 Euphonium/Baritone86-95 Flugelhorn107-end Flugelhorn/EuphoniumIf you want to use an instrumental soloist throughout the piece, they can use the vocal lead and transpose it to their instrument. Then the conductor should dampen or remove the above solos in the band.

    Estimated dispatch 5-14 working days
  • £29.95

    A Little Prayer - Evelyn Glennie - Robert Childs

    Originally composed for solo marimba, this popular version of A Little Prayer was made in 1998 following Evelyn Glennie's collaboration with Black Dyke Band during the recording of their Grammy nominated Reflected in Brass CD. Robert Childs, then principal euphonium with Black Dyke, requested Evelyn's permission to make the arrangement for his son, David. The composer obliged, and Robert presented the score and parts to his son as a seventeenth birthday present. Evelyn Glennie revealed: "When I wrote this chorale for marimba, it expressed my spiritual feelings and displayed a pleasantly relaxed dimension of the instrument. Over the years my exposure to brass bands has filled me with wonder; their musical diversity is considerable. I had no hesitation in giving A Little Prayer to Robert Childs to bring this little melody to life." Having composed the work when she was only 13, Evelyn continued: "As a child I would never have believed that such a short and simple piece of music, would come to grow this much. A little Prayerserves to prove that one should always bet their chips on what they believe in, for nine out of ten it will be worth it!" After twenty years of exclusivity, Prima Vista Musikk is proud to make this beautiful arrangement available to all. A Little Prayer provides the perfect reflective interlude for concert or devotional use by euphonium soloists and bands of all abilities.

    Estimated dispatch 5-14 working days
  • £105.00

    Tuba Concerto. - Ralph Vaughan Williams

    The Tuba Concerto was composed in 1953/4, after the London Symphony Orchestra invited Vaughan Williams to write a work for inclusion in the Orchestra's fiftieth anniversary concert. The first performance was given byPhilip Catelinet in the Royal Festival Hall, London on 13th June 1954 with the London Symphony Orchestra conducted by Sir John Barbirolli.The brass band arrangement is by Phillip Littlemore and is a welcome addition to the brassband repertoire.

    Estimated dispatch 5-14 working days
  • £79.99

    Summon the Heroes - John Williams

    John Williams has written ceremonial music for many major events and ceremonies but of all these occasional pieces Summon the Heroes is the most elaborate and musically complex. It was composed for the Atlanta Olympic Games in 1996 and performed at the opening ceremony. As with all of John Williams' ceremonial compositions this work makes an ideal Brass Band work that will bring the house down as a concert opener.

    Estimated dispatch 5-14 working days

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  • £104.99

    Arkansas - Jacob de Haan

    This concert work, the latest of Jacob de Haan works based on American states, is a suite in three movements, based on a well-known folk tune from Arkansas. In the course of this varied work the folk song appears in its complete form and in fragments, in major and in minor, as a ballad in a lyrical orchestration, as a blues, accompanied by a jazzy rhythm and at the end again in its pure form. In the process, all instrumental groups of the brass band get their chance to shine!

    Estimated dispatch 5-14 working days

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  • £45.00

    Andromeda - Dan Price

    Following the popularity of Dan's concert opener Starburst , this sequel provides yet another exciting addition to the concert repertoire, equally at home as a finale or as a concert opener. The work is dedicated to Samantha Harrison and Elland Youth Band, who gave the premiere performance as part of their 2019 European Youth Brass Band programme in Montreaux, Switzerland. Listen: Duration: 00:04:00 Grade: 3/3.5

    Estimated dispatch 5-7 working days

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  • £15.00

    Perseverance

    DescriptionPerseverance was commissioned by Middleton Band to mark their 140th anniversary in 2016, supported using public funding by the National Lottery through Arts Council England, and featured on Middleton Band's CD of the same name.The title is taken from the original name of the 1876 band, the Middleton Perseverance Drum and Fife Band. According to the band's historical records, the Drum and Fife band was formed by six Middleton youngsters eager to learn music but short of funds. Following a whip round, they visited a music shop in Oldham where they purchased a 'one key flute' for six shillings and sixpence, and ('later on') a drum.This determination to make music despite the odds has been a characteristic of the band ever since; at the end of the second world war the band was again down to six players, who rebuilt the 'Middleton Borough Band' back to twenty-six players. After a period of some considerable success throughout the sixties and seventies culminating in winning the National Third Section title in 1983 the band hit hard times again in the late eighties and was down to only four members in 1987 before again being brought back to life. In recent decades the band has built a strong relationship with the East Lancashire Railway, another organisation which has battled sometimes mighty obstacles in its struggle to survive, and has maintained a thriving and successful youth band.The band's will to survive through adversity is reflected in the music, which builds from a sextet of four brass and two percussion players three times, only to fall back to the sextet twice. In the central slow movement the bass drum plays a 'heartbeat' rhythm as the remaining players remember those lost in the war. The relentless pace of the final section culminates in the band triumphing over the adversity which has curtailed the previous two sections. As a former member of Middleton Band (and one of the team that regained the National Third Section title in 2007) it is my pleasure to dedicate this work to the 'Pop and Ale Boys', Middleton Band.You can read more about the piece here.To view the accompanying video by Andy Marshall, designed to precede the piece, clickhereand find out more about the link between the video and the music here.Recording with Score VideoPerformance NotesIn performance the four brass members of the sextet (soprano, solo horn, solo trombone and solo euphonium) should stand at the sides of the band - soprano and horn behind the cornets, trombone and euphonium behind the trombones. Percussion may stand with them at the conductor's discretion, but only if the band has TWO snare drums and TWO concert bass drums available, as these are also needed at the back of the band in the tutti sections. In the second sextet snare drum should be muffled with a heavy cloth OR have the snares turned off (not both).Percussion and mutesPercussion required:snare drum (muffled with a heavy cloth at one point)concert bass drum, kit bass drum, hi-hat, suspended (crash) cymbal2 x tom-tomswood blockclash cymbals3 x timpanitam-tamglockenspielSoprano cornet, repiano and 2nd cornets, flugel and all trombones require metal straight mutes. Soprano, Solo Cornet 3/4, Repiano 2nd and 3rd cornets require cup mutes. Solo Cornet 1/2, Repiano, 2nd and 3rd cornets require harmon mutes.

    Estimated dispatch 7-14 working days
  • £31.50

    Edward Gregson: Postcard to Grimethorpe

    DescriptionComposer's NoteI composed the original version of Postcard to Grimethorpe in 1993 at the request of Elgar Howarth, for a concert at the Queen Elizabeth Hall, London, given by the Grimethorpe Colliery Band. This was at a time when after the Grimethorpe Colliery pit closed the future of the band was in severe jeopardy. The concert was given in aid of the band, both through publicity and funding.Then in late 2022 Jack Stamp, the American composer, conductor and educator, and at that time international composer-in-association with Grimethorpe, contacted me to say that he had discovered my short piece in the band library, and asked if I might extend it for a recording he was sponsoring for the band - the repertoire to consist entirely of music specially composed for Grimethorpe.I agreed and decided to extend the piece by using the miner's hymn Gresford, as a symbolic gesture of protest at the many thousands of miners in the UK who were made redundant from their jobs. After an angular (atonal) first section, the hymn enters, softly at first, but with each phrase it becomes more powerful and insistent, ending with the final phrase triumphantly accompanied by melodic percussion (replacing the drums and cymbals of the earlier phrases, as if the band were then on the march). However, this short work ends softly and gently, as if anger has been replaced by quiet resolution and determination, looking to the future with confidence.For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com

    Estimated dispatch 7-14 working days
  • £492.00

    Legends of Cyfarthfa - Matthew Hall

    Legends of CyfarthfaCombining the music of Joseph Parry and the legendary Cyfarthfa Band, Legends of Cyfarthfa is a technically challenging but musically rewarding concert work. Robert Crawshay owned the Cyfarthfa Ironworks in South Wales creating a business empire second to none.Cyfarthfa Castle was built by Crawshay as the family home from the income made via the ironworks. He wanted his own private band to play under the name of the ironworks with the best players in the world, playing on the highest quality instruments at the time. Employing the band members under the guise of iron workers, the Cyfarthfa Band was made up of virtuoso players, performing for the pleasure of the Crawshay dynasty.This virtuosity can be heard in some of the more technically challenging sections of Legends of Cyfarthfa. Joseph Parry was born in Cyfarthfa.He composed the first piece of music specifically written for brass band called Tydfil Overture for the Cyfarthfa Band, alongside many other memorable works for other instrumentation.Legends of Cyfarthfa incorporates many of Parry's works including his opera Blodwen, hymn tune Aberystwyth, folk melody Myfanwy and the Tydfil Overture, alongside many other melodies from Wales. Sospanfach, Men of Harlech, Lisa Lan and Calon Lan are just a number of the melodies that are used in this composition.The premiere performance was given by Tredegar Town Band under the direction of Ian Porthouse at the 2010 Brass in Concert Championships where it was awarded the Cyril Beere Memorial Trophy for Best New Composition or Arrangement.https://matthew-hall.co.uk/wp-content/uploads/2014/08/05-Legends-Of-Cyfarthfa.mp3Legends of Cyfarthfa

    Estimated dispatch 5-7 working days