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  • £25.00

    Aura Lee - Brass Band - TSM007 - Alek Lithgow

    COMPOSER: Alek LithgowThree verses, clarinets are not above the break and brassarenot above treble clef Bb, most inner parts within concert Bb to F. No quavers. Range - Concert Bb to Ab

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Pacific Northwest (Concert March) (Dale Pittock) - Brass Band Full Score and Parts - LM481

    COMPOSER: Dale PittockA great new concert march to add to the repertoire.LM481ISMN : 9790570004812

    In Stock: Estimated dispatch 3-5 working days
  • £25.00

    Praelude - Brass Band Sheet Music Full Score & Parts - LM350

    COMPOSER: Wilfried WeilandAn original composition ideal for a concert opener from Wilfried WeilandPlenty of work from all sections making this piece a stunning start to your concert.LM350 - ISMN : 9790570003501

    In Stock: Estimated dispatch 3-5 working days
  • £25.00

    Reflection 1 - Brass Band - LM228

    COMPOSER: Chris CobonA great concert piece from the pen of Chris CobonReflect on the days gone by with this wonderful tune.One to add to your concerts this year and sure to be a crowd pleaser.Sure to be an earworm after your concert.

    In Stock: Estimated dispatch 3-5 working days
  • £55.00

    Sketches From Biggin Hill - Brass Band Sheet Music Full Score & Parts - LM352

    COMPOSER: Paul Pennicotte-HenrieA delightful descriptive original composition from Paul Pennicotte-Henriedepicting life at Biggin HillThree continuous movements in this 8 minute piece although the movements could be played on their own.Chocks AwayAbove The CloudsFly PastHear life at Biggin Hill through this descriptive work by Paul with a great take off up to the clouds with lush harmonies before a tremendous quick concert march flypast to finish the offA great addition to your next concertSuitable Section 4 UpwardsLM352 - ISMN : 9790570003525

    In Stock: Estimated dispatch 3-5 working days
  • £29.95

    CELEBRATE AND SING (Brass Band Set) - Martin Cordner

    Written for The Salvation Army Gospel Arts Concert 2010, this lively concert opener partners the old tune of Darwalls ('Let earth and Heaven agree') with the modern-day Easter song, 'Jesus, we celebrate your victory'.

    Estimated dispatch 7-14 working days
  • £34.95

    CONCERT PIECE (Morceau Symphonique) (Trombone Solo with Brass Band Set) - Guilmant - Ray Steadman-Allen

    Guilmant was an organist of the Church of Trinity, Paris and was also a staff member at the Paris Conservatoire. Concert Piece (also known as Morceau Symphonique) consists of a slow prelude followed by a quicker, more brilliant section, the two linked by a cadenza. A lyrical element persists in the second section and there is a brief return to the theme of the prelude following which the music is brought to a fiery and exciting conclusion.

    Estimated dispatch 7-14 working days
  • £72.99

    The Eagles in Concert - Ron Sebregts

    The Eagles In Concert features three Eagles hits - 'Peaceful Easy Feeling', 'Desperado' and 'Hotel California' arranged by Ron Sebregts for Brass Band.

    Estimated dispatch 5-14 working days
  • £50.00

    Standard Of Excellence In Concert Barbarossa

    (Grade 2) A series of concert and festival pieces for beginning and intermediate bands, correlated to specific pages in The Standard Of Excellence Comprehensive Band Method.

    Estimated dispatch 5-14 working days
  • £22.50

    Edward Gregson: Concertante for Piano and Brass Band

    DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com

    Estimated dispatch 7-14 working days

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