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£34.95

Come And Get Saved (Brass Band - Score and Parts) - Broughton, Bruce

This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
£17.50

Come And Get Saved (Brass Band - Score only) - Broughton, Bruce

This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
£29.95

Judd: Come and get Saved

This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
£34.95

COME AND GET SAVED (Brass Band Set) - Bruce Broughton

This fantasia is based on the old Salvation Army song, 'Never can tell' which includes the words, 'You never can tell when the Lord will call you...Come and get saved and happy be'. The piece has many different and contrasting moods but is generally light-hearted and amiable like the straightforward message of the song and its genial melody.
Estimated dispatch 7-14 working days
£34.95

On the Castle Green

I was contacted by conductor and friend Desmond Graham who wanted to have a traditional concert march composed to celebrate the Golden Jubilee of his band; The Third Carrickfergus Band.Immediately my mind started wandering as I thought about all the great marches that I have enjoyed playing and listening to over the years. So when I put pen to paper I had already planned out the structure of the march and which instruments to feature.The march itself is split into two halves, the first in a minor key the second in a major key. The opening section starting loudly in F minor features stereotypical passages one would come to recognise in a traditional concert march: a cornet solo, a melodic bridging section and a robust bass solo led by the basses and trombones.The second half of the march changes pace and mood as it lifts into a major key giving it a more lighter feel. We hear a second cornet solo which plays the second theme of the march. After a second bridge section the theme is played by the front row cornets to allow the soprano to play an obligato melody similar to that heard in marches like "Army of the Nile" and "Stars and Stripes Forever". It all builds to a grandioso ending where the tempo drops and the final theme is played with a quick accel to the end.As for the title? In Carrickfergus lies an old castle that faces the town which is situated on a small plot of luscious green grass - "On The Castle Green".Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
£57.50

Prelude on an Irish Folk Tune (Brass Band - Score and Parts) - Sparke, Philip

The Irish folk tune, which appears towards the end of the piece, is Slane, a hymn tune version of the much older folk melody The Banks of the Bann. In Prelude on an Irish Folk Tune, fragments of the folk tune hint at what is to come later in the piece, but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.Duration: 4:00
Estimated dispatch 7-14 working days

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£50.00

Introduction and Allegro on a bass by Max Reger (Score only) - Robert Simpson

The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00
Estimated dispatch 5-7 working days
£60.00

Introduction and Allegro on a bass by Max Reger (Parts only) - Robert SImpson

The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00
Estimated dispatch 5-7 working days
£44.95

On a Clear Day

Includes: On a Clear Day; Hurry! It's Lovely up Here!; Melinda; Come Back to Me.
Estimated dispatch 7-14 working days
£57.50

Prelude on an Irish Folk Tune - Philip Sparke

The Irish folk tune, which appears towards the end of the piece, is Slane, a hymn tune version of the much older folk melody The Banks of the Bann. In Prelude on an Irish Folk Tune, fragments of the folk tune hint at what is to come later in the piece, but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.
Estimated dispatch 5-14 working days

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