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£69.00Bella Ciao - Manu Pilas
Bella Ciao is an Italian battle song, which became popular in Italy during World War II among partisans resisting fascism and national socialism. The song became a global resistance song against oppressive powers. In 2018, the song became known again through the Spanish Netflix series La Casa de Papel, in which the song was used multiple times. Jan van Kraeydonck wrote a skillful arrangement for concert band, fanfare and brass band.
Estimated dispatch 5-14 working days
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£127.30Song for Frances - Øystein Olsen Vadsten
"Song for Frances" is a classic love ballad, written for concert band and brass band, with a soloist on euphonium.The piece always has the soloist in focus and gives him plenty of room to show off, both a warm sound and technical skills. In the first part of "Song for Frances", the basic melody is clearly presented, while the rest of the piece is more of a written "as if improvisation" with various melodic and technical "whims". The piece will be perfect for any euphoniumist looking for a challenge.
Estimated dispatch 5-14 working days
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£91.99Pulcinella - Philip Sparke
Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke's series of euphonium solos named after characters of the Italian commedia dell'arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.
Estimated dispatch 5-14 working days
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£183.20Tales and Myths of Gothia - Jerker Johansson
Jerker Johansson has lived in Gothenburg, on the Swedish West Coast, since 1984, and is deeply interested in the history of the country. Gothia is the most southern part of Sweden, and Gothenburg, which was founded in 1621, is since many years an important centre for trade and shipping. Old paintings of the harbour with its gigantic sailing ships gave impulse to the heroic character of the piece. The opening fanfare is followed by a lively allegro, which eventually leads to a calm section, containing reminiscences of the fanfare. The cornets introduce a cantabile theme, and a dance reminding of the Renaissance precede a recapitulation of the allegro theme. Tales and Myths of Gothia was originally composed for concert band in 2017. The brass band version was premiered on 26 April 2019 during Oslo Brass festival by Uffes Blas Brassband, conducted by Andreas Kratz.
Estimated dispatch 5-14 working days
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£228.70Fanfare and Chorale - Egil Hovland
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
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£154.60The Labyrinth - Hans Offerdal
This piece was commissioned by Movig og Sjostrand skolemusikk to their 50th anniversary in 2017. Premiere performance took place at Kilden in Kristiansand, 17. november 2017, conducted by Sofie E. Ringen. Originally written for concert band, this is an instrumentation for Brass Band. The piece is about being trapped in a labyrinth - and fighting to get out!
Estimated dispatch 5-14 working days
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£164.99Raveling Unraveling - Philip Sparke
Winning Performance EBBC Lille 2016 Raveling, Unraveling In Search of 'La Valse' was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke's The Unknown Journey (2014) for concert band, and the use of Ravel's La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke's aim was to produce a work that is organic rather than episodic in nature. The composer's view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of itsstunningclosing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.
Estimated dispatch 5-14 working days
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£30.00Four Moods - Tim Paton
An original composition by Tim Paton, re-crafted from his quartet into a full brass version. Tim wrote this piece at the RNCM, initially for the college trombone quartet. It was subsequently featured on a radio broadcast and, by popular demand, he later created this full brass band version. It is also available for concert band.Four Moods is just that - made up of 4 sections, each presenting a different style and emotion. The piece opens grandly with Nobility and is shortly followed by Sentiment, a smooth and sweet movement. The third element - Humour - takes the melody just heard in the previous Sentiment, and makes fun of it in an amusing style which utilises 'rude' trombone glissandi. The whole piece is then brought to a memorable closing with the final section - Hot 'n' Cool, featuring a jazz/big band style.Good key players make this piece playable by most bands.
In Stock: Estimated dispatch 3-5 working days
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£35.00The Water of Tyne - Traditional
A delightful setting of a traditional North East melody, arranged in a hauntingly pastorale style with all the skill we have come to expect from Philip Harper. Featuring the euphonium and principal cornet with the melody at first, the piece then builds to a passionate full band rendition which eases back to a tranquil, effective close.A great piece to offer every level of band the opportunity to add some stylish peace to their programme.Also available for Concert Band.
In Stock: Estimated dispatch 3-5 working days
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£65.00Il est ne, le divin Enfant - Traditional/Anton Weeren
This French traditional Christmas song has been arranged for concert band in a very surprising and idiosyncratic way. Accessible, recognizable and fresh. The snare drum starts with the piccolo making cheerful interludes, after which slowly more and more instruments join in the accompaniment and then let the sharp brass usher in the main melody with a signal. In contrast to the way the piece started by slowly getting stronger and stronger, it ends up like a candle that slowly goes out.
Estimated dispatch 10-14 working days
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