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  • £84.95

    Cornet Concerto (Gregson) (Brass Band - Score and Parts) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival’s Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument’s capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled ‘Of More Distant Memories’) and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word ‘Sonata’ is used in its original meaning of ‘sounding together’.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation – a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, ‘Of Distant Memories’.The final Rondo, the shortest of the three movements, is a lively and ‘fleet-of foot’ Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction

    Estimated delivery 12-14 days
  • £39.95

    Cornet Concerto (Gregson) (Brass Band - Score only) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival’s Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument’s capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled ‘Of More Distant Memories’) and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word ‘Sonata’ is used in its original meaning of ‘sounding together’.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation – a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, ‘Of Distant Memories’.The final Rondo, the shortest of the three movements, is a lively and ‘fleet-of foot’ Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.

    Estimated delivery 12-14 days
  • £64.95

    ESPRIT (Brass Band) - Barry, Darrol

    Esprit is a rhapsodic adventure for brass band and percussion.During its twelve minutes, features all soloists and sections of the band. After a vibrant opening the main melodic work is in the lower band accompanied by swirling cornets.The next section is a scherzo like section opened by the horns and closed by the timpani, and in between there are solo's for all.The following adagio is an expressive solo for euphonium accompanied by cup muted cornets and trombones, followed by a section for the flugel which builds up to the full band. A cornet cadenza follows after which a timpani solo takes us to a con brio section in 6/8 which features a round and fugato section which is followed by a slower section for trombones which in turn leads to a musical climax.A short allegro motto section develops an idea from earlier in the piece and leads us into a reprise of the opening section. A vibrant coda concludes the work.Duration: 12:00 Grade: Moderately Difficult

    Estimated delivery 12-14 days
  • £60.00

    Fantastic Polka (Trombone Solo with Brass Band - Score and Parts) - Pryor, Arthur - Wilkinson, Keith M.

    Arthur Pryor is remembered primarily for his 12 years as the amazing trombone soloist with The Sousa Band. However, he was also a prolific composer and conductor, forming his own band following his years with Sousa. He wrote many trombone solos designed to dazzle audiences with his virtuosity.This brass band version was prepared at the request of The Black Dyke Band, musical director Nicholas J Childs, for a recording project with Ian Bousfield, principal trombone of the Vienna Philharmonic, titled Pryor Engagement. It has also been recorded by Brett Baker with Brass Band of the Western Reserve, musical director Keith M Wilkinson, on the CD Slides Rule!

    Estimated delivery 12-14 days

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  • £60.00

    From the Shores of the Mighty Pacific (Cornet Solo with Brass Band - Score and Parts) - Clarke, Herbert L. - Wilkinson, Keith M.

    Cornet Solo with Brass BandHerbert L. Clarke (1867 – 1945) is regarded by many as one of the finest cornet players of all time, noted not only for his amazing technique but also for his warm, lyrical tone. He has left a multitude of cornet solos as well as collections of studies which are still very widely used. He was a member of The Sousa Band briefly in 1893 and then from 1898 to 1917 where he was not only the distinguished cornet soloist but also became assistant director.From The Shores Of The Mighty Pacific is an all-time favourite rondo-caprice cornet solo and was first published in 1912. A brass band arrangement was requested by Chris Lichtler, principal cornet of Brass Band of the Western Reserve, musical director Dr. Keith M. Wilkinson. Chris has performed it many times with BBWR and it was recorded by them on the CD, Without Reserve!.

    Estimated delivery 12-14 days

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  • £110.00

    To Every Thing There is a Season (Cornet Solo with Brass Band - Score and Parts) - Rutter, John - Noble, Paul

    Upon first hearing this beautiful composition by John Rutter, it seemed obvious that it would not only be a great piece for combined Band and Chorus, but also would be a perfect solo for trumpet. Therefore, in addition to the arrangement for either combined band and chorus, or trumpet solo and band, this arrangement for Brass Band is now available as well. The beauty and simplicity of the piece should certainly allow it to become a mainstay in the repertoire of trumpet solos at any level.

    Estimated delivery 12-14 days

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  • £59.95

    Connotations (Brass Band - Score and Parts) - Gregson, Edward

    Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works – The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date – Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, ‘Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about’.Writing a competition piece brought its own problems. ‘It has to be technically difficult and yet musically satisfying. I didn’t like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality’.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction – fanfares, a call to attention, in effect Variation 1; Theme – a six-note motif, given a lyrical and restrained first statement; Variation 2 – a delicate toccata; Variation 3 – typically robust in melody and rhythm; Variation 4 – lyrical solos; Variation 5 – a scherzo; Variation 6 – cadenzas; Variations 7-9 – an introduction, fugato and resounding restatement of the theme.Duration: 10.30

    Estimated delivery 12-14 days

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  • £29.95

    Connotations (Brass Band - Score only) - Gregson, Edward

    Connotations was commissioned for the 1977 National Brass Band Championship finals, held in the Royal Albert Hall, London (the winner, incidentally, of that particular competition was the famous Black Dyke Mills Band).At the age of 32 Gregson was the youngest composer to have received the honour of such a commission. It came at the end of a productive five years writing for the brass band publisher R Smith. Some of those works – The Plantagenets, Essay and Patterns for example, with their direct and tuneful style, have remained popular with brass bands the world over.For Gregson, these were the means by which he sharpened the tools of his trade, preparing the ground, as it were, for his finest work to date – Connotations. He thought of calling the piece Variations on a Fourth, but with due deference to Gilbert Vinter perhaps (Variations on a Ninth), he chose a more appropriate one. As Gregson has written, ‘Connotations suggests more than one way of looking at something, an idea, and this is exactly what the piece is about’.Writing a competition piece brought its own problems. ‘It has to be technically difficult and yet musically satisfying. I didn’t like being kept to an eleven-minute maximum. The inclusion of short cadenzas for less usual solo instruments seems to signify a certain test-piece mentality’.Gregson solved the problems admirably by adopting a symphonic approach to variation form: Introduction – fanfares, a call to attention, in effect Variation 1; Theme – a six-note motif, given a lyrical and restrained first statement; Variation 2 – a delicate toccata; Variation 3 – typically robust in melody and rhythm; Variation 4 – lyrical solos; Variation 5 – a scherzo; Variation 6 – cadenzas; Variations 7-9 – an introduction, fugato and resounding restatement of the theme.Duration: 10.30

    Estimated delivery 12-14 days

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  • £59.99

    Tango (Brass Band - Score and Parts) - Higgins, Gavin

    Tango for Trumpet or Trombone solos with Brass Band accompaniment was written for Ian Porthouse and Brett Baker in 2008. The first performance was given by the Black Dyke Band conducted by Nicholas Childs, at the Black Dyke Brass Arts Festival. Suitable for 1st Section Bands and above. Duration: 9.00

    Estimated delivery 12-14 days
  • £49.99

    Masque (Brass Band - Score and Parts) - Hesketh, Kenneth

    Masque has been transcribed for brass band from Hesketh's Scherzo for Orchestra, commissioned by the National Children's Orchestra in 1987. The main theme is bravura and is often present, in the background. The form of the piece is a simple scherzo-trio-scherzo, and has colourful scoring (solos alternating with full bodied tuttis) with a dash of wildness! Suitable for 1st Section Bands and above. Duration: 6.00

    Estimated delivery 12-14 days

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