Results
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£42.95Visions of Kolkhis (Brass Band - Score and Parts)
Visions of Kolkhis was commissioned by Jason Katsikaris and the Leyland Band as a finale for their appearance at the 2009 Brass in Concert Championship Inspired by Jason Katsikaris's Greek lineage, the subject of the work could be considered a metaphor for his impact on the British brass band scene, and the Leyland Band's commitment to striving for excellence.Written in thee continuous sections, the work paints a vivid picture of the island of Kolkhis, a place instrumental in so many tales in Greek mythology. The music represents three individual stories; Jason and the Argonauts, the Golden Fleece, and the liberation of Prometheus by Hercules. However, musical material is drawn from the Leyland Band's signature march, Harold Moss's The Royal Tiger, named after the bus made by Leyland Vehicles in the 1950's.
Estimated dispatch 7-14 working days
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£32.00Amazing Grace (Brass Band with optional Bagpipes - Score and Parts)
There are several occasions when a brass band is invited to play along with bagpipes and one of the first titles to be mentioned is the American traditional hymn melody, "Amazing Grace". This arrangement was prepared for one such occasion when Brass Band of the Western Reserve, musical director, Dr Keith M Wilkinson, was invited to play at a wedding in 2007. Parts for bagpipes are included in Concert Pitch (as shown in the full score) and in Db, the key in which they are normally pitched.There are optional parts which make the arrangement equally effective without bagpipes. A suggestion when this version is used is to place the cornet soloist at the beginning some distance from the band.
Estimated dispatch 7-14 working days
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£54.50Carnival of Venice (Bb Solo with Brass Band - Score and Parts)
Bb Solo with Brass BandThe Carnival Of Venice is arguably everyone's favourite solo, especially the version by Arban (1820 - 1869), author of the famous brass-playing method book still in regular use today. Young soloists aspire to master the necessary techniques, accomplished soloists know that it is a "sure fire" winner with audiences and listeners love to be dazzled by a virtuoso display of variations on a theme they easily recognise.The theme is a traditional Italian song and has inspired variations for almost every possible instrument. Arban's famous variations were written in 1864. The arrangement remains faithful to the original while maintaining interest in the accompaniments by varying the orchestration. Although the arrangement is listed as featuring the euphonium as the solo instrument, it can also be used successfully as accompaniment for a cornet soloist.The arrangement has been recorded by Jeff Binns, euphonium, and St Louis Brass Band, musical director Keith M Wilkinson, on the CD Strike Up The Band and by Anthony Avitollo, euphonium, and Cuyahoga Valley Brass Band, musical director Keith M Wilkinson, on the CD Around The World.
Estimated dispatch 7-14 working days
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£60.00Fantastic Polka (Trombone Solo with Brass Band - Score and Parts)
Arthur Pryor is remembered primarily for his 12 years as the amazing trombone soloist with The Sousa Band. However, he was also a prolific composer and conductor, forming his own band following his years with Sousa. He wrote many trombone solos designed to dazzle audiences with his virtuosity.This brass band version was prepared at the request of The Black Dyke Band, musical director Nicholas J Childs, for a recording project with Ian Bousfield, principal trombone of the Vienna Philharmonic, titled Pryor Engagement. It has also been recorded by Brett Baker with Brass Band of the Western Reserve, musical director Keith M Wilkinson, on the CD Slides Rule!
Estimated dispatch 7-14 working days
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£46.50Semper Fidelis (Brass Band - Score and Parts)
This march was written in 1888 and dedicated to the US Marine Corps, later being adopted as its official march. At the time of its composition Sousa was director of the US Marine Band.This brass band version contains a small amount of optional movement around the stage and a percussion feature. These will enhance the presentation.The arrangement was prepared for the Summer concerts presented by Brass Band of the Western Reserve, musical director Keith M Wilkinson, in 2008.
Estimated dispatch 7-14 working days
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£64.95Four Cities Symphony (Brass Band - Score and Parts)
This piece was commissioned by the National Contesting Council as the 4th section test piece for the 2008 Regional Brass Band Championships of Great Britain.This symphony (the composer's 12th) has four movements played without a break. The first centres on two aspects of the city of London: its history and pageantry and its role as a busy modern metropolis.The second movement depicts Paris, its street cafes and boulevards and riverside walks, in the form of a romantic waltz.The third movement is constructed around the Gregorian chants of the Lord's Prayer (Pater noster, qui es in caelis) and the Creed (Credo in unum Deum) in an evocation of the city of Rome. After a powerful climax, mysterious tramping footsteps are heard as the ghosts or a Roman legion march through the city by night. The vision fades and the pater noster is heard once again before the movement is brought to a close with the ancient Ambrosian chant, Christus Vincit, Christus Regnet, Christus Imperat.The final movement is an evocation of the city of Moscow, with its great historic buildings, its turbulent history and its fiery traditional music. At the outset a rather dour folk-like melody is heard which is transformed into a lively Cossack dance.This work is dedicated to Howard Wilson, former principal euphonium of City of Coventry Band who, in 1972, introduced the composer to top section brass band contesting.Duration: 11.00
Estimated dispatch 7-14 working days
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£94.95Waiting for a Pain Hit!??!!? (Brass Band - Score and Parts)
Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations to the tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??! I DON'T KNOW!!! I just like the rhythms, the pulse and the imagery. Hopefully, all of this can help to create a picture. But let it be your picture...- Paul McGhee, June 2010
Estimated dispatch 7-14 working days
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£44.99Our Flirtations (Brass Band - Score and Parts)
The name John Philip Sousa is no stranger to any brass band aficionado. Our Flirtations has its origins in incidental music written by Sousa for a play of the same name. It was written around 1880, about the time he was appointed Director of the U.S. Marine Band, a position he held until he formed his own civilian band in 1892. Sousa wrote over 130 marches, many of which have been transcribed for brass band.
Estimated dispatch 7-14 working days
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£99.95Carols for Band (Brass Band - Score and Parts)
Designed to be playable by any combination from quartet to full brass band, wind band or orchestra, the arrangements in this book with provide a practical solution to all your carolling needs. Parts are divided into Soprano, Alto, Tenor and Bass so that any suitable instrumentation will sound well, providing an equal balance of players per voice is maintained. The carols are printed in alphabetical order so they are easy to find, and comprehensively indexed under both first line and name of tune.Score, Timpani and Percussion parts are available separately.Instrumentation is as follows: Brass BandWind BandStringsSopranoEb Soprano CornetSolo Bb CornetBb Repiano & Flugel1st Flute & Piccolo2nd FluteOboe1st Bb Clarinet1st Bb Trumpet/Cornet1st ViolinAlto2nd & 3rd Bb CornetSolo Eb Horn1st Bb Trombone2nd & 3rd Bb ClarinetsEb Alto Saxophone2nd Bb Trumpet/Cornet1st F Horn2nd ViolinTenor1st & 2nd Eb Horns1st & 2nd Bb Baritones2nd Bb Trombone1st Bb EuphoniumEb Alto ClarinetBb Tenor Saxophone2nd F Horn1st & 2nd TrombonesViolaBassBass Trombone2nd Bb EuphoniumEb BassBb BassBassoonBb Bass ClarinetEb Baritone SaxophoneBass TromboneEuphoniumTubaCello/BassTitles included:Angels from the Realms of GloryAs with Gladness Men of OldAway in a MangerBrightest and BestChristians AwakeCoventry CarolDeck the HallsDing Dong, Merrily on HighFirst NowellGod Rest ye Merry, GentlemenGood King WenceslasHark the Glad SoundHark, the Herald Angels SingHolly and the IvyI Saw Three ShipsIn Dulci JubiloIn the Bleak Mid-WinterInfant HolyInfant KingIt Came Upon a Midnight ClearJingle BellsLo, He Comes with Clouds DescendingLove Came Down at ChristmasO Come, All ye FaithfulO Come, O Come, EmmanuelO Little Town of BethlehemOf the Father's Love BegottenOnce in Royal David's CitySans Day CarolSee Amid the Winter's SnowSilent NightSussex CarolThou Didst Leave Thy ThroneUnto Us is Born a SonWe Wish You a Merry ChristmasWhile Shepherds WatchedThe Brass Band Set consists of 25 Parts:1 x Eb Soprano Cornet4 x Solo Bb Cornet2 x Bb Repiano & Flugel4 x 2nd & 3rd Bb Cornet1 x Solo Eb Horn2 x 1st & 2nd Eb Horn2 x 1st & 2nd Bb Baritone1 x 1st Bb Trombone1 x 2nd Bb Trombone1 x Bass Trombone1 x 1st Bb Euphonium1 x 2nd Bb Euphonium2 x Eb Bass2 x Bb Bass
Estimated dispatch 7-14 working days
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£29.95Fanfare of a Nation (Brass Band - Score and Parts)
Fanfare of a Nation (2012) was commissioned by the Greater Gwent Youth Brass Ensemble as a short fanfare originally for ten players, and was performed in the presence of HM Queen Elizabeth II & The Duke of Edinburgh on the occasion of their visit to Wales to mark the Diamond Jubilee last year, under its original title The Royal Diamond Jubilee Fanfare. Since arranged for brass band and performed throughout the UK including by Black Dyke Band in Cardiff, this short work mesmerizes, dazzles and utilizes the fanfare effects so often associated with the brass family.
Estimated dispatch 7-14 working days