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£24.50
We Wish You A Merry Christmans - Trad - Alan Beaumont
As your concerts draw to a close, no Christmas concert would be complete without a rendition of "We Wish You A Merry Christmas". This arrangement is one to let your band go out on a high, ensuring your audiences enjoy every moment.
In Stock: Estimated dispatch 1-3 working days
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£29.50
Yakety Sax - Randolph & Rich - Neville Buxton
Made famous in its use on the Benny Hill Show, Yakety Sax has long been associated with comedy scenes. Now, arranged for the first time by Neville Buxton as a solo for any Bb instrument, some of that hilarity can now feature in your concerts! There's plenty of room for choreography to add to the spectacle, yet even without, this is one solo item that will have the audience wanting more!
In Stock: Estimated dispatch 1-3 working days
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£29.50
Journey in the Jungle - Max Stannard
This piece was written to book end the performance of Friezland Band at the inaugural Red Admiral Entertainment Contest where they won the Most Entertaining Programme Award. The composition starts with an exciting jungle feel, which has different sections starting one at a time, giving the option of players walking on stage whilst playing. The lively start is followed by the more menacing section as night begins to fall. There is then a frantic dash to the end in an attempt to escape the jungle.
In Stock: Estimated dispatch 1-3 working days
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£38.00Is That the Time? (Brass Band - Score and Parts) - Mottram, Paul
'Is That The Time' was written in 2014 for UK national award winning band 'Youth Brass 2000'. It's a showpiece in a jazzy fusion idiom with a full and central role for the kit drummer and percussionists. The temptation must be resisted to play the piece too quickly and in so doing losing the 16th note syncopations inherent within the rhythmic groove. The challenge is not so much one of getting the notes, although there are a few harmonic surprises along the way, as one of playing as a cohesive rhythmic unit. Duration: 4.30. Suitable for 1st Section Bands and above.
Estimated dispatch 7-14 working days
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£40.00LA FIESTA (Brass Band) - Corea, Chick - Harper, Philip
Chick Corea is an American pianist and composer of Sicilian and Spanish descent, whose long career in jazz music continues to this day. A member of Miles Davis's hand in the 1960s, lie formed his own band Return to Forever in the 1970s before establishing himself as one of the greats of modern jazz. La Fiesta was composed in 1972 and included on Return to Forever's debut album. The music is in one in a bar waltz time and switches between Latin carnival style and jazz waltz, with stand-up solos for cornet, baritone and tenor horn. This arrangement was performed as part 01 the Cory Band's winning Brass in Concert programme in 2012. The publisher of this works suggests that it should be playable by championship section bands.
Estimated dispatch 7-14 working days
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£89.95TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score and Parts) - Gregson, Edward
This work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in four versions: with brass band (1976), orchestra (1978), wind band (1984) and piano reduction.The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins
Estimated dispatch 7-14 working days
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£44.95
TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score only) - Gregson, Edward
Brass Band Score onlyThis work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in three versions: with brass band (1976), orchestra (1978) and wind band (1984).The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins
Estimated dispatch 7-14 working days
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£94.99St James's - A New Beginning (Brass Band - Score and Parts) - Harper, Philip
1st Section Finals test-piece for the National Brass Band Champtionships of Great BritainSt James's - A New Beginning commemorates 300 years since the death of English architect Sir Christopher Wren who redesigned and rebuilt London after the Great Fire in 1666.The piece is in four parts:I. The Great FireII. AftermathIII. VisionIV. RenaissanceThe bells ring the alarm and, as the capital city is engulfed by flames, panic and desperation spread. As the fire burns out, we are left to contemplate the aftermath of the inferno. Enter Sir Christopher Wren. His vision and courage were some of the most influential forces in the rebuilding of London which rose to reclaim its place as one of the great cities of the world.Duration: 12:00
Estimated dispatch 7-14 working days
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£64.95Dance Spirit (Brass Band - Score and Parts) - Wiffin, Rob
Dance Spirit is a three movement suite of dances comprising Stomping Dance, Waltz Interlude and Duende linked by solo dancer cadenzas. It started life as the wind band piece Spirit of the Dance. In it I attempted to capture some of the elements of this most fundamental of human activities, the urge to move our bodies to the rhythm of the music. In re-working it for brass band I extended the duration of the Waltz Interlude and increased the technical level in some areas with the intention of making it a suitable test piece.Stomping Dance - The suite starts with perhaps the most basic dance feeling, the desire to stomp our feet to the music, unrefined, no knowledge of steps needed. The heavy stomp is not always present in the music here, and sometimes you can sense the dancers trying something a little more refined, but it is always lurking in the background, ready to draw us back to the elemental rhythm of the beat.Waltz Interlude - Of course, dance does not always have to have heat, it can be elegant and restrained, emphasising fluidity of line and movement. In the waltz it is occasionally suspended by the held poses before the motion starts again. Unlike the outer movements, the Waltz Interlude is cool, danced in moonlight rather than under the sun. The two dancers sometimes move as one and at other times the man provides a frame for the more intricate arabesques of his partner.Duende - During my time living in Spain I went to watch some flamenco dancing. I was expecting the normal tourist cliches but the dancers were serious students of Flamenco Nuevo y Viejo (new and old). They performed with passion to some pounding asymmetric rhythms and their performance was the inspiration for Duende. Duende as a term is hard to define. It is a spirit of performance - that moment when you are right in the middle of the creative spirit of the music. It is about soul and a heightened state of emotion. Federico Garcia Lorca wrote: I have heard an old maestro of the guitar say, The duende is not in the throat; the duende climbs up inside you, from the soles of the feet. Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation.- Rob WiffinDuration: 13.45
Estimated dispatch 7-14 working days
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£60.00From the Shores of the Mighty Pacific (Cornet Solo with Brass Band - Score and Parts) - Clarke, Herbert L. - Wilkinson, Keith M.
Cornet Solo with Brass BandHerbert L. Clarke (1867 - 1945) is regarded by many as one of the finest cornet players of all time, noted not only for his amazing technique but also for his warm, lyrical tone. He has left a multitude of cornet solos as well as collections of studies which are still very widely used. He was a member of The Sousa Band briefly in 1893 and then from 1898 to 1917 where he was not only the distinguished cornet soloist but also became assistant director.From The Shores Of The Mighty Pacific is an all-time favourite rondo-caprice cornet solo and was first published in 1912. A brass band arrangement was requested by Chris Lichtler, principal cornet of Brass Band of the Western Reserve, musical director Dr. Keith M. Wilkinson. Chris has performed it many times with BBWR and it was recorded by them on the CD, Without Reserve!.
Estimated dispatch 7-14 working days
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