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  • £30.00

    Star Trek ??" The Original ... a Musical Episode

    This is an arrangement of the original TV theme which started it all! (including the full introduction, if you have someone to do the equally famous ‘voice over’)! But it doesn’t end there. I have taken the two ‘motifs’ from the introduction, and created an ‘episode’, the kind of background music you would expect to hear when the Starship Enterprise is confronting the Klingons, or Capt. Kirk is meeting one of those beautiful damsels who just happens to be an alien! Whether you are a trekkie or not, this is great fun – and the audience will love it.

    In stock: Estimated delivery 1-2 days
  • £30.00

    It Don't Mean A Thing (If It Ain't Got That Swing)

    Masterfully scored for brass band, Jon Bennett has taken the musical essence of this big band classic and brought it to life in the brass band genre.A great 2nd half opening number or encore – this piece is sure to bring the band and audience to life … foot tapping guaranteed!

    In stock: Estimated delivery 1-2 days
  • £79.95

    Waiting for a Pain Hit!??!!? - Paul McGhee

    Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations tothe tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??!I DON'T KNOW!!!I just like the rhythms, the pulse and the imagery. Hopefully all of this can help to create a picture. But let it be your picture...Paul McGhee, June 2010.

    Estimated delivery 3-5 days
  • £49.95

    The Dark Side of the Moon - Paul Lovatt-Cooper

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premi?re performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain.A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated delivery 3-5 days
  • £135.00

    Music of the Spheres - Philip Sparke

    Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

    Estimated delivery 10-14 days

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  • £125.00

    Music of the Spheres - Philip Sparke

    Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

    Estimated delivery 12-14 days
  • £9.50

    Famous Folksongs - Dagmar Kildevann

    In 'Famous Folksongs' we are taken on a musical trip around the world, from France to the USA and from South America to the Middle East. Dagmar Kildevann arranged eight word famous folk songs in very different ways. From traditional (Lolo mi boto) to modern (Le coq est mort) and from swing (Sur le pont) to rock (Michael row the boat). Bon voyage, have a pleasant journey! Oh, and by the way, don't forget your passport!

    Estimated delivery 10-14 days

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  • £53.00

    Introduction - Torstein Aagaard-Nilsen

    The composer: A short concert-opener where I use Norwegian folk-tunes. I wanted to create a short musical picture of the Vikings running from the seashore towards some people they wanted to fight down. They used to drink something made of mushrooms and became very wild. They didn?t feel any pain, they didn?t feel any fear. They where called the Berserkings! Ze voelden geen pijn en kenden geen angst... de Vikingen! Na het drinken van een speciale drank van paddenstoelen konden ze de hele wereld aan. Fraaie Noorse volksmelodieen gebruikend, schetst Aagaard-Nilsen het hero?sche beeld van aanvallende Vikingen. Klaar om de kust te bestormen...

    Estimated delivery 10-14 days

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  • £159.90

    Aubade - Dawn Songs of the Fabulous Birds - Torstein Aagaard-Nilsen

    Commissioned by The Norwegian Band Federation for The European Brass Band Championship 2003, in Bergen, Norway (Third edition)I remember as a kid the very early morning wake-up ceremonies caused by Seagulls having a "party" outside our home. Very few would describe it as beautiful, particularly not at 4:30 in the morning...But by listening carefully to birds I was fascinated by their diversity and musical language: they dont sing tunes or long phrases, they rather make sounds and signals, based on short motives.Aubade is based on musical pictures of the imaginary birds: the creatures with wings that exists only in myths and legends.The whole story starts with a Baritone-cadenza that evoke all the sleeping creatures. Very soon they all start to sing their songs in one way or another.The composition has a burlesque scherzo-character including slow espressive intersections. Traditional elements like melody and harmony is combined with extensive sounds and textural effects created by use of multiple muting, singing and playing at the same time.I am not too concerned about having a program for the piece. I just know that by thinking of the unheard dragon-songs, griffin-songs, the sound of the dodo, my creativity was stimultated.As a piece of music, Aubade follows its own rules based on well-known elements like melodies, arpeggio-figures, harmonies, rhythms, variations and recapitulation of ideas.- Torstein Aagaard-Nilsen -

    Estimated delivery 10-14 days

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  • £158.00

    Aubade - Dawn Songs of the Fabulous Birds - Torstein Aagaard-Nilsen

    Commissioned by The Norwegian Band Federation for The European Brass Band Championship 2003, in Bergen, Norway (Third edition)I remember as a kid the very early morning wake-up ceremonies caused by Seagulls having a "party" outside our home. Very few would describe it as beautiful, particularly not at 4:30 in the morning... But by listening carefully to birds I was fascinated by their diversity and musical language: they dont sing tunes or long phrases, they rather make sounds and signals, based on short motives.Aubade is based on musical pictures of the imaginary birds: the creatures with wings that exists only in myths and legends.The whole story starts with a Baritone-cadenza that evoke all the sleeping creatures. Very soon they all start to sing their songs in one way or another.The composition has a burlesque scherzo-character including slow espressive intersections. Traditional elements like melody and harmony is combined with extensive sounds and textural effects created by use of multiple muting, singing and playing at the same time.I am not too concerned about having a program for the piece. I just know that by thinking of the unheard dragon-songs, griffin-songs, the sound of the dodo, my creativity was stimultated.As a piece of music, Aubade follows its own rules based on well-known elements like melodies, arpeggio-figures, harmonies, rhythms, variations and recapitulation of ideas.- Torstein Aagaard-Nilsen ??"

    Estimated delivery 12-14 days