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  • £4.50

    Party Hits Vol. 1 ( 7 ) 2Eb - Thijs Oud

    Estimated delivery 10-14 days
  • £25.50

    Polish Adventures - Gavin Somerset

    Composed for the All Saints Wind Band, Sheffield after their trip to Poland in the summer of 2003. This work reflects the different parts of the tour in four continuous movements... PROGRAM NOTES AS THEY APPREAR ON SCORE COVER I don't wish to ramble on with the program notes, do I do believe that if you know the story behind a piece of music, it just puts that extra something into the players performance. In 2002, the All Saints Wind Band, Sheffield, embarked on a 10 day tour of Poland. The group spent 28hrs on a couch packed with instruments, only to arrive finding Poland experiencing its worst summer in 70 years. In 2003, they decided to go back for another go! This time, luxury all the way, no 28hr coach journey, just a 1 1/2hr flight. This piece tells the story of the 2nd tour of Poland in four continuous movements... First the introduction. Early one morning, prepared for the drive to the airport, everyone tired, but excited. A day prior to this, some parents of the children set off in a van driving the instruments to the hotel, some 300 miles away. Bar 13 introduces the "Van" theme. Once arriving at the airport, the movements begin... 1. MORNING FLIGHT A very self explanatory part of the piece, and impressionist in its writing. Flying high over England and the channel, giving a sense of speed we were travelling at (compared to the poor lads in the van somewhere below us!) The Largo before F tells of the short coach journey to the hotel, and settling into what was our new home for 10 days. 2. IN THE STORM The weather was definitely an improvement on last year. So much so, that it became a regular event of the day to go and play rounders in a nearby field. This particular day however, with everyone concentrating hard on the game, it escaped everyone's attention that there was a very large storm creeping over the high mountain range near us. As the title of the movement suggests, the scene involved 25 of us running as fast as we could back to the hotel. Unfortunately, the heavy rain ran faster than us. 3. LAST MEMORIES As most of the people in the band were 18 this year, it was apparent that this would be their last event with the band. Many of the group had grown up together for the last 7 years and so, as the tour came to a close, there was a sense of sadness in the air, but everyone would always have the memories. 4. FINALE & HOME The van and the brave volunteers that went with it, set off the day before the rest of us flew home. This last movement reflect the whole tour, bringing back all the main themes from the different movements before arriving back at the school, just in time to see the van pull up. The "Van" theme makes its presence heard again towards the end. This piece was performed by the Wind Band at the leaving concert of many of the players in the band. I dedicate this piece to the band which is still functioning with new players, and to all those who took part on this tour.

    In stock: Estimated delivery 1-2 days
  • £45.00

    f/m

    f/m was inspired by the internet cartoon 'frequency' by the artist Randall Munroe, which can be seen atxkcd.'Frequency' displays a grid of randomly chosen statistical events which flash at the frequency of their real-time occurrence; an outwardly banal idea with surprisingly profound results. f/m (which – predictably – is short for frequency/modulation) takes a similarly random set of time/duration statistics and uses them to generate the note lengths for each instrument. The first four statistics (and the first brass instrument entries) are derived from physical science. The next eight are all related to the natural world. The final ten, for which the cornets are used, represent contemporary human activity. The percussion instruments maintain a "tick and chime" throughout the work. To view a PDF preview of the score click here.The statistics used are as follows, indicated by numbers in brackets in the score at the first iteration of each one:Lightning strikes the earth 100 times per secondThe first pulsar ever discovered, PSR1919+21, pulses once every 1.337 secondsThere are approximately 10 supernovae every 0.95 secondsEvery 0.6 seconds the entire solar system moves 100 miles around the galactic centreEvery 4.1 seconds a 70 kg human emits 1000 gamma rays due to naturally occurring potassiumA blue whale's heart beats once every 6.67 secondsA hedgehog's heart beats 300/min or 5 times a secondEvery 2 seconds the net population of the world increases by 5There is one birth every 0.24 secondsThere is one death 0.56 seconds5.14 people die of malaria every minute ( one every 11.67 seconds)10 kilotonnes of polar ice are lost on average every 1.4 seconds.Walmart's takes in sales revenue of $10,000 every 1.4 secondsEvery 3 seconds there are 60,000 plastic bags used in US supermarketsEvery 0.72 seconds the world uses 500 tonnes of paperEvery 7.65 seconds, South Korea builds a carEvery 1.75 seconds, China builds a carEvery 5.8 seconds, Germany builds a carEvery 4.7 seconds, the USA builds a truckTwo commercial airline flights take off every 1.86 secondsMacdonalds serves 300 burgers every 4 seconds and feeds 787 people per secondStarbucks uses 3 gallons of milk every second

    Estimated delivery 5-7 days

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  • £39.00

    Rudolf er rod pa nesen - Johnny Marks - Arne Bendiksen - Jan Utbult

    "Rudolph, the Red-Nosed Reindeer" is a song written by Johnny Marks based on the 1939 story Rudolph the Red-Nosed Reindeer published by the Montgomery Ward Company. Gene Autry's recording hit No. 1 on the U.S. charts the week of Christmas 1949.The song was first sung by crooner Harry Brannon on New York City radio in early November 1949, before Gene Autry's recording hit No. 1 in the U.S. charts during Christmas 1949. Autry's version of the song also holds the distinction of being the only chart-topping hit to fall completely off the chart after reaching No. 1. The official date of its No. 1 status was for the week ending January 7, 1950, making it the first No. 1 song of the 1950s.

    Estimated delivery 12-14 days
  • £39.50

    Rudolf er rod pa nesen - Johnny Marks - Jan Utbult

    "Rudolph, the Red-Nosed Reindeer" is a song written by Johnny Marks based on the 1939 story Rudolph the Red-Nosed Reindeer published by the Montgomery Ward Company. Gene Autry's recording hit No. 1 on the U.S. charts the week of Christmas 1949.The song was first sung by crooner Harry Brannon on New York City radio in early November 1949, before Gene Autry's recording hit No. 1 in the U.S. charts during Christmas 1949. Autry's version of the song also holds the distinction of being the only chart-topping hit to fall completely off the chart after reaching No. 1. The official date of its No. 1 status was for the week ending January 7, 1950, making it the first No. 1 song of the 1950s.

    Estimated delivery 10-14 days

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  • £9.99

    I Heard the Bells on Christmas Day

    1The Little Drummer BoyKatherine Kennicott Davis arr. Mark FreehBlack Dyke Band4.112Fantasy on Two CarolsTraditional arr. Mark FreehBlack Dyke Band6.303The Spirit of the SeasonTraditional arr. Sandy SmithBlack Dyke Band5.504The Angels' CarolJohn Rutter arr. Howard LorrimanBlack Dyke Band3.275Jingle BellsJames Pierpont arr. Howard LorrimanBlack Dyke Band1.536O Come, O Come, EmmanuelTraditional arr. Richard A. DouglasBlack Dyke Band4.227Candlelight CarolJohn Rutter arr. Howard LorrimanBlack Dyke Band3.288That's the Spirit!Traditional arr. Sandy SmithBlack Dyke Band3.599What Child is This?Traditional arr. Mark FreehBlack Dyke Band2.2910The Toy TrumpetRaymond Scott arr. Mark FreehRichard Marshall (Cornet) with Black Dyke Band3.3211The Forres Cradle SongJames Scott Skinner arr. Sandy SmithBlack Dyke Band3.4012Parade of the Wooden SoldiersLeon Jessel arr. Mark FreehBlack Dyke Band2.5213Christmas LullabyJohn Rutter arr. Howard LorrimanBlack Dyke Band3.0114Here Comes Santa ClausOakley Haldeman arr. Mark FreehHarry Cunningham (Eb Bass), Jonathan Bates, Helen Varley and Alison Childs (Tenor Horns) with Black Dyke Band2.3615I Heard the Bells on Christmas DayJohn B. Calkin & Henry W. Longfellow arr. Mark FreehBlack Dyke Band2.3016Deck the HallsTraditional arr. Jack Arnold trs. Mark FreehBlack Dyke Band2.3117Petersburger SchlittenfahrtRichard Eilenberg arr. Sandy SmithBlack Dyke Band2.4518Silent NightFranz Xaver Gruber arr. Howard LorrimanBlack Dyke Band3.16

    Estimated delivery 12-14 days
  • £13.95

    Definity - Flowers band with David Childs and Philip Cobb - - - -

    Prima Vista Musikk is delighted to present our second commercial disc, and proud to be doing so in association with Flowers Band, London Symphony Orchestra Principal Trumpet - Philip Cobb, and international euphonium soloist - David Childs.Every track on Definity is an original composition, with the vast majority also being premi?re studio recordings. Through this release, featuring new repertoire from many of our finest composers, a band in great form, and two world class soloists, we have endeavored to create one of the most exciting brass band CD releases of recent times. 1Colours in RainDaniel Hall 2.542Lake of TendernessBen Hollings 4.093MarilynLucy PankhurstTrumpet Soloist: Philip Cobb3.294Sleeping Earth from Stratos ConcertoJonathan BatesEuphonium Soloist: David Childs5.075Dance of the Spiral Galaxies from Stratos ConcertoJonathan BatesEuphonium Soloist: David Childs3.436A Letter HomeJonathan BatesCornet Soloist: Philip Cobb 3.597Tortuguero 6Jonathan Bates 4.158On Winter HillDan PriceEuphonium Soloist: David Childs4.089The Smoke that ThundersAndrew Wainwright6.5310NovellaBen HollingsSoloists: David Childs, euphonium & Philip Cobb, cornet4.0011BattlegroundPaul SharmanSoloists: David Childs, euphonium & Philip Cobb, cornet2.5612Broadway BoogieDave Collins 3.1713Monet on the EmbankmentPaul McGhee4.4914Wanderer Above the Sea of FogBen Hollings 5.4415-17Definity: i. Heritage; ii. In Memoriam; iii. TriumphJonathan Bates 16.33

    Estimated delivery 5-7 days
  • £119.00

    Images of the Millennium - Full 2 Band Version - H. Snell

    Richard Evans' request was that the work should mirror aspects of the history of banding while also looking forward. 1. FANFARE. In this movement the work is introduced.2. TOCCATA: CONTEST DAY. The gathering together of players and audience for a contest day is treated in a busy, sometimes jazzy manner.3. PASTORALE: 'A GREEN AND PLEASANT LAND'. Looking back to the third and fourth decades of the nineteenth century and the rapid birth of brass bands and banding, this short Intermezzo invokes the popular picture postcard view of the past. Images of warfare appear briefly as a reminiscence of Britain's continuing military domination of the world, with Trafalgar and Waterloo still echoing on the horizon.4. MUSIC FOR A SILENT FILM: AN OLD MAN REMEMBERS PETERLOO. The reality of 'England's green and pleasant land' was somewhat different. On August 19th 1819 the Stalybridge Band was playing at a political meeting in St Peter's Fields in Manchester, later to become the site of the Free Trade Hall. The local Magistrate, sent in the cavalry. Shots were fired into the crowd, 11 people were killed and 500 injured. I present the scenes as followsthe holiday crowd in St Peter's Field entertained by the Band the unprovoked attack by the militia the flight from St Peter's Fieldthe funeral wake the lament5. SCHERZO: THE CRYSTAL PALACE. Only a few decades later brass bands were regular visitors to the greatest concert halls in the country. I see the Bands and their followers descending on London in trains and charabancs. 6. DREAM-NOCTURNE. As if in a trance, an unending musical line is passed around the ensemble to celebrate the players who possessed, and still possess, the sound and phrasing to enthrall the listener.7. ODYSSEY. The way forward now beckons. The music passes through conflict, struggle and turmoil on its way to release, resolution and finally to triumph.

    Estimated delivery 10-14 days
  • £63.00

    Crazy Crowd - David Well

    A fascinating parade of people passing by. 1. A drum major who cannot control his platoon. 2. An unhandy clown who has known better times. 3. A robot that comes to life and dances of pleasure. 4. A charming princess displays her exceptional charms. 5. A funky guy who goes berserk, literally and figuratively. 6. A priest conducts a service and clearly enthrals his audience. 7. The old acrobat tries it one more time, however, not always with success. 8. A spy, who is shy, but a master of his profession. 9. And who are you? That is the big question.

    Estimated delivery 10-14 days

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  • £84.40

    Prelude Festivo - John Brakstad

    Prelude Festivo is intended to be performed both in concerts and in competitions and includes solo passages for most instrument groups.Duration 7,5 minutes. Form: Fast - slow - fast.The piece is built on two themes:Theme 1 (Allegro con spirito) is first presented as a cornet solo after a fanfare-like opening.Theme 2 is hinted at in the opening bars, but is presented fully in the slow (Andante) section (bar 141).This theme is developed and also appears as melodic and rhytmic fragments throughout the composition. In the concluding section (bar 196) both themes are played in conjunction before the piece concludes with the fanfare theme from the opening bars.Parts that are marked piu mosso ed leggiero should be played in a cheerful light staccato style in contrast to Andante cantabile.

    Estimated delivery 10-14 days

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