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£74.95CRY OF THE CELTS - Hardiman arr. Peter Graham
Additional Score: 29.95A spectacular mini-concert. Contains 5 movements: 1)Nightmare, (includes Lord of the Dance and Stolen Kiss) 2) Suil a Ruin, 3)Breakout, Lament, and 4)Victory. Featured by Yorkshire Building Society Band.
Estimated dispatch 3-5 working days
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£74.95
DAY OF THE DRAGON - Peter Graham
Additional Score: 29.95The latest in a series of "world music" features by Peter Graham (including Cry of the Celts, Windows of theWorld and Call of the Cossacks), Day of the Dragon is a joint commission fromthe Buy as You View Band and the National Youth Brass Band of Wales. The fivemovements are based on traditional Welsh Folk Songs and feature solos forcornet, trombone, horn, flugel, euphonium : 1) Overture (Ar lan y mor,Hunting the Hare) 2) Lullaby (Suo Gan) 3) Welsh ClogDance 4) Ballad (By Kell's Waters) 5) Triumph(Men of Harlech)
Estimated dispatch 3-5 working days
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£59.95
MY STRENGTH, MY TOWER Rhapsodic Variations (Brass Band Set) - Dean Goffin
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£59.95
QUINTESSENCE (Brass Band Set) - Robert Redhead
Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.
Estimated dispatch 7-14 working days
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£59.95
My Strength, My Tower - Rhapsodic Variations (Brass Band - Score and Parts) - Goffin, Dean
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£29.95
My Strength, My Tower - Rhapsodic Variations (Brass Band - Score only) - Goffin, Dean
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£59.95
Quintessence (Brass Band - Score and Parts) - Redhead, Robert
Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.
Estimated dispatch 7-14 working days
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£29.95
Quintessence (Brass Band - Score only) - Redhead, Robert
Originally written for the Melbourne Staff Band's tour of the UK in 1978 and, more specifically, their participation in The Salvation Army International Congress in London, the music expresses the quintessence of Australian Salvationism. The five sections are; 1. An original theme expressing the immensity of the Australian continent. 2. Australia's sons, let us rejoice representing the character of the people. 3. Glory, glory, glory hallelijah from the song The Christian Mission. 4. A meditative setting of At Thy feet I bow adoring, written by two Australian Salvationists. 5. A development of the previous themes bringing the work to its climactic conclusion.
Estimated dispatch 7-14 working days
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£29.95SOUNDS OF CHRISTMAS (Full Score)
Sounds of Christmas is a brand new collection of 36 Christmas arrangements and compositions that can be played by groups as small as five players, with the parts available as follows: Part 1: Bb and C; Part 2: Bb, Eb and F; Part 3: Bb, Eb, F and C BC; Part 4: Bb TC and C BC; Part 5: Eb TC, Bb TC and C BC. The full score does not contain all the instruments available, only the Bb and Eb pitched instruments (except the optional Eb Soprano cornet) and Percussion. Sounds of Christmas is sure to add interest to your Christmas carol playing and offers interesting additions to your Christmas concert repertoire. Includes: A Holly Waltz (The Holly and the Ivy); A Starry Night; Away in a Manger; Chiming Bells (Sweet Chiming Christmas Bells); Christmas Joy (March); Christmas Praise (March); Coventry Carol; Ding Dong! (Ding Dong! Merrily on High); God Rest You Merry, Gentlemen; Good Christian Men, Rejoice; Good King Wenceslas; Hark! THe Herald Angels Sing; Have Yourself a Merry Little Christmas; Infant Holy; It Came Upon a Midnight Clear; Jesus, Good Above All Other; Joy to the World; Mary's Boy Child; Mid-Winter (In the Bleak Mid-Winter); Normandy Carol (Away in a Manger); O Come, All Ye Faithful; O Little Town of Bethlehem; Once in Royal David's City; Rudolph, the Red-Nosed Reindeer; Silent Night; Sounds of Christmas (March Medley); The Andel Message (While Shepherds Watched); The Everlasting Light (O Little Town of Bethlehem); The First Nowell; The Infant King; The Manger Scene; The Virgin Mary had a Baby Boy; Three Kings' March; To Celebrate His Birth (March); We Wish You a Merry Christmas; Yuletide Rag (Deck the Hall).
Estimated dispatch 7-14 working days
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£25.00ST ANDREW'S VARIATIONS (Brass Band Extra Score) - Fernie, Alan
Brass Band Extra Score only. National Brass Band Championships of Great Britain Area Test Piece 2017 - Fourth Section. French Open Championships 2007. Contains:Theme - AndanteVariation 1 - Alla MarciaVariation 2 - GentlyVariation 3 - AdagiettoVariation 4 - Alla Marcia - sempre marcatoVariation 5 - AndantinoVariation 6 - Con Moto sempre rubatoVariation 7 - AllegrettoVariation 8 - Lento moderatoFinale - Allegro giocoso
Estimated dispatch 7-14 working days
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