Results
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£19.99Lullaby (Euphonium Duet with Brass Band - Score and Parts)
Lullaby is a beautiful euphonium duet with band accompaniment. The solo and contrapuntal writing, combined with a rich accompaniment from the band, offers peace and serenity. Suitable for Youth/4th Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£100.00Tuba Concerto (Tuba Solo with Brass Band - Score and Parts)
Ralph Vaughan Williams Tuba Concerto was written in 1953/4 in response to an invitation to compose a work for the Golden Jubilee of the London Symphony Orchestra. Vaughan Williams was by then in his eighty-second year. The lively, outer movements both conclude with extended cadenzas, while the beautifully lyrical Romanza is Vaughan Williams at his best. Phillip Littlemores brass band arrangement is a welcome addition to the brass band repertoire. Suitable for Championship Section Bands. Duration: 15.00
Estimated dispatch 7-14 working days
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£64.99Summer Isles (from Hymn of the Highlands) (Euphonium Solo with Brass Band - Score and Parts)
The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece, written for solo euphonium and brass band, reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience.Duration: 4:10
Estimated dispatch 7-14 working days
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£16.99The Bells of Peover (Cornet Solo with Brass Band - Score and Parts)
The Bells of Peover is a beautiful and lyrical cornet solo, conjuring up a pastoral scene with the distant ringing of church bells. The piece is named after a pub in the Cheshire village of Lower Peover, near Knutsford. Suitable for Youth/4th Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£49.99Schindler's List, Theme From (Brass Band - Score and Parts)
What a stunning piece of cinematic history and what a stunning soundtrack. John William's wonderfully compassionate main theme is woven into this arrangement that will haunt both band and audience. The magnificently simple melody reflects both the sadness and hope portrayed in the epic Steven Spielberg film.Duration: 4:15
Estimated dispatch 7-14 working days
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£42.50Mid-Winter (Brass Band - Score and Parts)
This beautiful Christmas tune by Stephen Bulla sets the perfect atmosphere for your Christmas concert. Light the candles and enjoy the most wonderful time of the year with friends, family and music.Duration: 4:40
Estimated dispatch 7-14 working days
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£19.95Fanfare of a Nation (10 Piece Brass Ensemble)
Fanfare of a Nation (2012) was commissioned by the Greater Gwent Youth Brass Ensemble as a short fanfare for ten brass players plus percussion, and was performed in the presence of HM Queen Elizabeth II & The Duke of Edinburgh on the occasion of their visit to Wales to mark the Diamond Jubilee, under its original title The Royal Diamond Jubilee Fanfare. The fanfare has since been performed throughout the UK with both its original instrumentation, and also the extended full brass band version. This short work mesmerizes, dazzles and utilizes the fanfare effects so often associated with the brass family.Instrumentation - 4 x Trumpets, 1 x Horn in F, 3 x Tenor Trombones, 1 x Bass Trombone, 1 x Tuba, 1 x PercussionNote - Trumpet 1 is available in both E-flat & B-flat, Horn in F is available in E-flat, Tenor Trombone and Tuba parts available in both treble or bass clef.
Estimated dispatch 7-14 working days
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£24.50Mallyan (Brass Band - Score and Parts)
Mallyan is an area in Gaothland (Heartbeat Country) and at the bottom of a lovely walk is a 70ft waterfall called Mallyan Fall. This is a standard 6/8 march with a bass solo in 2/4 time.
Estimated dispatch 7-14 working days
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£89.95Revelation (Score and Parts)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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£44.95Revelation (Score Only)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days