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  • £20.00

    atrium phase

    Descriptionatrium phase was inspired by listening to works performed at the 2013 Huddersfield Contemporary Music Festival in the atrium of the Huddersfield University Creative Arts Building. The atrium, despite being a functional area incorporating meeting areas and a cafe, has almost coincidentally evolved into a fantastic (if somewhat resonant) performance space. Performers can be positioned on three different sides and three different levels, making the atrium ideally suited to spatially separated performances of a variety of music from Gabrieli to Christian Wolff.In atrium phase the band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.atrium phase won the inaugural Foden's Band Composition Competition in 2014 and the first performance was given on 24 January 2015 at the RNCM Festival of Brass by Foden's Band.Performance Notes:The band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.Instruments in group A require cup mutes (soprano, 2 x cornets, horn, baritone, trombone, euph), group B harmon mutes (4 x cornets, baritone and trombone - the baritone should use a trombone mute) and group C require fibre straight mutes (3 x cornets, flugel, 2 x horns, euph., bass trom - NOT metal mutes if possible).Percussion instruments required are claves, wood block and 2 x temple blocks. The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.Approximate duration 6'17"

    Estimated dispatch 7-14 working days
  • £45.00

    Captain from Castile - Newman, A - Harper, P

    A classic Alfred Newman Hollywood score from the 1947 swashbuckler starring Tyrone Power. Heroic themes, dastardly villains and romantic interludes, all with a Spanish twist, make for an explosive opener to any concert! As played and recorded by Cory Band.Championship sectionDuration 3.30 minsListen to Cory Band on BIC 2017Courtesy of World of Brass

    In Stock: Estimated dispatch 1-3 working days

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  • £45.00

    Caribe - Camilo, M - Harper, P

    An absolute showstopper in Latin style, this features solos for horn, baritone and cornet, amongst others. Simplified lines are also offered, but the full effect can be heard on Cory Band's CD Summon the HeroesChampionship sectionDuration 3 mins 30 secsListen to Cory Band on 'Summon the Heroes'Courtesy of World of Brass

    In Stock: Estimated dispatch 1-3 working days

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  • £55.00

    Friends Will Be Friends - Mercury & Deacon - Harper, P

    Queen's rock anthem from the 1986 album A Kind of Magic in a blockbusting full band arrangement which was the finale of Cory Band's winning 2024 Brass in Concert Programme2nd Section +Duration 3 mins 30 seconds

    In Stock: Estimated dispatch 1-3 working days

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  • £27.50

    Friends Will Be Friends (Score) - Mercury & Deacon - Harper, P

    Queen's rock anthem from the 1986 album A Kind of Magic in a blockbusting full band arrangement which was the finale of Cory Band's winning 2024 Brass in Concert programme2nd Section +Duration 3 mins 30 seconds

    In Stock: Estimated dispatch 1-3 working days

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  • £35.00

    Images - Haaland, K

    As played by Tom Hutchinson on his solo CD This Way, this laid back solo has a challenging solo part, but manageable band parts2nd sectionDuration 3 mins 30 secsListen to Tom Hutchinson and Cory Band on 'This Way'Courtesy of World of Brass

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    La Suerte de Los Tontos - Richards, J - Harper, P

    An infectious Latin number which will have your audience dancing in the aisles. The winner of Best New Arrangement at Brass in Concert 2019, there are a number of performance options for different levels of band.Check out Cory Band's video2nd section +Duration 3 mins 30 secs

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    Nordic Polska - Edenroth, A & Kallio, M - Harper, P

    As played by Cory Band at BiC 2016, features seven soloists.3rd section +Duration 3.45 minsListen to Cory BandCourtesy of World of Brass

    In Stock: Estimated dispatch 1-3 working days

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  • £45.00

    Fantasy on London Nursery Rhymes

    This light-hearted work uses the melodies of traditional nursery rhymes that have an association with London; Oranges and Lemons, The Muffin Man, Pop Goes the Weasel, Humpty Dumpty and Mary Mary Quite Contrary . Each setting of the rhyme depicts a famous landmark from the capital; Big Ben, the Thames, the Underground, Buckingham Palace, Horse Guards Parade and the Tower of London. Fantasy on London Nursery Rhymes was commissioned by Paul Holland for the Flowers Band, and was included in their 2016 Brass in Concert programme. Duration : 00:03:30 Grade: 3.5 Listen:

    Estimated dispatch 5-7 working days
  • £95.00

    Journey of the Lone Wolf (score & parts) - Simon Dobson

    Journey of the Lone Wolf tells the story of the hungarian composer Bla Bartk. It was commissioned by Dr. Nicholas Childs for Black Dyke Band, who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall, Manchester as part of the Royal Northern College of Music Festival of Brass.The composer's programme notes for each movement: 1. Capturing the Peasants' SongAfter the upheaval of moving to Budapest the young Bla Bartk meets Zoltn Kodly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bartk's beloved Hungary into chaos.2. Night MusicBartk was at times a cold man, aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartk may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America, Bartk, the anti-fascist, felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes. Duration: 15 minutes.Level: Championship

    In Stock: Estimated dispatch 1-3 working days