Results
-
£44.99The Dreaded Groove and Hook (Brass Band - Score and Parts)
The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round the band, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses.The piece was commissioned by Jason Katsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass in Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has been recorded by the same band and conductor on the CD entitled Penlee.Suitable for 1st Section Bands and aboveDuration: 4.00
Estimated dispatch 7-14 working days
-
£45.00Triumph Series Band Journal July 2012 Numbers 1227 - 1230
No. 1227 March - Carol Medley (Noel Jones)This march features three carols, 'God rest ye merry, gentlemen', Hark! The herald angels sing' and 'Deck the Hall' together with brief references to others in a medley form. A couple of these references are somewhat camoflaged which provides further interest.No. 1228 Euphonium Solo - The Saviour's Name (Erik Silfverberg)A setting of Jane Clarke's lovely melody set to familiar words, 'There is a name I love to hear'.No. 1229 (1) Carol Arrangement - While shepherds watched (David Rowsell)A four-verse setting of the 16th Century tune, 'Winchester Old' commonly associated with the carol, 'While shepherds watched their flocks by night'.No. 1229 (2) Song Arrangement - Time to be holy (Paul Sharman)This arrangement of George Cole Stebbins' tune was originally made for the 2010 World Youth Convention in Sweden, the theme of which was 'Time to be holy'.No. 1230 There is a redeemer (Kenneth Downie)Melody Green-Sievright's popular song, 'There is a redeemer' was first published in 1982, 30 years before the appearance of this new setting.
Estimated dispatch 7-14 working days
-
£74.95Triptych (Brass Band - Score and Parts)
Triptych was commissioned by the Swiss Band Federation for Section 2 of the 16th Brass Band Championship in Montreux, 1990Includes:PageantFantasy on One NoteFestivalDuration: 11:30
Estimated dispatch 7-14 working days
-
£37.95
Triptych (Brass Band - Score only)
Triptych was commissioned by the Swiss Band Federation for Section 2 of the 16th Brass Band Championship in Montreux, 1990Includes:PageantFantasy on One NoteFestivalDuration: 11:30
Estimated dispatch 7-14 working days
-
£34.95
Gaudete (Cornet Solo)
Soprano Cornet Solo with Brass BandGaudete is a sacred Christmas carol, which is thought to have been composed in the 16th century, but could easily have existed as a monophonic hymn in the late medieval period. Within the lyrics, there are references to Christ, Virgin Mary, Grace, Ezekiel and Salvation.This arrangement takes the striking tune and re-works it for Soprano Cornet and band, transforming the melody in places, whilst also keeping that familiar tune in its original form. Gaudete was recorded by Steve Stewart & Cory Band in 2016, featuring on its album 'A Festival of Fanfares & Carols'.
Estimated dispatch 7-14 working days
-
£94.00Montage (Brass Band - Score and Parts)
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries.The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated.A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles.The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon.The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target.
Estimated dispatch 7-14 working days