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  • £44.95

    Judd: Cristo Redentor

    'Cristo Redentor' (Christ the Redeemer) is the Portuguese name of the unmistakable statue that overlooks every part of the vibrant Brazilian city of Rio de Janeiro. The composer was inspired to bring these images to music, creating various atmospheres to portray the diverse scenery. The melodies used, 'Lord I lift your name on high', 'Ochills' and 'There is a redeemer' are used to express the overall power of the love displayed for all in the outstretched arms of Christ the Redeemer.

    Estimated dispatch 7-14 working days
  • £74.95

    Eden (Score and Parts)

    This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005

    Estimated dispatch 7-14 working days
  • £29.50

    Eden (Score Only)

    This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005

    Estimated dispatch 7-14 working days
  • £33.00

    You Belong to Me - King, Price & Stewart - Broadbent, D

    "You Belong to Me," composed by Chilton Price with Pee Wee King and Redd Stewart, is a timeless ballad first published in 1952. Its wistful lyrics express the longing and devotion of separated lovers, a theme that resonates just as deeply today. The music blends gentle melody with emotional honesty, capturing a tender and universal sense of belonging and love.

    In Stock: Estimated dispatch 1-3 working days

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  • £49.99

    Chorale for Peace (Brass Band - Score and Parts) - Deleruyelle, Thierry

    Chorale for Peace is a song of hope and peace for humanity. In commissioning this work, the wind band of Le Portel (France) wanted to pay tribute to the victims of 8 September 1943, when around 100 Allied planes dropped more than 5,000 bombs on the town of Boulogne and the surrounding area. In fact, this operation was nothing more than a diversion to make the enemy believe that a landing was imminent in the north of France. This music is slow, an adagio commemorating the human sacrifice of this operation. But more broadly, the composer also wanted to express his support for the peoples who, even today, suffer oppression.This set includes an optional choir part that offers the possibility of making an even deeper impression on the listener.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £60.99

    El Duende (Brass Band - Score and Parts) - Jeanbourquin, Marc

    The Spanish word "duende" is used to indicate an ineffable thrill or magic. Marc Jeanbourquin has taken inspiration from it to create an energetic and entertaining work in Latin style, resulting in a piece of music full of virtuosity, a dash of sensuality in the danzn, and a whole load of charm. With El Duende, your players can express all their musical charisma.Duration: 4.45

    Estimated dispatch 7-14 working days

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  • £34.95

    La fe es la Victoria (Brass Band - Score and Parts) - Kellner, Steve

    La fe es la victoria was written for the USA Southern Staff Band and premiered on its tour of the UK in 2018. It is based on the well-known gospel song Faith is the victory (S.A.S.B. 919) and this salsa-style arrangement is meant to express the believer's joy in knowing that faith in Jesus is the 'glorious victory that overcomes the world'.

    Estimated dispatch 7-14 working days

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  • £34.95

    Trusting Faith (Euphonium Solo with Brass Band - Score and Parts) - Beijer, Anders

    La fe es la victoria was written for the USA Southern Staff Band and premiered on its tour of the UK in 2018. It is based on the well-known gospel song Faith is the victory (S.A.S.B. 919) and this salsa-style arrangement is meant to express the believer's joy in knowing that faith in Jesus is the 'glorious victory that overcomes the world'.

    Estimated dispatch 7-14 working days

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  • £29.95

    Laudate Dominum (Cornet Solo with Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Norbury, Kevin

    Originally composed by Mozart in 1780 from the Vesperae ples de Confessore, this setting of the shortest of the psalms, Psalm 117, has an ethereal quality. It seems to express something of the beauty of God and of his love in creation. This work has been beautifully transcribed for brass and soloist by Kevin Norbury. Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £44.95

    Cristo Redentor (Brass Band - Score and Parts) - Ponsford, Steven

    Cristo Redentor' (Christ the Redeemer) is the Portuguese name of the unmistakable statue that overlooks every part of the vibrant Brazilian city of Rio de Janeiro. The composer was inspired to bring these images to music, creating various atmospheres to portray the diverse scenery. The melodies used, 'Lord I lift your name on high', 'Ochills' and 'There is a redeemer' are used to express the overall power of the love displayed for all in the outstretched arms of Christ the Redeemer.

    Estimated dispatch 7-14 working days