13.7 Billion Years Earlier

A fanfare tone poem for brass band, 13.7 Billion Years Earlier tells the story of the beginning of our universe, the big bang.

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A Jingle Fantasy

This dark tale of Jingle Bells for brass band by James McFadyen is sure to give your seasonal concerts a touch of modernism, and will certainly create a bit of a talking point at your Christmas concerts.

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A Little Christmas Treat

Combining

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A Place Where Dreams Come True

A Place Where Dreams Come True is concert item that is like a tiny symphony. Opening with an original chorale which merges into a pop-rock item with lyrical and syncopated melodies. From there, the piece transforms into classical overture style before entering the closing bars which are more akin to a sad song.

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A Slow Little Waltz

A lovely waltz which is very effective and gives junior bands an opportunity to play music that features luxurious chords. A perfect way for band trainers to train their junior band to listen to each other as they play.

Abide with Me

This world-famous hymn is taken from original melody known as Eventide. In this brass band arrangement of Abide with Me, the hymn is first heard as brass quartet, then the rest of the band join, building to a powerful and emotional close.

Accentuate the Positive

From the prolific pen of Mike Lyons, Accentuate the Positive is an original composition ideally suited to train and promote the sound and musicianship of your junior band.

An Irish Blessing

This famous hymn brought to life in the form of this pleasing-sounding arrangement by Dhani Miller. The pleasing sound is down to the key it is written in, but at 4 flats, will require a little bit of concentration by the ensemble.

Angels will Fall

Composed for Jim Hayes 3rd studio album of the same name, Angels will Fall is a cornet solo with a difference. It is the first-known brass band work to feature an EDM section, seamlessly-linked between the outer brass band movements.

Anthracite Dances

Anthracite Dances is a Xylophone solo with brass band accompaniment in a Nu Ragtime style. The composer did not want to write a comical piece, especially limiting the use of glissandi. Instead, Anthracite Dances joins a small pool of brass band repertoire that respects the Xylophone as a serious instrument.