Hymn to the Fallen - John Williams - Philip Sparke

A terrific Brass Band arrangement of Johnm Williams' Hymn To The Fallen from the paramount and DreamWorks motion picture Saving Private Ryan - by Philip Sparke.

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Hymn To The Fallen (From Saving Private Ryan) - John Williams - Steven Verhaert

Hymn To The Fallen is the main theme from one of the most succesful movies of the last decade: Saving Private Ryan. Steven Verhaert especially arranged this heart-rending hymn for a wind orchestra.The melancholic atmosphere that flows out of this beautiful air characterizes the entire movie.

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Hymne - Meindert Boekel

Hymne a la Joie - Ludwig van Beethoven

Hymne all'Inglese - Peter Cabus

Hymne et Final - Jean-Francois Michel

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Hymne til gleden - Ludwig van Beethoven - Bjorn Morten Kjaernes

Schiller's text of 1785 was partially used by Beethoven in1824 when he did finish the 4th movement of his 9th Symphony. The melody has later been used in very many contexts. As the anthem of the European Union, a lot of movies (A clockwork Orange, Die Hard, etc.), music to video games, as the anthem of Rhodesia, as rebel song in Chile and by FIFA. Therefore, it can be used in most settings This Young Band arrangement focuses on the main melody. In the original, the B part is repeated in each variation, but to get three variations (out of four), this repetition has been cut. The first variation should be played as soft as possible, but still with a nice sound. Crescendo to forte(f) and going back to pp should be as a surprise.

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Hymns of Praise - Goff Richards

Hymnus Antverpiae - Jan Van der Roost

This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premiered by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion.Musically speaking the piece can no doubt be labeled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible anduncomplicated.The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colouful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.

Hypercube - Oliver Waespi

Hypercube is a musical narrative partly inspired by the architecture of the Grande Arche de la Dfense in Paris whose shape has been compared to a hypercube.With this landmark building as a starting point, the piece explores the poetry and reality of urban landscapes. In the course of the piece, these contrasting elements are being torn into a dramatic and virtuosic development in extended sections named 'Le Vertige' (Vertigo).The Clouds theme returns later in a series of lyrical solos. In the final part of the piece, both the Vertigo and the Hypercube themes become the background for an ongoing acceleration, which conveys theimpression of some sort of musical Penrose stairs. Hypercube was commissioned by the Paris Brass Band and the association ADIAM 94 in 2015.

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