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  • £46.20

    HAVE I TOLD YOU LATELY (B flat Cornet or Flugelhorn/Brass Band) - Morrison, Van - Wormald, Christopher

    B flat Cornet or Flutelhorn Solo & Brass Band. Grade Easy

    Estimated delivery 12-14 days
  • £22.95

    LITTLE WISH (Soprano Cornet, Eb Tenor Horn or Bb Cornet Solo with Brass Band) B flat edition - Graham, Peter

    flat edition. This lyrical solo is also available with piano accompaniment. Please note: There are separate editions for Bb and Eb Solo/Brass Band

    Estimated delivery 12-14 days

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  • £10.00 £10.00
    Buy from IMAS Music

    Worlds Apart (Cornet Solo) - Andrew Stevenson

    Worlds Apart is a lyrical solo for cornet and piano. The basis of the piece is the use of two contrasting themes, in the form of melodies. These themes symbolise longing and hope. The opening melody is longing and the next melody at letter B is one of hope. The idea behind the piece is that the two themes show the connection of longing or loneliness and hope when faced with being apart from something/someone special. The emotional build-up of the piece should enable performers to bring this idea to life, with extra thought taken on expression and phrasing to show the contrasts.

  • £39.00

    CARNIVAL OF VENICE (Cornet/Brass Band) - Freeh, Mark

    B flat Cornet Solo. The jazz cornet legend Harry James was synonymous with taking classical works and crafting versions in his own inimitable style. Carnival of Venice was one of his most famous features and here you have a true-to-the-original arrangement to feature your cornet soloist created by one of the greatest arrangers of jazz for brass band, Mark Freeh. A brass band classic given the jazz treatment, will astound and amaze your audiences every time. Not to be missed. Duration: 3:00 Grade: Medium

    Estimated delivery 12-14 days

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  • £24.95
  • £24.95

    Tudor Trumpeters Tune - S.B. Wood

    Cornet Solo with Brass Band

    Estimated delivery 12-14 days
  • £49.95

    Blaze - Phil Lawrence

    Cornet/trumpet sounds have been changing for some years; they are becoming heavier, more robust, slower vibratos. The dynamic level now pushed out by your average solo cornet is 30% more than it was some 35/40 years ago. This, is mainly due to the bore size of instruments and mouthpiece sizes (as in bigger), and, demands of modern day works for band on the player/soloist, and of course a greater demand of styles on the player, and progressive teaching methods. The technical styles in Blaze are about these changes.In Blaze I have clearly blended symphonic blowing styles of the trumpet plus the virtuosic attributes of today's modern cornet player. Many solo cornets parts (more past than present) in band are often clearly defined between low A and top C above the stave. Orchestral trumpet players need a working range of another fourth at either end of this defined range; I have incorporated this range into the concerto. The low register is much explored, and the average tessitura throughout is constantly varied below and above the stave from pedal Eb to super F# opt. The ideology of this blend of course makes sense as the original dedication is to Rod Franks, LSO, and of course blending with that is Rod's history at Black Dyke Mills Band.The concerto is ten minutes long and in one movement comprising of four sections and one solo cadenza, with one section only appearing once, an episode. This singular section was a revised addition and dedicated to Richard Marshall who gave the first premier in New Zealand in June 2003. For the purists the form is thus, A, B, A (vari), C (episode). D (slow movement), E (3/8 episode 1), D (vari), E, (episode 2). A (last move), B, A (developed) = (coda finale).The compositional style? Well, I hope quintessentially, 21st C English with an element of nostalgia (modal/old English). There are some hints at jazz playing styles and rhumba, but romantic English I would say, and especially the slow movement.Blaze is also very bold; the title itself reflects this, full of bravura and constant amazement, offering little respite for the soloist and sapping much stamina. The opening statement from the soloist is without accompaniment; just as a matador stands alone in the ring for the first few seconds, and looks at the mass crowd in defiance, he thinks, "you are here to see me die", so the soloist stares the audience back in the face, and opens with the richest, largest sound (not loudest) one can muster, thus throwing the gauntlet down to the ears of all who might disbelieve what they are about to encounter, a gladiatorial cornet, a Blaze from the stage.For the soloist, it is a non-stop Blaze of sound, electrifying technique, sage-like musicianship, super-human stamina and sheer matador-like bravura with 10th Dan mastery of over-all control, a test beyond the reasonable. And for the audience? Of course, a BLAZE never to be forgotten. Phil LawrenceThis work can be heard performed by cornet soloist Richard Marshall & the Grimethorpe Colliery Band on their award winning album entitled 'BLAZE'

    Estimated delivery 5-7 days