Dreamsong - Philip Sparke

Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim, Norway. After a short introduction, the soloist introduces a rather nostalgic melody, accompanied by the lower brass parts. A fast central section is then played by the band, which leads to a climax. Eventually, the main melody played by the solo Cornet and Flugel Horn returns, overlaid with an ornamented counter-melody from the soloist, who then closes the piece with a short cadenza.

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Dreamy Blues - Günter Noris

Drei Konige - Peter Cornelius - Robert van Beringen

With his arrangement of Drei Konige, originally composed for voices, Robert van Beringen makes a welcome contribution to the christmas repertoire for bands. In this work by the German composer Peter Cornelius (1824 - 1874) the mediaeval choral Wie schon leuchtet der Morgenstern comes to the fore as a counter melody.

Dressed To Kill - Pino Donaggio - Michal Worek

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Drie Dansen voor Harmonie Orkest - F.H. Schorer

Drie Opwekkingsliederen - Henk Ummels

Revival songs are sung more frequently these days in Christian churches in the Netherlands. The cheerful nature of these songs come into their own with use of a good catchy melody, everyday language, and often accompanied by a band with wind players, instead of an organ. In this collection: Together In the Name of Jesus, Thank You For This New Morning, and Praise Him. Arranged for a flexible setting, these are also well suited to a full orchestra.

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Drieluik - Tryptique - Victor Legley

Drink to Me Only - Edrich Siebert

Drink To Me Only With Thine Eyes - Willy Hautvast

As the tune is so well known and played and sung regularly all over the world, the piece needs no extra comment. Yet this wind band arrangement is, no doubt, a fine acquisition for the repertoire.

Drink to Me Only with Thine Eyes - J. W. Callcott - Philip Sparke

The lyrics to Drink to Me Only with Thine Eyes can be traced to English poet Ben Jonson, a contemporary of Shakespeare. The melody's origin, on the other hand, is not certain. In this three- movement arrangement, Philip Sparke provides the soloist with plenty of substance while respecting the beautiful simplicity of the original tune.

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