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  • £91.99

    Three Klezmer Miniatures (Brass Band - Score and Parts) - Sparke, Philip

    Three Klezmer Miniatures is Philip Sparke's third work based on traditional Jewish klezmer melodies, after Shalom! and A Klezmer Karnival. Klezmer music originated in the 'shtetl' (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as 'klezmorim', had performed at celebrations, particularly weddings, since the early Middle Ages. In Three Klezmer Miniatures Philip Sparke used the traditional tunes Sham Harei Golan Nigun Shel Yossi, Tumbalalaika, and Hava Nagila.Duration: 7:30

    Estimated dispatch 7-14 working days

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  • £55.00

    A Thames Journey (Brass Band - Score and Parts) - Hess, Nigel - Littlemore, Phillip

    Thames Journey is a 10-minute musical journey that follows the river Thames from its origins, as a few drops of water in Wiltshire, to the point where it meets the open sea at Greenwich. Along the way, Hess draws upon many musical links along the Thames, such as an old Wiltshire melody, morris dancing in Oxfordshire, boating songs from Berkshire and street songs in London. With such rich and diverse sources of music across several counties and centuries, this has quite understandably become one of Hess's most popular works to date. Suitable for Advanced Youth/3rd Section Bands and above. Duration: 10.00

    Estimated dispatch 7-14 working days

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  • £57.50

    Old Hundredth (Brass Band - Score and Parts) - Sparke, Philip

    The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100 All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - hence its current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £44.95

    Excerpts from The Little Russian (Brass Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Gordon, William

    The nickname 'Little Russia' refers to the Ukraine from where folk-songs used by Tchaikovsky in his second symphony come from. This is a transcription of excerpts from the exciting finale of that symphony.

    Estimated dispatch 7-14 working days
  • £22.50

    Excerpts from The Little Russian (Brass Band - Score only) - Tchaikovsky, Peter Ilyich - Gordon, William

    The nickname 'Little Russia' refers to the Ukraine from where folk-songs used by Tchaikovsky in his second symphony come from. This is a transcription of excerpts from the exciting finale of that symphony.

    Estimated dispatch 7-14 working days
  • £44.95

    I Know A Fount - Symphonic Variations (Brass Band - Score and Parts) - Rive, Tom

    The theme is the chorus of a song by Oliver Cooke to which the words 'I know a fount where sins are washed away' are associated. Following an announcement of the theme (preceded by its verse) there are five variations, a fugue and a repetition of the theme.

    Estimated dispatch 7-14 working days
  • £22.50

    I Know A Fount - Symphonic Variations (Brass Band - Score only) - Rive, Tom

    The theme is the chorus of a song by Oliver Cooke to which the words 'I know a fount where sins are washed away' are associated. Following an announcement of the theme (preceded by its verse) there are five variations, a fugue and a repetition of the theme.

    Estimated dispatch 7-14 working days
  • £29.95

    Joy, Peace and Happiness (Brass Band - Score and Parts) - Phillips, Richard

    An ideal concert opener (first or second half) where the idea is that the band appear on stage section by section starting with percussion followed by basses and so on!

    Estimated dispatch 7-14 working days
  • £14.95

    Joy, Peace and Happiness (Brass Band - Score only) - Phillips, Richard

    An ideal concert opener (first or second half) where the idea is that the band appear on stage section by section starting with percussion followed by basses and so on!

    Estimated dispatch 7-14 working days
  • £24.95

    The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric

    Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.

    Estimated dispatch 7-14 working days