Results
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£15.00My Love is Like a Red, Red Rose - Helen Douthwaite
Robert Burns' beautiful melody is brought to life as a euphonium solo with brass band accompaniment in this simple, yet highly effective, arrangement by Helen Douthwaite.Originally arranged by Helen for the Kirkintilloch Youth Band, the piece not only features the soloist with a carefully crafted, accessible solo line, but also enables the rest of the band to shine through the tutti elements.Set includes score and parts for:Solo CornetRepiano Cornet2nd Cornet3rd CornetFlugelhornSolo Eb Tenor Horn1st Eb Tenor Horn2nd Eb Tenor Horn1st Baritone2nd Baritone1st Trombone2nd TromboneBass TromboneEuphoniumEb BassBb Bass (optional)GlockenspielPercussionAdditional world parts also provided include F Horn 1/2/3, Baritone 1/2 in bass clef, Trombone 1/2 in bass clef, Euphonium in bass clef, Tuba.
Estimated dispatch 7-14 working days
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The Hippopotamus Song - Flanders & Swann - Len Jenkins
The Flanders and Swann masterpiece 'Mud, Mud-glorious Mud!' arranged to feature a tuba soloist (Eb or Bb) OR as a duet between 2x Eb or 2x Bb tubas OR one of each! True flexibility-and such fun! This piece is absolutely perfect for Entertainment Contests..
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£37.95Cantabile for John Fletcher
This duet for two euphoniums and brass band is a heartfelt tribute to John Fletcher, the renowned tuba player whose life was tragically cut short.
Estimated dispatch 5-7 working days
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£58.00Fantasie Concertante (Score only) - Philip Wilby
This exciting new concerto is a welcome addition to the repertoire of french and tenor horn players alike. Like the 18th-Century Serenade form there are five movements, arranged symmetrically around a slow movement - Soliloquy - which separates movements entitled Burlesque (two) and Valse Caprice (three) respectively. The first and last movements share common material of a more symphonic stature, and the concerto ends with a brisk fugato. The solo horn is (in the band version) accompanied by a quintet of solo players (two cornets, euphonium, trombone, and tuba) who provide the lion's share of the counterpoint and contrast with the main body of musicians who provide musical punctuation in the more sonorous tutti sections. The first movement, Don Quixote's Dream, contains references to Cervantes' famous hero, the Spanish nature of his stories, and the ambling gait of his horseback adventures.
Estimated dispatch 5-7 working days
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£72.00Fantasie Concertante (Parts only) - Philip Wilby
This exciting new concerto is a welcome addition to the repertoire of french and tenor horn players alike. Like the 18th-Century Serenade form there are five movements, arranged symmetrically around a slow movement - Soliloquy - which separates movements entitled Burlesque (two) and Valse Caprice (three) respectively. The first and last movements share common material of a more symphonic stature, and the concerto ends with a brisk fugato. The solo horn is (in the band version) accompanied by a quintet of solo players (two cornets, euphonium, trombone, and tuba) who provide the lion's share of the counterpoint and contrast with the main body of musicians who provide musical punctuation in the more sonorous tutti sections. The first movement, Don Quixote's Dream, contains references to Cervantes' famous hero, the Spanish nature of his stories, and the ambling gait of his horseback adventures.
Estimated dispatch 5-7 working days
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£124.95Hyperlink - Peter Graham
Hyperlink was commissioned by the National Youth Brass Band of Great Britain (funded by Arts Council England and the Department for Education) for its 70th Anniversary Year. Since the anniversary coincided with other significant celebrations in 2022 (including the Royal Albert Hall/Ralph Vaughan Williams 150th and the Platinum Jubilee of Elizabeth II) it was requested that these also be recognised in some way.
Where better to begin this challenging brief but with a computer search for the NYBBGB founder Dr Denis Wright (coincidently born in Kensington, home of the RAH). The subsequent rabbit warren of hyperlinks led me to structure the work through a series of "associations":
Movement I - The Voice of Jupiter.
Alongside the discovery that Denis Wright had been a church organist was the realisation that while the RAH has hosted thousands of musical events the fabric of the building actually incorporates a musical instrument, the famous Henry Wills organ (aka The Voice of Jupiter).Organ and J S Bach are synonymous (e.g. Toccata in D min) and so both become fundamental to the content of the movement. An opening 7 note quote from the Toccata leads to a mammoth sound cluster, as if every note on the huge RAH organ is sustained. The material which follows is based upon the notes BACH (in German notation). The notes are manipulated in various ways in a 12 tone matrix; reversed, inverted and so on. Other techniques employed in the movement are ones of which Bach was master, including ground bass and fugue.
Movement II - Remember Me.
The lives of Salvationist composer Ray Steadman-Allen (born 1922) and Ralph Vaughan Williams are remembered here, with "RSA" in musical notation and fragments of RVWs famous Tuba Concerto providing the source material.While writing the movement my father passed away and to close his funeral service the family chose the uplifting Robert Lowry hymn They'll sing a welcome home. It seemed fitting to conclude the movement with a reflective setting of the chorus, the repeated phrase "Welcome, welcome home" eventually disappearing into the ether.
Movement III - Vivat.
The finale takes the form of a short fantasy upon Hubert Parry's marvellous coronation anthem I Was Glad, truly a celebratory note with which to conclude.The first performance of Hyperlink was given by the NYBBGB conducted by Martyn Brabbins at the Royal College of Music, London on August 6th 2022.
In stock: Estimated dispatch 1-3 days
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£159.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de musica de Malaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 5-14 working days
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£159.99Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Brass Band - Score and Parts))
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£124.95Hyperlink (Brass Band - Score and Parts) - Graham, Peter
Hyperlink was commissioned by the National Youth Brass Band of Great Britain (funded by Arts Council England and the Department for Education) for its 70th Anniversary Year. Since the anniversary coincided with other significant celebrations in 2022 (including the Royal Albert Hall/Ralph Vaughan Williams 150th and the Platinum Jubilee of Elizabeth II) it was requested that these also be recognised in some way.Where better to begin this challenging brief but with a computer search for the NYBBGB founder Dr Denis Wright (coincidently born in Kensington, home of the RAH). The subsequent rabbit warren of hyperlinks led me to structure the work through a series of associations:Movement I - The Voice of Jupiter. Alongside the discovery that Denis Wright had been a church organist was the realisation that while the RAH has hosted thousands of musical events the fabric of the building actually incorporates a musical instrument, the famous Henry Wills organ (aka The Voice of Jupiter). Organ and J S Bach are synonymous (e.g. Toccata in D min) and so both become fundamental to the content of the movement. An opening 7 note quote from the Toccata leads to a mammoth sound cluster, as if every note on the huge RAH organ is sustained. The material which follows is based upon the notes BACH (in German notation). The notes are manipulated in various ways in a 12 tone matrix; reversed, inverted and so on. Other techniques employed in the movement are ones of which Bach was master, including ground bass and fugue.Movement II - Remember Me. The lives of Salvationist composer Ray Steadman-Allen (born 1922) and Ralph Vaughan Williams are remembered here, with RSA in musical notation and fragments of RVWs famous Tuba Concerto providing the source material. While writing the movement my father passed away and to close his funeral service the family chose the uplifting Robert Lowry hymn They'll sing a welcome home. It seemed fitting to conclude the movement with a reflective setting of the chorus, the repeated phrase 'Welcome, welcome home' eventually disappearing into the ether.Movement III - Vivat. The finale takes the form of a short fantasy upon Hubert Parry's marvellous coronation anthem I Was Glad, truly a celebratory note with which to conclude. The first performance of Hyperlink was given by the NYBBGB conducted by Martyn Brabbins at the Royal College of Music, London on August 6th 2022.- Peter Graham
Estimated dispatch 7-14 working days
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£44.95
Hyperlink (Brass Band - Score only) - Graham, Peter
Hyperlink was commissioned by the National Youth Brass Band of Great Britain (funded by Arts Council England and the Department for Education) for its 70th Anniversary Year. Since the anniversary coincided with other significant celebrations in 2022 (including the Royal Albert Hall/Ralph Vaughan Williams 150th and the Platinum Jubilee of Elizabeth II) it was requested that these also be recognised in some way.Where better to begin this challenging brief but with a computer search for the NYBBGB founder Dr Denis Wright (coincidently born in Kensington, home of the RAH). The subsequent rabbit warren of hyperlinks led me to structure the work through a series of associations:Movement I - The Voice of Jupiter. Alongside the discovery that Denis Wright had been a church organist was the realisation that while the RAH has hosted thousands of musical events the fabric of the building actually incorporates a musical instrument, the famous Henry Wills organ (aka The Voice of Jupiter). Organ and J S Bach are synonymous (e.g. Toccata in D min) and so both become fundamental to the content of the movement. An opening 7 note quote from the Toccata leads to a mammoth sound cluster, as if every note on the huge RAH organ is sustained. The material which follows is based upon the notes BACH (in German notation). The notes are manipulated in various ways in a 12 tone matrix; reversed, inverted and so on. Other techniques employed in the movement are ones of which Bach was master, including ground bass and fugue.Movement II - Remember Me. The lives of Salvationist composer Ray Steadman-Allen (born 1922) and Ralph Vaughan Williams are remembered here, with RSA in musical notation and fragments of RVWs famous Tuba Concerto providing the source material. While writing the movement my father passed away and to close his funeral service the family chose the uplifting Robert Lowry hymn They'll sing a welcome home. It seemed fitting to conclude the movement with a reflective setting of the chorus, the repeated phrase 'Welcome, welcome home' eventually disappearing into the ether.Movement III - Vivat. The finale takes the form of a short fantasy upon Hubert Parry's marvellous coronation anthem I Was Glad, truly a celebratory note with which to conclude. The first performance of Hyperlink was given by the NYBBGB conducted by Martyn Brabbins at the Royal College of Music, London on August 6th 2022.- Peter Graham
Estimated dispatch 7-14 working days
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