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£34.95Fire & the Phoenix, The - Christopher Bond
The Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers. Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody. Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again. A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.
Estimated dispatch 5-10 working days
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£40.00Meditation: It is Well With My Soul
Cantatio are pleased to release this hymn meditation on the much loved hymn by Adam D J Taylor. Commissioned by the world famous Wingates Band, this arrangement became a centrepiece of the band's online presence during the recent COVID pandemic. It has sat unpublished since, and we're excited to share it with the wider banding world. Story time... Horatio Spafford was a successful attorney and real estate investor who lost a fortune in the great Chicago fire of 1871. Around the same time, his beloved four-year-old son died of scarlet fever. Thinking a vacation would do his family some good, he sent his wife and four daughters on a ship to England, planning to join them after he finished some pressing business at home. However, while crossing the Atlantic Ocean, the ship was involved in a terrible collision and sunk. More than 200 people lost their lives, including all four of Horatio Spafford's precious daughters. His wife, Anna, survived the tragedy. Upon arriving in England, she sent a telegram to her husband that began: "Saved alone. What shall I do?" Horatio immediately set sail for England. At one point during his voyage, the captain of the ship, aware of the tragedy that had struck the Spafford family, summoned Horatio to tell him that they were now passing over the spot where the shipwreck had occurred. As Horatio thought about his daughters, words of comfort and hope filled his heart and mind. He wrote them down, and they have since become a well-beloved hymn: When peace like a river, attendeth my way, When sorrows like sea billows roll-- Whatever my lot, thou hast taught me to say It is well, it is well with my soul.
Estimated dispatch 5-7 working days
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£10.00The Once and Future King
DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!
Estimated dispatch 7-14 working days
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£35.00In Pitch Black - Lucy Pankhurst
An extremely emotional and poignant work for brass band composed by Lucy Pankhurst, in memory and tribute to those affected by the Pretoria Pit disaster in Lancashire on 21st December 1910. The piece is chilling in its depiction of the tragic story, sensitively conveying the atmosphere and emotions as perceived before, during and after the event. Through its use of playing techniques, effects, sound combinations and even silences, In Pitch Black offers a powerfully reflective piece.Pritoria Pit DisasterLancashire's worst pit disaster and Britain's third largest loss of life from a single mining accident happened at the No. 3 Bank Pit belonging to the Hulton Colliery Company, just 4 days before Christmas 1910. The pit known as the 'Pretoria Pit' was situated on Hulton Parkland on the border of Atherton and Westhoughton. An explosion occurred at 7.50 am on Wednesday, 21 December 1910, resulting in the death of 344 men and boys, including many members of The Wingates Band.The Writing ExperienceDuring Lucy's research for this work, she acknowledges that she found the harsh reality from the shocking images and historical accounts of the event most disturbing, and is not embarrassed to disclose that it was wholly a very emotional experience in creating the composition. Consequently, she chose to create something to illustrate the true emotion of the situation. She wanted to pay tribute to the lives lost and the devastation which remained in their absence, by creating a piece of music which begins in darkness; desolate and claustrophobic, whilst still leaving the audience feeling uplifted and thoughtful in the final bars.The significance and musical appreciation for the creation of In Pitch Black was formally recognised by BASCA in 2011, when Lucy Pankhurst won the internationally acclaimed British Composer Award (the first time a brass band work had received the award, and the first time a female composer had won the category).Full programme notes are included in the product images.Look and Listen (performance courtesy of Manchester University Brass Band):
Estimated dispatch 7-14 working days
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£68.80When the lights go down - Kevin Houben
Kevin Houben created with When the Lights Go Down, a wonderful chorale that can be a moment of reflection in any concert program.The resigned, magnificent melodies at the beginning of this composition slowly build up to a highlight with an increasing orchestration. The piece starts with a suggestive Adagio Meditativo, after which the main theme is immediately announced. A central bridge section takes the listener along through the different spheres at which the melodic and rhythmic drums embellish the chorale melodies. Thematic elements from the introduction brings the piece to a quiet and peaceful end.The sheer simplicity with which this work is written, makes it a resplendent, magnificent concert piece. 'When the Lights Go Down', refers to a moment when time stand still for a while, stillness within and around yourself.
Estimated dispatch 5-14 working days
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£82.30Hjerteknuser - Janove Ottesen
This song is taken from the 6th album by Norwegian band Kaizers Orchestra. Together with "Opma till You Die", this one is the bands biggest hit. It was released as single record in 2010. After that, several other Norwegian artists have made their own versions both on stage and record. This arrangement in 12/8 time signature tries to capture the sound and rhythmic drive of the original song. Watch the dynamics and balance between the different elements. The guitar and bass parts are optional.
Estimated dispatch 5-14 working days
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£104.99Sinfonietta No. 4 - Etienne Crausaz
This work was composed for the occasion of the 28. Fete Cantonale des Musiques Vaudoises (28th Music Festival of the Canton Vaud), taking place in the Valley of Joux in June 2018. The music begins with a very simple fanfare consisting of five ascending legato notes which constitute the fundamental framework of the piece. This contrasts with the more cantabile sounding theme we hear after. The following Allegro section uses the sequence in a contrapuntal style reminding us of the Renaissance period, but with more modern day harmonies. Two solo cadenzas played by cornet and euphonium initiate the middle section, in which a theme also based on the sequence builds uptowards the climax of the piece. The sequence in the last section is played in time but gives the feeling of a "one to the bar" beat. Shortly before the festive finale, the music heard in the middle part resumes.
Estimated dispatch 5-14 working days
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£57.50
All Cried Out
At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don't Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrote fine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song.
Estimated dispatch 5-14 working days
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£59.99
The Last Song - Ben Haemhouts
The Last Song is a beautiful and sad choral that begins very slowly and calmly. Gradually the instrumentation increases leading to a big climax. After this Grandioso ma con moto the instrumentation gets smaller and the piece comes to an end with the initial theme, but this time even slower than in the opening.
Estimated dispatch 5-14 working days
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£59.99Pie Jesu - Gabriel Fauré
Pie Jesu is the famous aria for soprano and orchestra from Gabriel Faure's Requiem, opus 48. Faure (1845- 1924) composed the work in 1887, two years after his father's death and only a short time before his mother passed away. Faure's Pie Jesu is richly atmosphere and peaceful, and Robert van Beringen perfectly captures the essence of Faure's beautiful music in this arrangement for fanfare band.
Estimated dispatch 5-14 working days
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