Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 385 matches for your search. Order by

Results

  • £59.95

    The Pacemakers (Brass Band - Score and Parts) - Gregson, Edward

    Concert OvertureThis work was commissioned in 1970 for a brass band championship sponsored by WD and HO Wills, whose slogan was The Pacemakers. The title was added after the work was finished and has nothing to do with the content or character of the piece which, as Paul Hindmarsh remarks, is 'arguably the most satisfying in purely musical terms of all of Gregson's early compositions for band'.The Overture is cast in a sonata form exposition, with a slow central section, giving the opportunity for expressive cornet and euphonium solos. The final section begins with a strict fugal exposition which leads to a recapitulation of the opening material and a powerful climax built on the opening pyramid of fifths, which remains unresolved.Duration: 11:00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £38.00

    Finale from Symphony No. 2 (The Resurrection) - Mahler, G - Harper, P

    One of the most life-affirming pieces of music ever composed, Mahler's 2nd Symphony, subtitled 'The Resurrection', was first performed in Berlin in 1895. Mahler's interest in the mysteries of the afterlife is well-known and is a recurring theme throughout all his nine symphonies. Philip Harper has arranged the final passages of the 2nd Symphony, which begins with a profound hymn set to the words of Friedrich Klopstock-- 'Rise again, yea, thou shalt rise again'.The music contains one of Mahler's magical transitionary passages, building in intensity, before the hymn is restated in all its majesty at the moment of glorious resurrection. This arrangement was performed as the finale to Cory Band's winning Brass in Concert programme in 2012.Listen to Cory BandCourtesy of World of Brass

    In stock: Estimated dispatch 1-3 days

     PDF View Music

  • £39.95

    Judd: Praise to the Lord

    Written for the 2003 tour of Canada and USA by Bristol Easton Band of The Salvation Army, this set of variations provides the whole band with a stern examination of technical and musical aptitude, whilst engaging the listener from beginning to end. The commission given to the composer was to create a set of variations with a similar framework to that of Edward Gregson's 'Variations on Laudate Dominum'. As in the famous Gregson work, the theme (Lobe den Herren) is not heard in its entirety until the final section when the majestic tune provides a fitting and stirring conclusion to the music.

    Estimated dispatch 7-14 working days
  • £149.99

    Hymn of the Highlands, Suite from (Brass Band - Score and Parts)

    Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, contains solo passages for horn and baritone and features a fascinating bagpipe melody.The second movement, Alladale, is a trio for tenor horn, flugel horn and baritone with an accompaniment featuring the percussion section.The final movement, Dundonnell,features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00

    Estimated dispatch 7-14 working days
  • £42.00

    Fanfare for the Future

    Fanfare for the Future was commissioned by the organisers of the annual Madhurst Brass Festival 2012 to open the final concert. The title pays homage to the James Watson Memorial Fund, the choice charity of the event, which gives opportunities to young brass players. The piece opens with an epic...

    In stock: Estimated dispatch 1-3 days
  • £44.95

    PRAISE TO THE LORD (Brass Band Set) - Andrew Mackereth

    Written for the 2003 tour of Canada and USA by Bristol Easton Band of The Salvation Army, this set of variations provides the whole band with a stern examination of technical and musical aptitude, whilst engaging the listener from beginning to end. The commission given to the composer was to create a set of variations with a similar framework to that of Edward Gregson's 'Variations on Laudate Dominum'. As in the famous Gregson work, the theme (Lobe den Herren) is not heard in its entirety until the final section when the majestic tune provides a fitting and stirring conclusion to the music.

    Estimated dispatch 7-14 working days
  • £44.95

    ETERNAL PRESENCE, The (Brass Band Set) - Eric Ball

    The recurrent theme is the hymn 'Still, still with Thee' with which the composer has blended his own consideration of words from Psalm 139 (verses 7 - 11). In contrast, there are three opposing movements subtitled 'The Imprisoned Spirit', 'The Heart's Grief' and 'Tribulation' while the final section reaffirms 'The Eternal Presence'.

    Estimated dispatch 7-14 working days
  • £59.99

    The Last Night of Fall - Etienne Crausaz

    This beautiful chorale for Brass Band illustrates the winter solstice, the longest night of the year. Describing the end of nature's cycle, it has a rather melancholic character until the final chord which symbolises the new beginning.This contemplative work is ideal for creating a moment of tranquillity during a concert, and is also suitable as a warm-up piece.

    Estimated dispatch 5-14 working days

     PDF View Music

  • £30.00

    Fairy Garden, The - Maurice Ravel arr. Phillip Littlemore

    Ravel wrote his five short piano pieces entitled Ma Mere l'Oye (Mother Goose) for two young children, Mimie and Jean Godeski in 1910. The suite invites us to the enchanted world of childhood through these five atmospheric tales. The final part of Ravel's suite is a grand finale, although where Ravel got his inspiration for the fairy garden is unknown. Whatever its origin, it certainly is a delightful piece of music - slow in tempo, quiet to start, with rich harmonies and delicate solos, all leading to a tumultuous climax.Duration: 3'00"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £30.00

    The Djebels

    A rousing opening section with impressive countermelodies lead to a middle section in the relative major. Here, the tune is put into the bass parts with some interjections from the upper parts. The final section is a stately chorale reminiscent of Elgar at his finest! Straightforward phrasing and relatively straightforward parts make this accessible to the majority of bands.