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  • £68.99

    Have Mercy, Lord (Tenor Horn Solo with Brass Band - Score and Parts)

    Have Mercy, Lord from J.S. Bach's St Matthew Passion is one of the most beautiful arias from the baroque period. In Philip Sparke's arrangement, it is envisaged that the soloists stand together as a group stage right, while the other musicians stand behind to form the tutti group. This piece is easily playable for both the soloists and the band, and will create a beautiful moment of reflection whether performed on the concert stage or in a church.Duration: 7:00

    Estimated dispatch 7-14 working days

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  • £49.20

    LIBERTANGO (Flugel Horn Solo with Brass Band)

    Grade: Easy/Medium. Recorded on Obrasso CD954 Forever Shining (Black Dyke Band conducted by Nicholas J Childs)

    Estimated dispatch 7-14 working days

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  • £49.20

    WAY WE WERE, The (Wormald) (Flugel Horn Solo with Brass Band)

    Duration: 4'55". Grade: easy. Recorded on OBRCD946 The Way we Were (Cory Band).

    Estimated dispatch 7-14 working days

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  • £17.50

    Concert Etude (Bb Solo with Brass Band - Score only)

    Although firmly established in the trumpet repertoire, this exciting work has also been featured by cornet, tenor horn, trombone and even tuba players!

    Estimated dispatch 7-14 working days
  • £21.50

    Einsamer Hirte (The Lonely Shepherd) - Flugel Horn & Brass Band - LM702 - James Last

    A haunting solo from the pen of James Last

    Estimated dispatch 3-5 working days
  • £25.00

    I Dreamt I Dwelt In Marble Halls - Eb Tenor Horn & Brass Band - Michael Balfe

    The haunting solo from The Bohemian Girl.

    Estimated dispatch 3-5 working days

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  • £34.95

    CONCERT ETUDE (Bb Solo with Brass Band Set) - Goedicke - William Broughton

    Although firmly established in the trumpet repertoire, this exciting work has also been featured by cornet, tenor horn, trombone and even tuba players!

    Estimated dispatch 7-14 working days
  • £44.95

    Meditation (from the Triumph of Time) (Flugel Horn and Baritone Duet with Brass Band)

    Meditation is the central theme from The Triumph of Time, a work commissioned for The Black Dyke Band by Music Director Nicholas Childs. The original brief was for a piece which would showcase the talents of the band's many fine soloists, among them Zoe Hancock on Flugel horn and Baritone soloist Katrina Marzella. This extract brings both instruments together in an extended stand-alone arrangement.Although scored for Flugel and Baritone, a number of options can be explored at the discretion of the conductor (eg. Flugel/Cornet and Euphonium/Trombone; two Bb Cornets etc. in which case cued lines in the Solo Horn and Soprano cornet parts may be played).Duration: 05:00

    Estimated dispatch 7-14 working days
  • £77.00

    General Series Brass Band Journal, Numbers 2234 - 2237, August 2023

    2234: Festival March - Above all names (Geoff McCorriston)This Festival March was originally written for the Camberwell Citadel Band, Melbourne, Australia. This composition marks the composers debut within our band journals. Geoff McCorriston served as Deputy Bandmaster at Preston Corps (Australia) for many years before joining the Camberwell Citadel Band. He has also been a member of the Melbourne Red Shield Band. Above all names is distinct from a standard street march in that it is more developed, both rhythmically and thematically. It is an original march that references We plough the fields and scatter (S.A.S.B. 70) and Camberwell (T.B. 182).2235: Flugel Horn Solo - Father, Creator (Simon Gash)Emma Pears has a gift for contemporary song-writing, with several of her songs featuring in the Sing to the Lord publication. The style and relaxed nature of the melody of Father, Creator (first published in the Children's Voices Series in 2011, and later in the Mixed Voices in 2014) seemed a perfect fit for the Flugel Horn. Throughout the piece, juxtaposed with Father, Creator, we hear snippets of the tune St Theodulph (T.B. 231), which outline the first lines of Albert Chesham's words, 'O Father and Creator, Thou God of perfect love' (S.A.S.B. 46).2236: A winter's carol (trs. Neil Smith)The history of the carol O come, Immanuel (C.C. 62) is, like the carol itself, a little mysterious! The melody was conceived as a monastic chant during the 8th century. It was not until 1851 that the priest and hymn writer John Mason Neale translated the verses into English, exposing the carol to a wider audience. There is an aura and enigmatic feel to this melody which is captivating to so many who hear it. This setting was originally conceived for wind band by American composer Mark Williams. The brass band transcription introduces a new name to our journals, Bandmaster Neil Smith, who is the Territorial Music Director for the USA Western Territory.2237: Mighty to keep (Eiliv Herikstad)Mighty to keep marks the composer's first publication since his Promotion to Glory in April 2023. Bandmaster Eiliv Herikstad served faithfully in his native Norway throughout his life, and since the early 1970s, has provided The Salvation Army with a wealth of original compositions and skilful arrangements. Eiliv explored many styles of big-band and jazz writing which, in the 70s, were not commonplace amongst brass bands, particularly in The Salvation Army. Music Editorial are grateful to Eiliv for using his gifts to support Salvation Army music ministry.The subject of this piece is Herbert Booth's song Mighty to keep, which was first published by The Salvation Army in 1889. The chorus of the song is more well-known that the verse and was included in the chorus section of the 1986 Salvation Army Song Book.

    Estimated dispatch 7-14 working days