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  • £10.00

    The Once and Future King

    DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!

    Estimated dispatch 7-14 working days
  • £35.00

    A Suffolk Prelude - Andrew Duncan

    Written for the Ipswich & Norwich Co-Op Band, A Suffolk Prelude is based around five traditional tunes from Suffolk:'Nutting Time','Blackberry Fold','Cupid's Garden','A Seaman's Life''The Bold Richard'The piece begins on the percussion and timpani alone leading through a crescendo into the first statement of the fanfare which is derived from a motif from the tune 'Nutting Time'. This leads into a playing of the 'Nutting Time' tune which is then developed as the tune is passed around the band.'Nutting Time' is a jolly lighthearted tune about a 'fair maid' who meets a handsome young farmer called 'Johnny' when out gathering nuts in the wood. After a pause on the tubular bells the slow tune 'Blackberry Fold' is presented as a solo for Flugel Horn, then as a full band version.'Blackberry Fold' is a touching song about a Suffolk squire who gets married well below his station to a beautiful milkmaid, simply because he loves her! They live happily ever after.The next tune to be heard is the juanty 'Cupid's Garden' played firstly as a solo on the Euphonium, and again this is about the subject of love. This song is sung from a sailors prospective and he tells how he met a lovely maiden and has promised to marry her when he returns from duty at sea.The trombones then play the noble tune 'A Seaman's Life'. This tune seems to serve as a warning to young girls about the fickle nature and the total unsuitability of marrying a sailor! 'Oh a seaman's life is a merry merry life, they'll rob young girls of their heart's delight, they will leave them behind for to sail one morn, but they never know when they'll return'. Despite this it is a fine tune!The last tune featured is 'The Bold Richard' which is played by all the bass instruments in the band. This is a song telling how the Royal Navy friggate 'The Bold Richard' went to battle against a French friggate destroying her and taking her crew as prisoners.Suffolk Prelude goes on to feature a slow version of the tune 'A Seaman's Life' played alongside a fast version of the tune 'Cupid's Garden'. The opening fanfare then returns leading into a final coda section.

    Estimated dispatch 7-14 working days
  • £29.95

    By Trevone Bay (Flugel Horn Solo)

    By Trevone Bay was composed for Flugel Soloist Zoe Hancock and the Black Dyke Band to celebrate both their Double Champion Victory at the British Open and National Championships 2014 and Zoe's unique achievement in winning the Best Soloist Award in both contests - an accomplishment never done before. The world premier was performed by Zoe and the band at Birmingham's Symphony Hall on February 8th 2015.By Trevone Bay is a lovely lyrical slow melody that utilises the full range and colour of the flugel horn. Starting with an atmospheric opening the soloist performs the main theme, which repeats with more colour in the accompanying parts and solo line. After introducing a second theme from the ensemble, the solo cornets perform the main melody with the soloist enjoying a lyrical counter melody. The piece develops with a tranquil middle section from the soloist that builds for the second theme to return, performed by the ensemble while the soloist soars over the top. Ending as it starts, the piece dies away to leave the soloist performing the opening melodic phrase to a tranquil close.As for the title: Trevone Bay is a beautiful tiny bay in Cornwall, close to Zoe's home town of Roche. Its tranquil waters lead out to the Celtic Sea and provide a picturesque landscape. The views there can be enjoyed all year round but they are particularly beautiful at sunset.

    Estimated dispatch 7-14 working days
  • £53.50

    Fanfare for an Occasion - Philip Sparke

    Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the horns that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close.

    Estimated dispatch 5-14 working days

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  • £91.99

    A Bandsman's Overture - Philip Sparke

    A Bandsman's Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012.It was premiered by Black Dyke Band, conducted by Dr Nicholas Childs, at a special anniversary concert held in Symphony Hall, Birmingham, on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field, following an amalgamation of two magazines. The then owner, John Henry Iles, celebrated this new title by commissioning Ord Hume to write the famous march, BB & CF. As a salute to this heritage A Bandsman's Overture starts with thefour notes, B(b)-B(b)-C-F, a motive which permeates an opening fanfare, which contrasts a busy opening with a more legato central section.This gives way to a bustling Vivo, based on repeated staccato notes. A change of key heralds a central cantabile melody, first on euphoniums and baritone and then played by the full band, which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare, decorated this time by florid muted cornets.

    Estimated dispatch 5-14 working days

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  • £57.50

    Aria - Philip Sparke

    Aria was commissioned by and written for the remarkable Tenor Horn player, Sheona White. The work opens with an accompanied recitative, which leads to a change of key where the main melody is presented. This, in turn, serves as an introduction to another melodic idea, marked calmato. The band takes up this theme and then takes centre stage with a passionate repeat of the main theme, which is completed by the soloist. A Cornet then plays the calmato theme against which the soloist plays a counter melody. This leads to a return of the opening recitative which brings the work to a peaceful close. A fantastic new addition to the solo repertoire for this much neglectedsolo instrument.

    Estimated dispatch 5-14 working days
  • £44.95

    Glorified (Brass Band - Score and Parts)

    Glorified was composed for the Canadian Staff Band's 50th Anniversary celebrations. This work is based on two tunes, Lord, be glorified (T.B. 738), a significant song at Canada's Territorial Music School over the years, and Great is thy faithfulness (T.B. 641). This song celebrates and signifies God's faithfulness to all associated with the Canadian Staff Band, and the commitment shown by its members through the years.The first half of the work harkens back to those members of the band who tragically perished in the early days on RMS Empress of Ireland, which was en route to England for the 1914 International Congress when it was struck by another vessel and sank. The rhythmic ostinatos heard represent the passing of time over the years. After the somewhat dark introduction, the music settles into a reflective rendition of In my life, Lord, be glorified (S.A.S.B. 593), before bursting into a rhythmic and jagged mixed-metre section. A yearning elegy pays tribute to those who lost their lives.The second half of the piece is celebratory in nature and commemorates the reformation of the band and the rich history which has ensued in the subsequent years. The rhythmic energy found in this section builds to a majestic presentation of the tune Lord, be glorified, which leads into the return of Great is thy faithfulness but in an optimistic fashion.

    Estimated dispatch 7-14 working days
  • £81.99

    A Bandsman's Overture (Brass Band - Score and Parts)

    A Bandsman's Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012. It was premiered by Black Dyke Band, conducted by Dr Nicholas Childs, at a special anniversary concert held in Symphony Hall, Birmingham, on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field, following an amalgamation of two magazines. The then owner, John Henry Iles, celebrated this new title by commissioning Ord Hume to write the famous march, BB & CF. As a salute to this heritage A Bandsman's Overture starts with the four notes, B(b)-B(b)-C-F, a motive which permeates an opening fanfare, which contrasts a busy opening with a more legato central section. This gives way to a bustling Vivo, based on repeated staccato notes. A change of key heralds a central cantabile melody, first on euphoniums and baritone and then played by the full band, which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare, decorated this time by florid muted cornets.Duration: 6:00

    Estimated dispatch 7-14 working days
  • £44.95

    Glorified (Brass Band - Score and Parts) - Wainwright, Andrew

    Glorified was composed for the Canadian Staff Band's 50th Anniversary celebrations. This work is based on two tunes, Lord, be glorified and Great is thy faithfulness. This song celebrates and signifies the faithfulness to all associated with the Canadian Staff Band, and the commitment shown by its members through the years.The first half of the work harkens back to those members of the band who tragically perished in the early days on RMS Empress of Ireland, which was en route to England for the 1914 International Congress when it was struck by another vessel and sank. The rhythmic ostinatos heard represent the passing of time over the years. After the somewhat dark introduction, the music settles into a reflective rendition of In my life, Lord, be glorified, before bursting into a rhythmic and jagged mixed-metre section. A yearning elegy pays tribute to those who lost their lives.The second half of the piece is celebratory in nature and commemorates the reformation of the band and the rich history which has ensued in the subsequent years. The rhythmic energy found in this section builds to a majestic presentation of the tune Lord, be glorified, which leads into the return of Great is thy faithfulness but in an optimistic fashion.

    Estimated dispatch 7-14 working days

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  • £53.50

    Fanfare for an Occasion (Brass Band - Score and Parts) - Sparke, Philip

    Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the horns that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close. Duration: 2.00

    Estimated dispatch 7-14 working days

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