Results
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£39.35Resilience (Brass Band) Andrew Wainwright
Resilience was composed by Andrew Wainwright for the River City Brass Band Composer Competition 2022, later being awarded first prize. The work celebrates the band's short but rich history, with a particular focus on the determination it has shown, like so many bands around the world, to continue its tradition of musical excellence despite the unprecedented challenges of the pandemic that led to an extended hiatus in music making. To view a video of River City Brass performing the work please visit www.youtube.com/watch?v=6y_MEm2eEeQ PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£79.95Corineus - Christopher Bond
Corineus, in medieval British legend, was a prodigious warrior, a fighter of giants, and the eponymous founder of Cornwall. The first of the legendary rulers of Cornwall, he is described as a character of strength and power. It is on the medieval ruler that this new work, Corineus, is based, presented in three contrasting sections. The work opens with heraldic fanfares and a sense of jubilance before presenting musical material which changes and develops organically, portraying the journey taken by Corineus, Brutus, and the Trojans from modern-day mainland Europe to Britain. The central section of the work is slower, creating a feeling of longing. Brutus' son, Locrinus, had agreed to marry Corineus' daughter, Gwendolen, but instead fell in love with a German princess. In writing this part of the work, the composer portrays the longing of Gwendolen for her husband, knowing he is in love with somebody else. After Corineus died, Locrinus divorced Gwendolen, who responded by raising an army in Cornwall and making war against her ex-husband. Locrinus was killed in battle, and legend suggests that Gwendolen threw Locrinus' lover into the River Severn. This dramatic battle provides the inspiration for the final part of the work. In writing this work, the composer hopes to flare the imagination of young brass players around the country, in an engaging new take on a firm fixture in British folklore.
Estimated dispatch 5-10 working days
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£85.00
Pentacle (Score & Parts) - Graham Cole
Pentacle was selected as a test piece for the National Brass Band Championships of Great Britain, First Section regional competition in 2009. The Pentacle is an image of an upright five-pointed star drawn inside a circle with a single continuous line making the five points equally spaced. Traditionally, each of the five angles has been attributed to the five metaphysical elements of the ancients. These provide the titles for the five sections of the piece: Earth (representing stability and physical endurance), Wind (representing intelligence and the arts), Fire (representing courage and daring), Water (representing emotions and intuition) and Quintessence (which represents the All and the Divine spirit).Brass Band Grades 1 & 2: Novice and Learner bands.Duration: 13 minutes.
In stock: Estimated dispatch 1-3 days
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£50.00
Keystone Kops - Carl Davis
The Keystone Kops was a series of silent comedies featuring an incompetent group of policemen. They first appeared in the 1912 film Hoffmeyer's Legacy but it was the 1913 feature The Bangville Police that confirmed their popularity. The Keystone Kops were renowned for making mistakes, particularly with a great deal of energy and activity, and all done with a major lack of coordination. Carl Davis's energetic theme provides a fitting musical portrait of a silverscreen phenomenen.Brass Band Grade 4/5: Premier Youth and 2nd Section.Duration: 3 Minutes.
In stock: Estimated dispatch 1-3 days
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£79.95Amundsen - Jonathan Bates
DURATION: 14'00". DIFFICULTY: 1st+. 'Amundsen' was commissioned by rskog Brass, Norway for their winning performance at the 2020 Norwegian National Championships held at the Grieghallen in Bergen. In December 1911, Norwegian Roald Amundsen gained global fame by becoming the first explorer to lead a team to the geographic South Pole. Amundsen and 4 other members of his team arrived 5 weeks ahead of a rival team from the UK led by Robert Falcon Scott, all of which perished on their attempted return from the pole. Initially when Amundsen's team set out in 1910, they were under the impression that they would be making the far shorter journey to the arctic drift to attempt to reach the North Pole, but Amundsen had received news that American explorers Peary and Cook had beaten them to this goal, and so Amundsen's focus changed southward. 'Fram, Forward' - 'Fram' (translating to English as "forward") was the name of the ship Amundsen used for this particular polar expedition. Amundsen had only informed 2 people of his real intentions of conquering the South Pole when the ship first left port in Kristiansand before heading south to the Portuguese island of Madeira in the Atlantic Ocean. After weeks at sea - causing the uninformed members of the crew to raise a number of questions and produce a general feel of uncertainty and low spirits - it was here that Amundsen announced his true plans to the rest of his crew. They were asked whether they wished to continue with their expedition, to which all - some begrudgingly - agreed to sail on to the South Pole, through the great Ice Barrier before docking in the Bay of Whales on the Ross Ice Shelf. 'Ross Ice Shelf' - Upon Amundsen's arrival in the Bay of Whales, the team were greeted by the sight of the enormous ice plateau's and glaciers, towering into the Antarctic sky. In 1907, Ernest Shackleton had attempted - and failed - to reach the South Pole, but his route and mapping was by now well documented. Scott and the UK team were to follow this route, whereas Amundsen and his men forged their own way to the pole through unchartered territory and deadly terrain littered with deep crevasses and canyons. The music here though, is a picture of tranquility. The eerie silence of total emptiness with only the heavy snow falling around Amundsen as Fram and the Bay of Whales disappears into the distance, faced by the maginute of the expedition ahead. 'Advance to Polheim' - The first new challenge Amundsen discovered on this route was a rough, sharp and extremely steep glacier (which was later named the Axel heiberg Glacier after the Norwegian monarch who funded much of the expedition), which would take his team up from sea level to an altitude of over 9,000ft in just 20 miles, with most of this over just 7 miles. Once scaled, only the vast Antarctic Plateau stood between Amundsen and the pole. Here the race began, with only one aim - victory for himself, his team, and for the whole of Norway. .
In stock: Estimated dispatch 1-3 days
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£29.95Here Comes Tomorrow - Jonathan Bates
DIFFICULTY: 4th+. DURATION: 3'00". . 'Here Comes Tomorrow' was composed for the St Helens Youth Band in 2020 as part of one of the many projects the band undertook during the COVID-19 pademic to keep their members across all 3 bands engaged and making music. The original performance was recorded virtually with members of all ages and abilities contributing video performances which were combined into one massed video. .
In stock: Estimated dispatch 1-3 days
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£29.95Intrada - Jonathan Bates
DURATION: 2'30. DIFFICULTY: 2nd+. 'Intrada for Brass Band' was composed for my great friends at Orskog Brass, Norwayin celebration of their 50th anniversary. The work is a short celebratory fanfare used to open their anniversary concert, making use of antiphonal cornet choirs and marimba (with which the band had only recently been able to source, hence it's inclusion!).
In stock: Estimated dispatch 1-3 days
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£50.00atrium phase
Descriptionatrium phase was inspired by listening to works performed at the 2013 Huddersfield Contemporary Music Festival in the atrium of the Huddersfield University Creative Arts Building. The atrium, despite being a functional area incorporating meeting areas and a cafe, has almost coincidentally evolved into a fantastic (if somewhat resonant) performance space. Performers can be positioned on three different sides and three different levels, making the atrium ideally suited to spatially separated performances of a variety of music from Gabrieli to Christian Wolff.In atrium phase the band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.atrium phase won the inaugural Foden's Band Composition Competition in 2014 and the first performance was given on 24 January 2015 at the RNCM Festival of Brass by Foden's Band.NOTE: This work comes with a B4 score; click here to view a sample PDF score.Performance Notes:The band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.Instruments in group A require cup mutes (soprano, 2 x cornets, horn, baritone, trombone, euph), group B harmon mutes (4 x cornets, baritone and trombone - the baritone should use a trombone mute) and group C require fibre straight mutes (3 x cornets, flugel, 2 x horns, euph., bass trom - NOT metal mutes if possible).Percussion instruments required are claves, wood block and 2 x temple blocks. The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.Approximate duration 6'17"
Estimated dispatch 7-14 working days
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£20.00Scarborough Fair
DescriptionScarborough Fair is a traditional English ballad about the Yorkshire town of Scarborough. The song relates the tale of a young man who instructs the listener to tell his former love to perform for him a series of impossible tasks, such as making him a shirt without a seam and then washing it in a dry well, adding that if she completes these tasks he will take her back. Often the song is sung as a duet, with the woman then giving her lover a series of equally impossible tasks, promising to give him his seamless shirt once he has finished.As the versions of the ballad known under the title Scarborough Fair are usually limited to the exchange of these impossible tasks, many suggestions concerning the plot have been proposed, including the theory that it is about the Great Plague of the late Middle Ages. The lyrics of "Scarborough Fair" appear to have something in common with an obscure Scottish ballad, The Elfin Knight which has been traced at least as far back as 1670 and may well be earlier. In this ballad, an elf threatens to abduct a young woman to be his lover unless she can perform an impossible task.As the song spread, it was adapted, modified, and rewritten to the point that dozens of versions existed by the end of the 18th century, although only a few are typically sung nowadays. The references to the traditional English fair, "Scarborough Fair" and the refrain "parsley, sage, rosemary, and thyme" date to 19th century versions. A number of older versions refer to locations other than Scarborough Fair, including Wittingham Fair, Cape Ann, "twixt Berwik and Lyne", etc.The earliest notable recording of it was by Ewan MacColl and Peggy Seeger, a version which heavily influenced Simon and Garfunkel's later more famous version. Amongst many other recordings, the tune was used by the Stone Roses as the basis of their song "Elizabeth my Dear".
Estimated dispatch 7-14 working days
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£36.00
Rudolf er rod pa nesen - Johnny Marks - Arne Bendiksen - Jan Utbult
"Rudolph, the Red-Nosed Reindeer" is a song written by Johnny Marks based on the 1939 story Rudolph the Red-Nosed Reindeer published by the Montgomery Ward Company. Gene Autry's recording hit No. 1 on the U.S. charts the week of Christmas 1949.The song was first sung by crooner Harry Brannon on New York City radio in early November 1949, before Gene Autry's recording hit No. 1 in the U.S. charts during Christmas 1949. Autry's version of the song also holds the distinction of being the only chart-topping hit to fall completely off the chart after reaching No. 1. The official date of its No. 1 status was for the week ending January 7, 1950, making it the first No. 1 song of the 1950s.
Estimated dispatch 12-14 working days
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