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  • £81.99

    A Bandsman's Overture (Brass Band - Score and Parts)

    A Bandsman's Overture was commissioned by British Bandsman magazine to celebrate its 125th anniversary in 2012. It was premiered by Black Dyke Band, conducted by Dr Nicholas Childs, at a special anniversary concert held in Symphony Hall, Birmingham, on July 1st.British Bandsman was for a period known as British Bandsman and Contest Field, following an amalgamation of two magazines. The then owner, John Henry Iles, celebrated this new title by commissioning Ord Hume to write the famous march, BB & CF. As a salute to this heritage A Bandsman's Overture starts with the four notes, B(b)-B(b)-C-F, a motive which permeates an opening fanfare, which contrasts a busy opening with a more legato central section. This gives way to a bustling Vivo, based on repeated staccato notes. A change of key heralds a central cantabile melody, first on euphoniums and baritone and then played by the full band, which is followed by a short development section. This leads to a transformed reprise and a return of the opening fanfare, decorated this time by florid muted cornets.Duration: 6:00

    Estimated dispatch 7-14 working days
  • £55.00

    Purcell Variations (Brass Band - Score and Parts)

    Purcell Variations, composed in 1995, the year of the tercentenary of the death of the great English composer, was a watershed work in that it was Downie's first extended composition to be published independently of The Salvation Army and intended for wider use.For his theme, Downie has chosen what has come down to us as the hymn tune Westminster Abbey, which is in fact an adaptation made in 1842 by Ernest Hawkins, who was a Canon of Westminster Abbey where Purcell himself had been organist. Purcell's original is actually the closing section of an anthem, O God, Thou art my God, where it provides the final paean of praise, sung to repeated 'Hallelujahs'. Purcell's tune, particularly the opening triadic gesture, is used as a source of thematic and harmonic material - a quarry for ideas if you like: "I was obsessed with the intervals of thirds in Purcell's tune, rather like Brahms in his Third Symphony", the composer says.There are five variations, preceded by an extended introduction and theme. In the first variation, Purcell's lilting dance pulse has been transformed into a bright, playful sequence, in which each phrase of the melody is given its own transformation. In the second, Purcell's opening gambit is extended into a graceful, flowing waltz, featuring solo and first horn at the top of the register. The composer offers a range of metronome speeds in this movement, in which he is emulating the wistful elegance of Erik Satie's famous Gymnopedie. We enter the world of big band jazz in variation three, where Purcell's tune strides along with added syncopation and bluesy major/minor thirds to the fore. After the breathless energy and blazing brass of the big band, Downie moves into his 'home territory' for a beautifully worked lyrical variation. There is an enhanced urgency about the final variation, which opens with an extended reprise of the work's introduction. Purcell's second and third phrases provide the preparation for the exuberant return, in customary triumph of Purcell's 'Hallelujah'.

    Estimated dispatch 7-14 working days
  • £74.99

    Famous Folksongs (Brass Band - Score and Parts) - Kildevann, Dagmar

    In 'Famous Folksongs' we are taken on a musical trip around the world, from France to the USA and from South America to the Middle East. Dagmar Kildevann arranged eight word famous folk songs in very different ways. From traditional (Lolo mi boto) to modern (Le coq est mort) and from swing (Sur le pont) to rock (Michael row the boat). Bon voyage, have a pleasant journey! Oh, and by the way, don't forget your passport!Duration: 10:00

    Estimated dispatch 7-14 working days

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  • £73.00

    Carol of the Bells (Brass Band - Score and Parts) - Leontovych, Mykola Dmytrovich - Hannevik, John Philip

    Ukrainian composer Mykola Leontyovich composed this famous Christmas Carol in 1914. The carol is based on a folk chant called Shchedryk. The composer was a supporter of the independence movement in Ukraina, and was assassinated by a Soviet agent in 1921.The carol was made famous after the adaption by Peter J. Wilhousky in 1936. Wilhousky worked as an arranger for the NBC symphony orchestra. It is also well known from popular culture, like the film Home Alone (1990), and a version by the vocal group Pentatonix.Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £10.00

    Red Priest (Brass Band - Study Score) - Wilby, Philip

    Concerto After VivaldiDuring his lifetime, Antonio Vivaldi was known as 'il Prete Rosso', the Red Priest, thanks to his youthful ordination and his flaming red hair. The son of a violinist at San Marco in Venice, Vivaldi's musical pedigree was impeccable and an excellent start to his career was coupled with astounding energy and productivity. His vast output of concerti grossi, using soloists in groups, inspired this composition and performers may choose appropriate stage positions for the various groupings of cornets and trombones, spaced around the performance area. The score quotes freely from some of Vivaldi's most popular compositions, including 'Winter' from The Four Seasons, the motet Nisi Dominus, the famous Gloria and the fugue from the Concerto grosso in D minor found in L'Estro Armonico.However, it is the musical spirit of Vivaldi, a close contemporary of both Handel and Casanova, that inspired this music, which should be played with a mixture of accuracy and abandoned virtuosity. The musical images in this piece have clear associations in the composer's mind with individual Venetian locations, ranging from bustling street scenes to vaulted interiors, and describing the famous journey down the Grand Canal, past the Doge's Palace, to the Ospedale della Pieta where Vivaldi worked for so many years.Duration: 14.00

    Estimated dispatch 7-14 working days
  • £34.95

    Red Priest (Brass Band - Score only) - Wilby, Philip

    Concerto After VivaldiDuring his lifetime, Antonio Vivaldi was known as 'il Prete Rosso', the Red Priest, thanks to his youthful ordination and his flaming red hair. The son of a violinist at San Marco in Venice, Vivaldi's musical pedigree was impeccable and an excellent start to his career was coupled with astounding energy and productivity. His vast output of concerti grossi, using soloists in groups, inspired this composition and performers may choose appropriate stage positions for the various groupings of cornets and trombones, spaced around the performance area. The score quotes freely from some of Vivaldi's most popular compositions, including 'Winter' from The Four Seasons, the motet Nisi Dominus, the famous Gloria and the fugue from the Concerto grosso in D minor found in L'Estro Armonico.However, it is the musical spirit of Vivaldi, a close contemporary of both Handel and Casanova, that inspired this music, which should be played with a mixture of accuracy and abandoned virtuosity. The musical images in this piece have clear associations in the composer's mind with individual Venetian locations, ranging from bustling street scenes to vaulted interiors, and describing the famous journey down the Grand Canal, past the Doge's Palace, to the Ospedale della Pieta where Vivaldi worked for so many years.Duration: 14.00

    Estimated dispatch 7-14 working days
  • £74.95

    Red Priest (Brass Band - Score and Parts) - Wilby, Philip

    Concerto After VivaldiDuring his lifetime, Antonio Vivaldi was known as 'il Prete Rosso', the Red Priest, thanks to his youthful ordination and his flaming red hair. The son of a violinist at San Marco in Venice, Vivaldi's musical pedigree was impeccable and an excellent start to his career was coupled with astounding energy and productivity. His vast output of concerti grossi, using soloists in groups, inspired this composition and performers may choose appropriate stage positions for the various groupings of cornets and trombones, spaced around the performance area. The score quotes freely from some of Vivaldi's most popular compositions, including 'Winter' from The Four Seasons, the motet Nisi Dominus, the famous Gloria and the fugue from the Concerto grosso in D minor found in L'Estro Armonico.However, it is the musical spirit of Vivaldi, a close contemporary of both Handel and Casanova, that inspired this music, which should be played with a mixture of accuracy and abandoned virtuosity. The musical images in this piece have clear associations in the composer's mind with individual Venetian locations, ranging from bustling street scenes to vaulted interiors, and describing the famous journey down the Grand Canal, past the Doge's Palace, to the Ospedale della Pieta where Vivaldi worked for so many years.Suitable for Championship Section BandsDuration: 14.00

    Estimated dispatch 7-14 working days
  • £106.99

    Three Extraordinary Journeys (Brass Band - Score and Parts) - Sparke, Philip

    Three Extraordinary Journeys was commissioned to mark the centenary of the death of the famous author Jules Verne. Based on three novels from his Voyages Extraordinaires series of travel stories, the music aims to capture the excitement and adventure of these famous books. A fantastic major concert or 'own choice' contest piece.Duration: 13:15

    Estimated dispatch 7-14 working days

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  • £44.95

    Tango (Por Una Cabeza) (Cornet Solo with Brass Band)

    Por una cabeza, literally translated as "by a head [of a horse]" in Spanish (meaning a horse winning a race by one head's distance), is one of the most famous and popular Argentine tangos.Composer Carlos Gardel (11 December 1890 - 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The music has appeared in numerous TV and Film soundtracks, perhaps most memorably in the famous dancing scene featuring Al Pacino in Scent of a Woman. This extended arrangement for cornet (or trumpet) incorporates a cadenza and newly written interludes.

    Estimated dispatch 7-14 working days

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  • £164.99

    Diamond Concerto (Euphonium Concerto No.3) (Euphonium Solo with Brass Band - Score and Parts)

    Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein. The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village of Morschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:Earth Star is rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.Ocean Dream uses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.Blue Heart was written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Duration: 16:45

    Estimated dispatch 7-14 working days

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