Results
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£35.55Disinformation! (Brass Band) Joe Galuszka
This atmospheric work by English composer Joe Galuszka is set in three movements: I. Fear II. Hope III. Solidarity (March for Truth) The composer writes: 'All around us is mistrust in the information we receive. Chinese misinformation. Russian disinformation. 'Fake News' in the United States. At every turn we doubt what we hear, what we see. Disinformation was composed in response to the ever-growing and all powerful misinformation campaigns worldwide that reached dizzying levels of influence, coming from some of the most eminent heads of states, during the turn of the 21st century. With division and disillusionment now rife and engrained in Western democracies, the unravelling of the social order is reflected in this short work for brass band. Opening with Fear, Disinformation starts with vast amounts of noise taking over the establishment and paints a world with people coming to terms with the cacophony of sound that is 'false information'. With a retreat to a brief moment of solace, Hope conjures up a calm escapism where on the outside, the brave and the wise look on to what is becoming of our new world. Maybe there is chance to pull together? Ending with a frenzied, brazen climax, the piece concludes with Solidarity - where people and the politicians come to loggerheads in a battle - where those who seek division are called out and the lies are laid bare for all to see, as we enter, once more, the unknown.' To view a rolling score video of this work please visit www.youtube.com/watch?v=z-0I47yfvM0 PDF download includes score and parts. Sheet music available from www.brassband.co.uk Difficulty Level: 1st Section + Length: 4.35 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-4 (Part 2 optional)
In stock: Estimated dispatch 1-3 days
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£39.71Simply Carols - 45 Favourite Christmas Carols - Brass Band Set
VIEW SCORE PDF This resource features 45 Favourite Christmas Carols aimed at Intermediate Ensemble and above. All arranged by Kevin Larsson, who has over 20 years' experience working with youth ensembles, they are designed to be flexible and playable by a wide range of different groups, including brass, winds and strings. The arrangements use limited ranges, keys and rhythms and fingerings and slide positions are included for accidentals on the brass parts. PDF parts come in both march card an A4 size. Scored for quartet, the arrangements will work just as well with larger groups. Promotional videos for this product can be viewed at: www.youtube.com/watch?v=dTwB-Zy-c08 (short version) www.youtube.com/watch?v=g4IsIM8x7NU (extended version) The sheet music for this is available from Solid Brass Music Company at www.solidbrassmusic.com where parts, score and piano reduction can be purchased individually. Included in Brass Band Set: Full Score 1st Part Eb1st Part Bb2nd Part Bb2nd Part Eb 3rd Part Eb 3rd Part Baritone Bb3rd Part Trombone Bb4th Part Eb4th Part Bb 4th Part Bass ClefPercussion (optional) Full Set available at www.brookwrightmusic.com/product-page/simply-carols-45-favourite-christmas-carols-for-intermediate-ensemble and includes Piano Reduction Wind Band Set available at www.brookwrightmusic.com/product-page/simply-carols-45-favourite-christmas-carols-wind-band-set Full Score available at www.brookwrightmusic.com/product-page/simply-carols-45-favourite-christmas-carols-full-score
In stock: Estimated dispatch 1-3 days
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£25.95Hymn for Africa - Peter Meechan
Part of the Brass Band Aid SeriesBrass Band Aid is a Charitable Organisation formed by members of Stanhope Silver Band, based in the North of England. From an original aim to raise awareness of the Make Poverty History campaign in their local area, a brass band CD recording was planned. The initiative took on a whole new dimension when the collection of local bands performing on CD were then joined by, what is now known as, The Brass Band Aid Celebrity Band, made up of many of the top brass musicians in the country.Following the success of this initial project the Celebrity Band has come together again to record a new CD - "Into Africa". This is a compilation of pieces especially written for the recording by some of the most esteemed brass band writers of today. 'Hymn for Africa' is one such piece, generously contributed by Peter Meechan in support of the ongoing work of the charity."Hymn for Africa is inspired by the the release of Nelson Mandela in the early 1990's and the effect it had upon not only South Africa, but all over the continent of Africa, as well as the World as a whole. The fact that one man can achieve this with peace and great dignity will always be an inspiration, not only to me, but many, many millions of humans around the globe.sense of dignity and peace the composer . A simple 8 bar melody, first heard on an unaccompanied flugel horn at the beginning, is the basis of the composition. A drone is then added, before a chorale, and finally a rousing climax when the percussion and full band enter. The piece ends at it began, with a peaceful, unaccompanied, flugel solo." (Peter Meechan).All sets sold raise money for Brass Band Aid - a charity The Music Company has continued to actively support since 25.
Estimated dispatch 7-14 working days
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£35.00Oubliette - Lucy Pankhurst
Lucy Pankhurst has created a highly immersive solo for Tuba/Eb Bass with brass band accompaniment, aiming and succeeding in showing the lyrical and technical diversity of the tuba, demanding virtuoso brilliance and clarity in performance.Dedicated to tuba player Edd Leech, Oubliette raises the bar for tuba repertoire.Set includes score, brass band parts and solo parts for Eb Bass (TC) and Tuba (BC). Solo with piano accompaniment available separately.Programme notes from the composer, Lucy Pankhurst:From the French word oublier, meaning 'to forget', an oubliette was a form of dungeon used in the 14th century. A small, windowless room where someone is locked away to be forgotten and left to go mad.I initially chose this title for the piece as the Tuba is often forgotten as a solo instrument, when its versatility in performance should be celebrated. Oubliette showsThe work begins with desolate and sparse accompaniment with lamenting solo lines. The soloist has already been cast into the oubliette at this point and is beginning to wake from a somnolent state. Reality is blurred through the darkness of the chamber - the only entrance is a hatch in the ceiling, far out of reach.Memories are confused by countless hours of solitude - hallucinations and paranoia tainting reality. Gradually, the soloist remembers images from the past and gains confidence and strength. Long forgotten by the captors, or presumed dead in the chamber, the entrance hatch suddenly opens to allow another prisoner inside. The soloist seizes the opportunity for escape and a short battle ensues. Sword and fist fighting, perilous leaps over the entrances to more dungeons and fierce battle cries are futile, as the soloist suddenly realises they are alone in the oubliette once more and the skirmish was nothing but another dream.The piece concludes with unaccompanied soloist in the low register, sinking deeper into the shadows of the windowless prison; are they accepting their fate, or merely lying in wait for another chance of escape, if one will ever come . . .
Estimated dispatch 7-14 working days
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£48.95Appalachian Mountain Folk Song Suite (Score and Parts) - James Curnow
Duration: 5:30 The Appalachian Mountain Range extends from the Gaspe Peninsula to Alabama in eastern North America. Out of these mountain areas has come a wealth of folk music that has been adapted by many composers and arrangers over the years. The present suite includes brief setting of three such melodies: 'Sourwood Mountain'; 'Black is the colour of my true love's hair'; and 'Camptown Races'. A full score is also available separately.
Estimated dispatch 5-7 working days
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£21.95Appalachian Mountain Folk Song Suite - James Curnow
Duration: 5:30 The Appalachian Mountain Range extends from the Gaspe Peninsula to Alabama in eastern North America. Out of these mountain areas has come a wealth of folk music that has been adapted by many composers and arrangers over the years. The present suite includes brief setting of three such melodies: 'Sourwood Mountain'; 'Black is the colour of my true love's hair'; and 'Camptown Races'. Brass Band Set comprising full score and parts also available.
Estimated dispatch 5-7 working days
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£49.95Fire in the Blood
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£19.95Fire in the Blood (Score Only)
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£34.95On the Castle Green
I was contacted by conductor and friend Desmond Graham who wanted to have a traditional concert march composed to celebrate the Golden Jubilee of his band; The Third Carrickfergus Band.Immediately my mind started wandering as I thought about all the great marches that I have enjoyed playing and listening to over the years. So when I put pen to paper I had already planned out the structure of the march and which instruments to feature.The march itself is split into two halves, the first in a minor key the second in a major key. The opening section starting loudly in F minor features stereotypical passages one would come to recognise in a traditional concert march: a cornet solo, a melodic bridging section and a robust bass solo led by the basses and trombones.The second half of the march changes pace and mood as it lifts into a major key giving it a more lighter feel. We hear a second cornet solo which plays the second theme of the march. After a second bridge section the theme is played by the front row cornets to allow the soprano to play an obligato melody similar to that heard in marches like "Army of the Nile" and "Stars and Stripes Forever". It all builds to a grandioso ending where the tempo drops and the final theme is played with a quick accel to the end.As for the title? In Carrickfergus lies an old castle that faces the town which is situated on a small plot of luscious green grass - "On The Castle Green".Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£22.50Petite Suite de Ballet (Score Only)
This composition consists of four 'miniatures', simple in construction, yet not without technical demands upon the players.The music is for a ballet which so far exists only in the imagination! Like most ballet, it has a touch of the fantastic, and must be interpreted with a light, deft touch.The first movement, Parade, brings many characteristics on to the stage, marching perkily, leggily, with almost puppet-like movements.In the next movement, Pas Seul (Solo Dance), one lone figure holds the stage, with a mixture of grace and sauciness. At the end he (or she) runs off with a snap of the fingers.The third movement is a Minuet. A chosen few, richly garbed, perform this stately, courtly dance, while the rest of the company look on at some ritual in which they are not allowed to join.The final Ensemble commencing with the return of the lone figure, gradually brings the whole company to the stage. Various groups come forward for a few moments, and then rejoin the general pattern of the dancing. Towards the end a stately procession is formed, but this finally breaks up in a sudden flurry of leaping and capering, and in a moment, as though at some magic call, the dances have disappeared, whilst the sonorous tones of the final bars of music follow them with a rather disapproving air.Our little fantasy in over.
Estimated dispatch 7-14 working days