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£69.95
TRANSFORMATION (Brass Band Set) - Kenneth Downie
I believe in transformation, God can change the hearts of men, And refine the evil nature, till it glows with grace again'. So wrote John Gowans in the second verse of his great hymn, 'I believe that God the Father, can be seen in God the Son', written specifically to affirm Salvationists' beliefs. It is sung to the tune Bethany and in seeking to explore this great subject at the heart of the Christian gospel in musical terms, the composer has used this fine tune as the basis. Although it never appears in its entirety, it is seldom out of the picture and much of the work is derived from it. The other main source of material is the lovely, simple chorus, 'Some day I shall be like him, changed to heavenly beauty, when his face I see'. This chorus is especially prominent in the middle section but there are important references to it throughout. There are also brief references to Charles Wesley's hymn, 'Love Divine' and, in particular, the telling lines, 'Changed from glory into glory, till in Heaven we take our place'. The work suggests that, at times, the process of being transformed is a struggle, portrayed with many passages of fraught and demanding music. Considerable reserves of stamina and technique are required while, in contrast, the chorus, 'Some day I shall be like him' provides the warm, gentle centre of the work. The premiere of the work was given by The International Staff Band of The Salvation Army in Cadogan Hall on Friday 3rd June 2011, as part of the band's 120th anniversary celebrations.
Estimated dispatch 7-14 working days
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£34.95
SOUTHERN CROSS, The (Brass Band Set) - Brian Bowen
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£29.95
EXETER TEMPLE (Brass Band Set) - Leslie Condon
This march was written for the centenary of Exeter Tempe Corps in 1981 and first played in Exeter Cathedral during those celebrations. While the march is intentionally retrospective, the unashamed absence of modernity receives some splashes of colour from the styles of march 'kings' like Bramwell Coles, Arthur Gullidge, Albert Jakeway and George Marshall.
Estimated dispatch 7-14 working days
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£42.95The Platinum Jubilee March - Chris G. Shelton
The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations. The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring semi-quaver lines that are underpinned by a driving trombone countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.
Estimated dispatch 5-14 working days
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£137.99Klezmer Discovery - Sjaak van der Reijden
The Yiddish word 'Klezmer' has been derived from the Old Hebrew words 'Kley' (tool, instrument) and 'Zemer' (song, singing, making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music, Klezmer music has succeeded in preserving its distinctive Jewish character. 'Klezmer Discovery' is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of a number of motives from differenttraditional melodies (a Mitzve Tenzel and L'cha Dodi), followed by a melody in 3/8th time (Kandel's Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently, 'Der Terk in Amerika', a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast, cheerful dance melodies (bulgars) form the finale of 'Klezmer Discovery' (Lebedyk un Freylekh, Lomir sich iberbetn and Sherele).
Estimated dispatch 5-14 working days
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£68.99Five Festive Fanfares - Philip Sparke
This collection will provide fanfares for any occasion: concert opener, presentation ceremony or celebrations of all kinds. The variety of styles and durations (from ten seconds to two minutes) will ensure you will always find the right fanfare for the right moment.
Estimated dispatch 5-14 working days
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£57.50A Klezmer Karnival - Philip Sparke
Klezmer music originated in the 'shtetl' (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as 'klezmorim', had performed at celebrations, particularly weddings, since the early Middle Ages. Since the 16th century, lyrics had been added to klezmer music, due to the 'badkhn' (the master of ceremony at weddings), to the 'Purimshpil' (the play of Esther at Purim) and to traditions of the Yiddish theatre, but the term gradually became synonymous with instrumental music, particularly featuring the violin and clarinet. In recent years it has again become very popular and in A Klezmer Karnival Philip Sparke has used three contrastingtraditional tunes to form a suite that will bring a true karnival atmosphere to any concert.
Estimated dispatch 5-14 working days
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£91.99Three Klezmer Miniatures - Philip Sparke
Three Klezmer Miniatures is Philip Sparke's third work based on traditional Jewish klezmer melodies, after Shalom! and A Klezmer Karnival. Klezmer music originated in the 'shtetl' (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as 'klezmorim', had performed at celebrations, particularly weddings, since the early Middle Ages. In Three Klezmer Miniatures Philip Sparke used the traditional tunes Sham Harei Golan Nigun Shel Yossi, Tumbalalaika, and Hava Nagila.
Estimated dispatch 5-14 working days
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£74.99Free World Fantasy - Jacob de Haan
This piece was commissioned by the Dutch province of Groningen for the celebrations commemorating the liberation festivities in 1987. In the composition, the dream of a world without war is symbolized. It is the first composition in a series in which Jacob de Haan combines concert music with pop music in a style, which reminds one of film music. Later compositions in which he has reaped much success with the same formula in style are Oregon, La Storia and Utopia.
Estimated dispatch 5-14 working days
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£102.99The Seventh Night of July - Itaru Sakai
In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The flugel horn and euphonium solos during the middle movement represent the two main themes from the legend.
Estimated dispatch 5-14 working days
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