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  • £121.20

    Circius - Torstein Aagaard-Nilsen

    The work is important for me because it was my first piece to be performed outside Norway. Black Dyke Band/David King performed it and did a recording of it in 1991. In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) he decribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth. (Well, not a good translation Im afraid). The fast sections reflects the mighty winds from the north. In the middle section, I borrowed afolksong-like tune (by C. Elling, a Norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.

    Estimated dispatch 5-14 working days

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  • £179.50

    Myte - Myth - Torstein Aagaard-Nilsen

    Commissioned by Radoy Brass for their 20 years anniversary.This version was first performed by Manger Skulemusikklag in 2005.The Work is devided into Five Scenes:1. Sverdet (The Sword) 3:452. Advarsel - fra en vis mann (Warning - from a Wise Man) 2:303. Dragen (The Dragon) 3:004. Advarsel II - fra syngende fugler (Warning II - from singing birds) 1:355. Gull - forbannelsen (Gold - The Curse) 2:50Total durata 13:30This work is based on five scenes from the tale about "Sigurd Favnesbane" (Sigurd the dragonslayer). Moods and atmospheres in the piece represent my way of retelling the old myth.1. The SwordThe dwarf blacksmith Regin is hammering and sharpening the edges of the magical sword Gram. After three attempts the sword is finally sharp enough to kill a dragon. 2. Warning - from a Wise manRichard Wagners opera Sigfried is based on the same story. In the opera the hero get warned by a wise man. He tells the secret of how to survive an attack of the dragon by hiding in a hole in the pathway and then kill the dragon with the sword as thedragon passes on its way to the river to drink water.3. DragonThe Dragon (Favne) guards a fantastic treasure, but he is also the brother of the blacksmith Regin. Favne get killed and his blood flows slowly while he laments (trombone/bass trombone).4. Warning II - from singing birdsWhile frying the heart, Sigurd burns his thumb and put it into his mouth to cool it down. Then he swallow a drop of fresh magic dragon blood which transfers the ability to understand the birdlanguage. The birds sing warnings to Sigurd telling himthat Regin will betray him and later kill him. Sigurd then kills Regin instead.5. Gold - the CurseSigurd takes the gold treasure and escapes on the horseback of Grane. But his robbery of the gold lead him into trouble: The gold is banned and a curse will hit everyone whotakes it...Myth is a programmatic work where the story is quite clearly illustrated throughout the piece:In the first movement you can hear the blacksmith working with hammer on ambolt while the heat is intense from the glows. The dwarf has got his own theme i lower brass (bar 4-5). The hero Sigurd has his own identifying chord (2 bars before F). Thechord is also a symbol of the sword.In the second movement the warning from the wise man is expressed in the lyric bass line.The airblow in instruments illustrate the dragon Favne on his way out of his cave, and later the blood flows slowly. The dragon takes his last deep breath after a painful duet in trombones. The birds sing their motifs (lightly, but not cheerfulthough), until Sigurd cuts the head off Regin and it hits the ground.The last movement describes the atmosphere andstate of mind as the curse infects the obsessed thief.

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  • £99.50

    Introduction - Torstein Aagaard-Nilsen

    A short concert opener. I quote a couple of Norwegian Folk Tunes to make a musical picture of the Vikings running from the seashore to face a battle. They used to drink something made of mushrooms to prevent fear and pain - They became Berserkings!Introduction is recorded by Manger Musikklag on their CD Circius.

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  • £68.99

    A Moment of Silence - Torstein Aagaard-Nilsen

    A euphonium solo based on a Norwegian tune, Stille stund. Een euphonium solo gebaseerd op een Noors volksliedje, Stille Stund.

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  • £68.99

    Nocturne - Torstein Aagaard-Nilsen

    Commissioned by Manger School Band and their conductor (at that time) Bj?rn Sagstad in 1990. He wanted a calm, slow piece of music. Nocturne means 'night music'. It does not reflect a particular dream, but the feeling you get when you?re day-dreaming: you are in the middle of beeing awake and asleep. Geschreven in opdracht van Manger School Band en hun dirigent (op dat moment) Bj?rn Sagstad in 1990. Hij wilde een rustig, langzaam stuk muziek. Nocturne betekent 'nacht muziek'. Het gaat dus niet een bepaalde droom, maar het gevoel dat je krijgt wanneer je aan het dagdromen bent: je bent in het midden van wakker zijn en slapen.

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  • £119.99

    The Binding of the Wolf - Torstein Aagaard-Nilsen

    This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. "The Binding of the Wolf" is not a programmatic piece of music, but I felt that there was a kind of coherence between the music and the dramatic story: "...The wolf Fenrir was one of the demonic offspring of Loki, and as he grew up in Asgard among the gods, he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound, and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world, such as the roots of a mountain, the noise of a moving cat, the breath of a fish. When completed, this chain seemed to be no more than a silken cord, but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this, and when the wolf found that the chain was unbreakable, the gods rejoiced, but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men, as well as that of the gods, from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe..."

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  • £78.90

    November Blue - Torstein Aagaard-Nilsen

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  • £179.50

    Abstractions - Torstein Aagaard-Nilsen

    1. Aurora Borealis (Lento espressivo) The first movement is inspired by the northern lights. It constantly changes in colour and shape. 2. Rocks (Moderato ben ritmico) The title of the second movement is a play with the word "rock" is a well-known word describing a musical genre. But it is also a giant stone or a part of a mountain. 3. Seascape (Allegro) The third movement is inspired by different aspects of the sea. It also sums up different ideas that occurs in the two previous movements to round off the whole piece. Third Edition - 2015

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  • £213.90

    Euphonium Concerto - Torstein Aagaard-Nilsen

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  • £261.90

    Mutant Sonorities - Torstein Aagaard-Nilsen

    Estimated dispatch 5-14 working days