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£24.95
OF WHOM I SING Jeg elsker Dig (Brass Band Set) - Edvard Grieg - Leonard Ballantine
The original, Jeg elsker Dig, is a plaintive love song for voice and piano with words by Hans Christian Anderson; 'You have become thought of my thought, you are my heart's first love. I love you, as no one here on earth, I shall love you through time and eternity!'
Estimated dispatch 7-14 working days
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£89.95
INFINITY (Brass Band Set) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£10.00
INFINITY (Brass Band Study Score) - Robert Redhead
In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.
Estimated dispatch 7-14 working days
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£24.95
SECRET PRAYER (Brass Band Set) - Erik Leidzen
An interesting and varied treatment of the old chorus 'O the voice to me so dear, breathing gently on my ear! Needy soul, look up and see, 'Tis the Saviour speaks to thee'.
Estimated dispatch 7-14 working days
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£15.99O' Rest In The Lord Felix Mendelssohn arr. Joseph Knight
Mendelssohn conducted the first English performance of 'Elijah' on 26 August 1846 at Birmingham Town Hall and it was immediately acclaimed a classic of the genre. This Aria, O' Rest In The Lord, is a classic for alto voice and therefore transposes nicely for the Tenor Horn. In this arrangement the whole Tenor Horn section plays the alto part to produce a sublime timbre. This is a fantastic feature piece for any concert.
Estimated dispatch 5-7 days
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£30.00Highly Exalted - Tim Paton
I was commissioned to write a piece for a festival. I set a religious text, Philippians chapter 2 verses 9 to 11, for soprano voice and chamber orchestra. I later modified and adapted this piece for soprano cornet and brass band. This music is very descriptive of what is contained in the Biblical text, speaking of things both terrestrial and heavenly.
Estimated dispatch 7-14 working days
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£30.00My Little Welsh Home - Traditional
A beautiful arrangement by Tim Paton of a Welsh song by W S Gwynne Williams. Created in memory of his mother, Tim has produced a wonderful version for brass band and has also included an optional vocal solo or unison choir line.Comments from the arranger:I have arranged [My Little Welsh Home] in memory of my mother. [She] was born, Doreen Davies, on 27th November 1918, in Haverfordwest, Pembrokeshire, a small town in South West Wales. She had a beautiful voice, and met my father, Bill Paton, during World War II, whilst she was singing in a troop concert at the County Theatre in her home town, and my father was the MC.Throughout her life, my mother and father entertained, and she was singing right up until the final months of her life. She spent many years in Weston-super-Mare, Somerset, a seaside town in South West England, and it was here that she passed away on 20th September 2004. During the last several months of her life, she often referred to the song My Little Welsh Home:Here are the words.I am dreaming of the mountains of my homeOf the mountains where in childhood I would roamI have dwelt 'neath southern skiesWhere the summer never diesBut my heart is in the mountains of my homeI can see the little homestead on the hillI can hear the magic music of the RhyllThere is nothing to compareWith the love that once was thereIn the lonely little homestead on the hillI can see the quiet churchyard down belowWhere the mountain breezes wander to and froAnd when God my soul will keepIt is there I want to sleepWith those dear old folks that loved me long agoLooking at the words, I can see why it meant so much to her. Haverfordwest is at the foot of the Preseli Mountains, and her home and church were at the top of a hill. My mothers' ashes were taken back to her own little Welsh home, and laid to rest in the grounds of the church where she had been Christened, Confirmed and Married.Look and Listen (Score-reading digital sound-sample):
Estimated dispatch 7-14 working days
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£40.00Unholy Sonnets (Score only) - Philip Wilby
Pieces for voice and brass band are rare, so Unholy Sonnets, with provocative words by Mark Jarman, occupies an unusual place in the repertory. The four movements are: 'Time to admit my altar is a desk', 'Two forces rule the Universe', 'There was a pious man', and 'If God survives us, will His kingdom come?' Also available with piano.
Estimated dispatch 5-7 working days
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£50.00Unholy Sonnets (Parts only) - Philip WIlby
Pieces for voice and brass band are rare, so Unholy Sonnets, with provocative words by Mark Jarman, occupies an unusual place in the repertory. The four movements are: 'Time to admit my altar is a desk', 'Two forces rule the Universe', 'There was a pious man', and 'If God survives us, will His kingdom come?' Also available with piano.
Estimated dispatch 5-7 working days
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£13.95Unholy Sonnets - Philip WIlby
Pieces for voice and brass band are rare, so Unholy Sonnets, with provocative words by Mark Jarman, occupies an unusual place in the repertory. The four movements are: 'Time to admit my altar is a desk', 'Two forces rule the Universe', 'There was a pious man', and 'If God survives us, will His kingdom come?'
Estimated dispatch 5-7 working days